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Aline Duval
Aline Louise Duval (1824 – July 20, 1903) was a French stage actress. "Much appreciated in the roles of travesties or grisettes thanks to the biting of her voice and her air of delicacy, she was also noticed in the reviews for her enthusiasm and her good humor." She is buried in Père Lachaise Cemetery. Biography Duval’s father worked as a plumber. She started acting as a child, at the Théâtre Comte, later at the Théâtre du Panthéon. Starting in 1842, she would spend the next 20 years at the Théâtre du Palais-Royal, before moving the Théâtre des Variétés in 1864, holding the job of duenna A chaperone (also spelled chaperon) in its original social usage was a person who for propriety's sake accompanied an unmarried girl in public; usually she was an older married woman, and most commonly the girl's own mother. In modern social u .... In 1880, she was described as playing "the old women at the Variétés". She is described in an 1858 Parisian stage bio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Princesse De Trébizonde
''La Princesse de Trébizonde'' is an opéra bouffe with music by Jacques Offenbach and text by Étienne Tréfeu and Charles-Louis-Étienne Nuitter. The work was first given in two acts at the Theater Baden-Baden on 31 July 1869 and subsequently presented in a revised three-act version at the Théâtre des Bouffes-Parisiens on 7 December of the same year. Background 1869 was a productive and successful year for Offenbach. ''Vert-Vert'', an opéra comique by him in three acts had its premiere at the Paris Opéra-Comique on 10 March. This was followed less than two weeks later by the first performances of his opéra bouffe ''La diva'' at the Bouffes-Parisiens on 22 March. On 31 July ''La princesse de Trébizonde'' was given its premiere at Baden-Baden under the direction of the composer. In December of the same year, in the space of five days, the revised three-act version of ''La princesse de Trébizonde'' had its first performance on the 7th at the Bouffes-Parisiens, followed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nadar
Gaspard-Félix Tournachon (5 April 1820 – 20 March 1910), known by the pseudonym Nadar, was a French photographer, caricaturist, journalist, novelist, balloon (aircraft), balloonist, and proponent of Aircraft#Heavier-than-air – aerodynes, heavier-than-air flight. In 1858, he became the first person to take aerial photographs. Photographic portraits by Nadar are held by many of the great national collections of photographs. His son, Paul Nadar (1856–1939), continued the studio after his death. Life Gaspard-Félix Tournachon (also known as Nadar) was born in early April 1820 in Paris, though some sources state he was born in Lyon. His father, Victor Tournachon, was a printer and bookseller. Nadar began to study medicine but quit for economic reasons after his father's death. Nadar started working as a caricaturist and novelist for various newspapers. He fell in with the Parisian bohemian group of Gérard de Nerval, Charles Baudelaire, and Théodore de Banville. His friends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Travesti (theatre)
''Travesti'' is a theatrical term referring to the portrayal of a character in an opera, play, or ballet by a performer of the opposite sex. For social reasons, female roles were played by boys or men in many early forms of theatre, and ''travesti'' roles continued to be used in several types of context even after actresses became accepted on the stage. The popular British theatrical form of the pantomime traditionally contains a role for a " principal boy", a breeches role played by a young woman, and also one or more pantomime dames, female comic roles played by men. Similarly, in the formerly popular genre of Victorian burlesque, there were usually one or more breeches roles. Etymology The word means "disguised" in French. Depending on sources, the term may be given as travesty, ''travesti'', or ''en travesti''. The ''Oxford Essential Dictionary of Foreign Terms in English'' explains the origin of the latter term as "pseudo- French", although French sources from the mid-19th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grisette (person)
The word grisette (sometimes spelled grizette) has referred to a French working-class woman from the late 17th century and remained in common use through the Belle Époque era, albeit with some modifications to its meaning. It derives from ''gris'' ( French for grey), and refers to the cheap grey fabric of the dresses these women originally wore. The 1694 edition of the ''Dictionnaire de l'Académie française'' described a grisette as simply "a woman of lowly condition". By the 1835 edition of the dictionary, her status had risen somewhat. She was described as: a young working woman who is coquettish and flirtatious. This usage can be seen in one of Oliver Wendell Holmes' early poems "Our Yankee Girls" (1830): the gay grisette, whose fingers touch love's thousand chords so well. ... In practice, "young working woman" referred primarily to those employed in the garment and millinery trades as seamstresses or shop assistants, the few occupations open to them in 19th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Père Lachaise Cemetery
