Ali Reza Abbassi
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Ali Reza Abbassi
Ali Reza Abbasi Tabrizi was a prominent Persian calligrapher and calligraphy teacher, who flourished in 16th-17th century Safavid Iran. He was titled by Abbas I as ''Šāhnavāz Xān''. Abbasi was a master of Naskh and Thuluth scripts and the initiator of his own style of Nastaʿlīq script. Besides he was an expert of various other scripts like Muhaqqaq, Reqa, Reyhan, Tevki and Taʿlīq scripts. Youth Ali Reza Abbasi started learning calligraphy in Tabriz as a pupil of Mohammad Hossein Tabrizi and Ala Beyk. Abbasi obtained an outstanding knowledge of Thuluth and Naskh scripts. After that the Ottomans occupied Tabriz in the era of Mohammad Khodabanda, Abbasi left the city and went to Qazvin, the capital of the Safavid dynasty. He lived there in the Jameh mosque of Qazvin. He worked as a calligrapher and completed some parts of inscriptions of the mosque and also some Koran samples. His works on the Jameh mosque of Qazvin made him famous. In the early years of the reign of Ab ...
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Chalipa
Chalipa ( fa, چلیپا, chalīpā, translation=cross, rtl=yes) is a panel in the Nastaliq script. There are two important panels in the Nastaliq calligraphy: ''Chalipa'' and ''Siah Mashgh''. Chalipa consists of four diagonal hemistiches of a poem, which has clearly a moral, ethic and poetic theme. References

{{reflist Typefaces Calligraphy ...
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Alaeddin Tabrizi
Alaeddin Tabrizi or Ala'al-Din Tabrizi ( fa, علاءالدین تبریزی) was a royal master calligrapher who was active during the reign of the Safavid ruler Shah Tahmasp ( 1524–76), for whom he executed ''firman'' ( fa, فرمان, lit=royal decrees). He executed a number of inscriptions placed on buildings in the cities Tabriz, Qazvin, and Karbala Karbala or Kerbala ( ar, كَرْبَلَاء, Karbalāʾ , , also ;) is a city in central Iraq, located about southwest of Baghdad, and a few miles east of Lake Milh, also known as Razzaza Lake. Karbala is the capital of Karbala Governorat .... References and Notes * Huart (1972): 103 * Qadi Ahmad (1959): 79 * Safwat (1996): 84–88 and Cat. No. 43, and 134–135, Cat. No. 65 External links A Calligraphic Panel

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Abd Ol-Baghi Tabrizi
Abd ol-Baghi Tabrizi ( fa, عبدالباقی تبریزی; died 1629) was a prominent Iranian calligrapher during the reign of Safavid dynasty. He was specially an expert in the Thuluth, Naskh and Reqa script. He lived during the era of Abbas I and was a student of Alaeddin Tabrizi Alaeddin Tabrizi or Ala'al-Din Tabrizi ( fa, علاءالدین تبریزی) was a royal master calligrapher who was active during the reign of the Safavid ruler Shah Tahmasp ( 1524–76), for whom he executed ''firman'' ( fa, فرمان, lit=roya ... and Ali Reza Abbassi. He died in 1629. References {{DEFAULTSORT:Tabrizi, Abd ol-Baghi 1500s births 1629 deaths 17th-century Iranian painters 16th-century Iranian painters Calligraphers from Tabriz ...
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Mohammad Saleh Esfahani
Mohammad Saleh Esfahani was a Persian calligrapher in the Safavid era. He was the son and student of Aboutorab Esfahani. He was a follower of Mir Emad's style. Many of the inscriptions on the historical buildings in Esfahan like the inscription on the iwan of Chehel Sotoun Chehel Sotoun ( fa, چهل ستون, literally: “Forty Columns”) is a Persian pavilion in the middle of a park at the far end of a long pool, in Isfahan, Iran, built by Shah Abbas II to be used for his entertainment and receptions. In this ... palace are his works. He died on 3 April 1714. References {{reflist Iranian calligraphers 1600s births 1714 deaths 17th-century calligraphers from Safavid Iran 18th-century calligraphers from Safavid Iran ...
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Mohammad Reza Emami
Mohammad Reza Emami was a Persian calligrapher in the 17th century. He lived from the era of Abbas I until the era of Suleiman I. He was Ali Reza Abbassi's student and was known as the ''Imam of calligraphers''. Mohammad Reza Emami was Mohammad Mohsen Emami's father and Ali Naghi Emami's grandfather. All of the three calligraphers were famous for their Thuluth works in the Safavid era. Many inscriptions of the historical buildings in Isfahan, Mashhad, Qom and Qazvin have been created by them. When Ali Reza Abbassi started to work for Abbas I and became his close friend, Abbas I appointed him as the Thuluth script teacher of some other calligraphers like Mohammad Saleh Esfahani and Abdolbaghi Tabrizi. He died probably in Mashhad after 50 years working in the field of calligraphy. Works Most of Emami's inscriptions are in Isfahan, but some of his works are also in Qom, Qazvin and Mashhad. His first inscription in Isfahan dates back to 1629 and his last inscription in Isfahan ...
