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Ali-Baba (Lecocq)
''Ali-Baba'' is an opéra comique in three acts, first produced in 1887, with music by Charles Lecocq. The French libretto based on the familiar tale from the Arabian Nights was by Albert Vanloo and William Busnach. After some initial success the work faded from the repertoire. Performance history Ali Baba was a popular subject for operas ( Cherubini, 1833, Bottesini, 1871), pantomimes and extravaganzas in Paris and London during the nineteenth century.Gänzl K. Ali Baba – in ''The Encyclopaedia of the Musical Theatre.'' Blackwell, Oxford, 1994. Both librettists were experienced in opéra-bouffe and had previously worked with Lecocq, Busnach from 1866 with ''Myosotis'', Vanloo starting in 1874 with '' Giroflé-Girofla''; the two men had met in 1868 when Vanloo had submitted an opéra-bouffe for consideration to Busnach who was at the time the director of the Théâtre de l'Athénée.Opéra-Comique Dossier Pédagogique: Ali-Baba (Anne Le Nabour (2013) Originally intended for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Annales Du Théâtre Et De La Musique
''Les Annales du Théâtre et de la Musique'' ("The Annals of Theatre and Music") was an annual French periodical which covered French dramatic and lyric theatre for 42 years, from 1875 to 1916. The volumes also covered concert series and necrology. It was co-edited by Édouard Noël (1848–1926) and Edmond Stoullig (1845–1918) and was published in Paris by Charpentier from 1876 to 1895 and Berger-Levrault in 1896. Beginning in 1897 it was published annually by Paul Ollendorff (with Stoullig as the sole editor) up to 1914 with the penultimate volume published in 1916 (covering the years 1914–1915) and the final volume in 1918 (covering the year 1916). A total of 41 volumes were published. at |
1887 Operas
Events January–March * January 11 – Louis Pasteur's anti-rabies treatment is defended in the Académie Nationale de Médecine, by Dr. Joseph Grancher. * January 20 ** The United States Senate allows the Navy to lease Pearl Harbor as a naval base. ** British emigrant ship ''Kapunda'' sinks after a collision off the coast of Brazil, killing 303 with only 16 survivors. * January 21 ** The Amateur Athletic Union (AAU) is formed in the United States. ** Brisbane receives a one-day rainfall of (a record for any Australian capital city). * January 24 – Battle of Dogali: Abyssinian troops defeat the Italians. * January 28 ** In a snowstorm at Fort Keogh, Montana, the largest snowflakes on record are reported. They are wide and thick. ** Construction work begins on the foundations of the Eiffel Tower in Paris, France. * February 2 – The first Groundhog Day is observed in Punxsutawney, Pennsylvania. * February 4 – The Interstate Commerce Act of 1887 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Charles Lecocq
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon-Max
Nicolas-Marie Simon (1852, in Reims, France – 1923), known as Simon-Max, was a French tenor who was mainly active in Paris in the field of opera-bouffe. After musical studies in Reims he made his debut in 1875 at the Théâtre de la Renaissance as Janio in ''La reine Indigo'' then on 9 September that year at the Théâtre des Folies-Dramatiques as Anatole de Quillembois in ''Les cent vierges'' by Lecocq.Martin J. ''Nos artistes des théâtres et concerts.'' Paul Ollendorff, Paris, 1895. At the Folies-Dramatiques he went on to sing in the premieres of ''Les cloches de Corneville'' on 17 April 1877 (Jean Grenicheux), '' La fille du tambour-major'' on 13 December 1879 and ''Madame Favart'' on 28 December 1878 (Hector de Boispréau). Other premieres included Cottinet in ''Le petit Parisien'' (16 January 1882), Inigo in ''La princesse des Canaries'' (9 February 1883), Ischabod in the French premiere of ''Rip'' (11 November 1884), Planchet in ''Les petits mousquetaires'' (5 March 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juliette Simon-Girard
Juliette-Joséphine Simon-Girard (8 May 1859 – 1954) was a French soprano, principally in operetta.Gänzl K. Juliette Simon-Girard. In: The New Grove Dictionary of Opera. Macmillan, London and New York, 1997. Her father, , was an actor at the Comédie Française, and her mother was Caroline Girard, of the Opéra-Comique. Career Girard was born at Paris. After studies at the Conservatoire in 1876 (in the class of Henri de Régnier) she made her debut at the Théâtre des Folies-Dramatiques as Carlinette in Offenbach's ''La foire Saint-Laurent'' on 10 February 1877, and then became an overnight star by creating the role of Serpolette in ''Les cloches de Corneville'' on 19 April 1877.Martin J. ''Nos artistes des théâtres et concerts.'' Paul Ollendorff, Paris, 1895. During the run of ''Les cloches de Corneville'' she met and married the well-known tenor Simon-Max, thereafter becoming Mme Simon-Girard. At the age of 19, she created the title role in Offenbach’s ''Madame Fava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