Père Lachaise Cemetery (french: Cimetière du Père-Lachaise ; formerly , "East Cemetery") is the largest cemetery in Paris, France (). With more than 3.5 million visitors annually, it is the most visited necropolis in the world. Notable figures in the arts buried at Père Lachaise include Michel Ney, Frédéric Chopin, Émile Waldteufel, Édith Piaf, Marcel Proust, Georges Méliès, Marcel Marceau, Sarah Bernhardt, Oscar Wilde, Thierry Fortineau, J.R.D. Tata, Jim Morrison and Sir Richard Wallace. The Père Lachaise is located in the 20th arrondissement of Paris, 20th arrondissement and was the first garden cemetery, as well as the first municipal cemetery in Paris. It is also the site of three World War I memorials. The cemetery is located on the Boulevard de Ménilmontant. The Paris Métro station Philippe Auguste (Paris Métro), Philippe Auguste on Paris Métro Line 2, Line 2 is next to the main entrance, while the station Père Lachaise (Paris Métro), Père Lachaise, on both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Comte
The Théâtre Comte, also called Théâtre des Jeunes-Élèves (the latter name revived from a previous theatre, on a different site, in the rue de Thionville, that had been closed down by Napoleon's decree of June 1807), was a Parisian entertainment venue founded by the ventriloquist and magician Louis Comte in 1820. The building was located in the passage des Panoramas of the 2nd arrondissement of Paris. The comedian Hyacinthe made his debut in the place in 1821. In 1826, Louis Comte had to leave the passage des Panoramas for security reasons. He then commissioned the architects Allard and Brunneton the construction of a new hall in the Choiseul area being redeveloped at that time. With double access to passage Choiseul and rue Neuve-Ventadour (current rue Monsigny), it was inaugurated on 23 January 1827. In 1846, a law prohibiting children to play in the Theaters, Louis Comte gave up the direction to his son Charles. Jacques Offenbach took the lease in 1855 and set up his thà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Panthéon
The Théâtre du Panthéon was a theatre building in Paris, at 96 (now 46) rue Saint-Jacques ( 5th arrondissement). It opened in 1832 and closed in 1844. It was named after the nearby Panthéon. History It was built in 1831 on the remains of the église Saint-Benoît to designs by Alexandre Bourla and commissioned by Éric Bernard, an actor at the Odéon. It opened on 18 March 1832 with ''Un panorama'', a vaudeville by Thomas Sauvage. Bernard gathered a cast of a dozen actors alongside whom he put on nearly fifty shows in a single year, but such a high turnover took its toll on his health and he passed its management to MM. Georges and Pierre Perrin fils in February 1833. They put on the first appearances of Mademoiselle Judith, which proved promising, but even so the new managers gave up after only two months. The theatre reopened on 1 September 1835 under the management of Tard, who brought in a totally new troupe of actors. He was so successful that Tard was offered the ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Palais-Royal
The Théâtre du Palais-Royal () is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais. Brief history Originally known as the Théâtre des Beaujolais, it was a puppet theatre with a capacity of about 750 that was built in 1784 to the designs of the architect Victor Louis. In 1790 it was taken over by Mademoiselle Montansier and became known as the Théâtre Montansier. She began using it for plays and Italian operas translated into French and the following year hired Louis to enlarge the stage and auditorium, increasing its capacity to 1300. After Napoleon's decree on the theatres in 1807 introduced significant constraints on the types of pieces that could be performed, it was used for lighter fare, such as acrobatics, rope dancing, performing dogs, and Neapolitan puppets. In 1812 the theatre was converted into a café with shows. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Des Variétés
The Théâtre des Variétés is a theatre and "salle de spectacles" at 7–8, boulevard Montmartre, 2nd arrondissement, in Paris. It was declared a monument historique in 1974. History It owes its creation to the theatre director Mademoiselle Montansier (Marguerite Brunet). Imprisoned for debt in 1803 and frowned upon by the government, a decree of 1806 ordered her company to leave the Théâtre du Palais-Royal which then bore the name of "Variétés". The decree's aim was to move out Montansier's troupe to make room for the company from the neighbouring Théâtre-Français, which had stayed empty even as the Variétés-Montansier had enjoyed immense public favour. Strongly unhappy about having to leave the theatre by 1 January 1807, the 77-year-old Montansier gained an audience with Napoleon himself and received his help and protection. She thus reunited the "Société des Cinq", which directed her troupe, in order to found a new theatre, the one which stands at the side of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duenna
A chaperone (also spelled chaperon) in its original social usage was a person who for propriety's sake accompanied an unmarried girl in public; usually she was an older married woman, and most commonly the girl's own mother. In modern social usage, a chaperon (frequent in British spelling) or chaperone (usual in American spelling) is a responsible adult who accompanies and supervises young people. By extension, the word chaperone is used in clinical contexts. Origin The word derives figuratively from the French word ''chaperon'' (originally from the Late Latin ''cappa'', meaning "cape"), which referred to a hood that was worn by individuals generally. A chaperone was part of the costume of the Knights of the Garter when they were in full dress and, probably, since the Knights were court attendants, the word ''chaperon'' changed to mean escort. An alternative explanation comes from the sport of falconry, where the word meant the hood placed over the head of a bird of prey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century French Actresses
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