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Greater Khorasan
Greater Khorāsān,Dabeersiaghi, Commentary on Safarnâma-e Nâsir Khusraw, 6th Ed. Tehran, Zavvâr: 1375 (Solar Hijri Calendar) 235–236 or Khorāsān ( pal, Xwarāsān; fa, خراسان ), is a historical eastern region in the Iranian Plateau between Western and Central Asia. The name ''Khorāsān'' is Persian and means "where the sun arrives from" or "the Eastern Province".Sykes, M. (1914). "Khorasan: The Eastern Province of Persia". ''Journal of the Royal Society of Arts'', 62(3196), 279-286.A compound of ''khwar'' (meaning "sun") and ''āsān'' (from ''āyān'', literally meaning "to come" or "coming" or "about to come"). Thus the name ''Khorasan'' (or ''Khorāyān'' ) means "sunrise", viz. " Orient, East"Humbach, Helmut, and Djelani Davari, "Nāmé Xorāsān", Johannes Gutenberg-Universität Mainz; Persian translation by Djelani Davari, published in Iranian Languages Studies Website. MacKenzie, D. (1971). ''A Concise Pahlavi Dictionary'' (p. 95). London: Oxford University ...
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Sardar
Sardar, also spelled as Sardaar/Sirdar ( fa, سردار, , 'commander', literally 'headmaster'), is a title of royalty and nobility that was originally used to denote princes, noblemen, chiefs, kings and other aristocrats. It has also been used to denote a chief or leader of a tribe or group. It is used as a Persian synonym of the title ''Emir'' of Arabic origin. In modern history it is known as the title for Afghan Princes during the Afghan Royal Kingdom, descending from the Emir Sultan Mohammed Khan Telai. It was also used as a title of merit in the ''Nishan-i-Sardari'' for outstanding service in statecraft. The term and its cognates originate from Persian ''sardār'' () and have been historically used across Persia (Iran), the Ottoman Empire and Turkey (as "Serdar"), Mesopotamia (now Iraq), Syria], South Asia (Pakistan, India, Bangladesh and Nepal), the Caucasus, Central Asia, the Balkans and Egypt (as "Sirdar"). The term ''sardar'' was used by Sikh leaders and general ...
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Koran
The Quran (, ; Standard Arabic: , Quranic Arabic: , , 'the recitation'), also romanized Qur'an or Koran, is the central religious text of Islam, believed by Muslims to be a revelation from God. It is organized in 114 chapters (pl.: , sing.: ), which consist of verses (pl.: , sing.: , cons.: ). In addition to its religious significance, it is widely regarded as the finest work in Arabic literature, and has significantly influenced the Arabic language. Muslims believe that the Quran was orally revealed by God to the final prophet, Muhammad, through the archangel Gabriel incrementally over a period of some 23 years, beginning in the month of Ramadan, when Muhammad was 40; and concluding in 632, the year of his death. Muslims regard the Quran as Muhammad's most important miracle; a proof of his prophethood; and the culmination of a series of divine messages starting with those revealed to Adam, including the Torah, the Psalms and the Gospel. The word ''Quran'' occurs some ...
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Inscription
Epigraphy () is the study of inscriptions, or epigraphs, as writing; it is the science of identifying graphemes, clarifying their meanings, classifying their uses according to dates and cultural contexts, and drawing conclusions about the writing and the writers. Specifically excluded from epigraphy are the historical significance of an epigraph as a document and the artistic value of a literary composition. A person using the methods of epigraphy is called an ''epigrapher'' or ''epigraphist''. For example, the Behistun inscription is an official document of the Achaemenid Empire engraved on native rock at a location in Iran. Epigraphists are responsible for reconstructing, translating, and dating the trilingual inscription and finding any relevant circumstances. It is the work of historians, however, to determine and interpret the events recorded by the inscription as document. Often, epigraphy and history are competences practised by the same person. Epigraphy is a primar ...
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Jameh Mosque Of Qazvin
Jameh Mosque of Qazvin ( fa, مسجد جامع عتيق قزوین – ''Masjid-e-Jameh Atiq Qazvin'') is one of the oldest mosques in Iran, and is the grand, congregational mosque (jameh mosque) of Qazvin, in Qazvin Province, Iran. Specifications The oldest part of the mosque is said to have been constructed by the orders of Harun al-Rashid in 807CE. Later additions were made, the last being during the late Safavid era. The double layered main dome of the mosque is from the Seljuk era, and is locked to the public. It houses some precious examples of relief calligraphy from medieval times. Renovations have also been carried out on many sections of the mosque. The foundation of the mosque is laid on a Zoroastrian fire temple. In spite of the devastating Mongol invasion, the mosque still stands today in its full glory. It is still in use. Parts of the mosque have been turned into a public library. The mosque also contains a Shabestan and Ab anbar, both now under the protection ...
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Safavid Dynasty
The Safavid dynasty (; fa, دودمان صفوی, Dudmâne Safavi, ) was one of Iran's most significant ruling dynasties reigning from 1501 to 1736. Their rule is often considered the beginning of modern Iranian history, as well as one of the gunpowder empires. The Safavid Shāh Ismā'īl I established the Twelver denomination of Shīʿa Islam as the official religion of the Persian Empire, marking one of the most important turning points in the history of Islam. The Safavid dynasty had its origin in the Safavid order of Sufism, which was established in the city of Ardabil in the Iranian Azerbaijan region. It was an Iranian dynasty of Kurdish origin, but during their rule they intermarried with Turkoman, Georgian, Circassian, and Pontic GreekAnthony Bryer. "Greeks and Türkmens: The Pontic Exception", ''Dumbarton Oaks Papers, Vol. 29'' (1975), Appendix II "Genealogy of the Muslim Marriages of the Princesses of Trebizond" dignitaries, nevertheless they were Turkish-spea ...
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