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Algorythum
''Algorythum'' is the fifth studio album by Mentallo & The Fixer, released on February 16, 1999 by Metropolis Records. It was the band's first release without founding member Dwayne Dassing and was commemorated to his sister Danielle Dassing. Reception Steve Huey of AllMusic said "although the group's overall sound hasn't changed much without Dwayne, since Gary composed most of their best-known songs, there is a slightly more adventurous quality to the record, even if there are no radical rethinkings." Last Sigh Magazine called the album a "peaceful overall work of music with a touch of noise, a good deal of programming on the more gentle side of things and some experimental in terms of how the release congeals in continuity to bring about a new direction for Mentallo & The Fixer." Ink 19 commended the band's new direction despite losing a member. Track listing Personnel Adapted from the ''Algorythum'' liner notes. Mentallo & The Fixer * Gary Dassing (as Mentallo) – ...
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Systematik Ruin
''Systematik Ruin'' is an EP by Mentallo & The Fixer, released on January 12, 1999 by Metropolis Records. It contained remixes and previously unreleased songs from the ''Algorythum'' recording sessions. It represented the band's first album without founding member Dwayne Dassing, who left the band in 1998. Reception AllMusic gave ''Systematik Ruin'' two and a half out of five possible stars. Track listing Personnel Adapted from the ''Systematik Ruin'' liner notes. Mentallo & The Fixer * Gary Dassing (as Mentallo) – vocals, synthesizer, sampler, effects, tape, electric guitar, acoustic guitar, drum programming, sequencing, programming, mastering, recording, engineering, remixer Additional musicians * John Bustamante – backing vocals (1, 3, 4, 6, 9), vocals (2, 5, 7, 8) * Chris Cline – live drums and recording (1–3, 5, 6, 8) Production and design * Carlos Rosales – cover art Cover art is a type of artwork presented as an illustration ...
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Mentallo & The Fixer
Mentallo and the Fixer (sometimes written as Mentallo & the Fixer) is the project name used by Texan electro-industrial musicians Gary Dassing (Mentallo) and Dwayne Dassing (The Fixer) from 1988 to 1999, and by Gary Dassing alone from 1999 to the present day. The band has several releases on the American record label, Metropolis Records. They are named after two Marvel Comics characters. Biography The Dassing brothers first began experimenting with music by the means of more traditional rock music instruments, such as guitar and drums. However, by the time the two formed their first band Benestrophe with vocalist Richard Mendez, the instruments of choice became synthesizers and samplers. Most of the two tapes worth of material they recorded subsequently became available as the releases ''Sensory Deprivation'' and ''Auric Fires'' on Ras Dva Records. After parting ways with Mendez, the two brothers began work as Mentallo & The Fixer. A friend of Gary's brought the name "Menta ...
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Gary Dassing
Mentallo and the Fixer (sometimes written as Mentallo & the Fixer) is the project name used by Texan electro-industrial musicians Gary Dassing (Mentallo) and Dwayne Dassing (The Fixer) from 1988 to 1999, and by Gary Dassing alone from 1999 to the present day. The band has several releases on the American record label, Metropolis Records. They are named after two Marvel Comics characters. Biography The Dassing brothers first began experimenting with music by the means of more traditional rock music instruments, such as guitar and drums. However, by the time the two formed their first band Benestrophe with vocalist Richard Mendez, the instruments of choice became synthesizers and samplers. Most of the two tapes worth of material they recorded subsequently became available as the releases ''Sensory Deprivation'' and ''Auric Fires'' on Ras Dva Records. After parting ways with Mendez, the two brothers began work as Mentallo & The Fixer. A friend of Gary's brought the name "Menta ...
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Jon Pyre
Mentallo and the Fixer (sometimes written as Mentallo & the Fixer) is the project name used by Texan electro-industrial musicians Gary Dassing (Mentallo) and Dwayne Dassing (The Fixer) from 1988 to 1999, and by Gary Dassing alone from 1999 to the present day. The band has several releases on the American record label, Metropolis Records. They are named after two Marvel Comics characters. Biography The Dassing brothers first began experimenting with music by the means of more traditional rock music instruments, such as guitar and drums. However, by the time the two formed their first band Benestrophe with vocalist Richard Mendez, the instruments of choice became synthesizers and samplers. Most of the two tapes worth of material they recorded subsequently became available as the releases ''Sensory Deprivation'' and ''Auric Fires'' on Ras Dva Records. After parting ways with Mendez, the two brothers began work as Mentallo & The Fixer. A friend of Gary's brought the name "Menta ...
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Dwayne Dassing
Mentallo and the Fixer (sometimes written as Mentallo & the Fixer) is the project name used by Texan electro-industrial musicians Gary Dassing (Mentallo) and Dwayne Dassing (The Fixer) from 1988 to 1999, and by Gary Dassing alone from 1999 to the present day. The band has several releases on the American record label, Metropolis Records. They are named after two Marvel Comics characters. Biography The Dassing brothers first began experimenting with music by the means of more traditional rock music instruments, such as guitar and drums. However, by the time the two formed their first band Benestrophe with vocalist Richard Mendez, the instruments of choice became synthesizers and samplers. Most of the two tapes worth of material they recorded subsequently became available as the releases ''Sensory Deprivation'' and ''Auric Fires'' on Ras Dva Records. After parting ways with Mendez, the two brothers began work as Mentallo & The Fixer. A friend of Gary's brought the name "Menta ...
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Love Is The Law (Mentallo & The Fixer Album)
''Love Is the Law'' is the sixth studio album by Mentallo & The Fixer, released on April 18, 2000 by Metropolis Records. Reception Mattias Huss of ''Release Magazine'' gave ''Love Is the Law'' a mixed review, saying "Gary's work is fumbling about uncertainly, turning over some interesting stones but never really stopping to look under them" and "no track really makes a mark in this unwholesome wholeness, but promise is hiding in there." Track listing Personnel Adapted from the ''Love Is the Law'' liner notes. Mentallo & The Fixer * Gary Dassing (as Mentallo) – programming, producer, engineering, mixing Additional musicians * Robert Bustamante – recording, engineering, mixing and drum programming (11) * Michael Greene – vocals (5) * Todd Kreth – guitar Production and design * Dwayne Dassing – mastering * Daryl Litts – design Release history References External links * ''Love Is the Law''at iTunes iTunes () is a so ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ...
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Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Programming (music)
Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations or hardware synthesizers, sampler and sequencers, to generate sounds of musical instruments. These musical sounds are created through the use of music coding languages. There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since. Music programming is the process in which a musician produces a sound or "patch" (be it from scratch or with the aid of a synthesizer/ sampler), or uses a sequencer to arrange a song. Coding languages Music coding languages are used to program the electronic devices to produce the instrumental sounds they make. Each coding language has its own level of difficulty and function. Alda ...
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Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to ...
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