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Alfonso Ferrabosco II
Alfonso Ferrabosco the younger (c. 1575 – March 1628) was an English composer and viol player of Italian descent. He straddles the line between the Renaissance and Baroque eras. Biography Ferrabosco was born at Greenwich, the illegitimate son of the Italian composer Alfonso Ferrabosco the elder. His mother might have been Susanna Symons, whom Alfonso the elder later married. Ferrabosco the younger was left under the guardianship of Gomer van Awsterwyke, a member of Queen Elizabeth I's court. Although Alfonso the elder asked for Alfonso the younger to be sent to him in Italy, where he had moved with his wife, the Queen insisted that he stay in England. Ferrabosco remained in Gomer van Awsterwyke's care until Awsterwyke's death in 1592. At this time he started a long career as a court musician. After the Union of the Crowns he became the private music tutor of Prince Henry and a groom of privy chamber, with a salary of £50. Ferrabosco was paid for "making the son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viol
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic '' rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish ''vihue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Lanier
Nicholas Lanier, sometimes Laniere (baptised 10 September 1588 – buried 24 February 1666) was an English composer and musician; the first to hold the title of Master of the King's Music from 1625 to 1666, an honour given to musicians of great distinction. He was the court musician, a composer and performer and Groom of the Chamber in the service of King Charles I and Charles II. He was also a singer, lutenist, scenographer and painter. Biography Nicholas Lanier was a descendant of a French family of royal musicians, the Lanière family, who were Huguenots, and was baptised at Greenwich. His father and grandfather left France to escape persecutions. His aunt, Emilia Bassano, was the daughter of Venetian musicians at the Tudor court and before her marriage to Alfonso Lanier had been the mistress to the Lord Chamberlain, a cousin of Queen Elizabeth I and, possibly Henry Wriothesly, Earl of Southampton. The historian, A.L.Rowse suggested that she may well have been the famous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Alfege Church, Greenwich
St Alfege Church is an Anglican church in the centre of Greenwich, part of the Royal Borough of Greenwich in London. It is of medieval origin and was rebuilt in 1712–1714 to the designs of Nicholas Hawksmoor. Early history The church is dedicated to Alfege (also spelt "Alphege"), Archbishop of Canterbury, and reputedly marks the place where he was martyred on 19 April 1012, having been taken prisoner during the sack of Canterbury by Danish raiders the previous year. The Danes took him to their camp at Greenwich and killed him when the large ransom they demanded was not forthcoming. Accessed 5 July 2017 The church was rebuilt in around 1290, and Henry VIII was baptized there in 1491. The patronage of the church was given to the abbey at Ghent during the 13th century. Following the suppression of alien priories under Henry V, it was granted to the priory at Sheen with which it remained until transferred to the Crown by exchange under Henry VIII in 1530. During a storm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
River Thames
The River Thames ( ), known alternatively in parts as the The Isis, River Isis, is a river that flows through southern England including London. At , it is the longest river entirely in England and the Longest rivers of the United Kingdom, second-longest in the United Kingdom, after the River Severn. The river rises at Thames Head in Gloucestershire, and flows into the North Sea near Tilbury, Essex and Gravesend, Kent, via the Thames Estuary. From the west it flows through Oxford (where it is sometimes called the Isis), Reading, Berkshire, Reading, Henley-on-Thames and Windsor, Berkshire, Windsor. The Thames also drains the whole of Greater London. In August 2022, the source of the river moved five miles to beyond Somerford Keynes due to the heatwave in July 2022. The lower reaches of the river are called the Tideway, derived from its long tidal reach up to Teddington Lock. Its tidal section includes most of its London stretch and has a rise and fall of . From Oxford to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cooper (composer)
John Coprario (c. 1570 – 1626), also known as Giovanni Coprario or Coperario, was an English composer and viol player. According to later commentators such as John Playford and Roger North, he changed his name from either Cowper or Cooper to Coperario in the early 17th century (at least as early as February 1601), though he himself spelled his name "John Coprario". Anthony Wood said he changed his name after an extended visit to Italy, and though he is documented as having visited the Low Countries in 1603, evidence confirming his presence in Italy has not been found. From 1622 he served and may have taught the Prince of Wales, for whom he continued to work upon his succession as Charles I. His longtime patron was Edward Seymour, Earl of Hertford, for whom, according to Thomas Fuller's ''The History of the Worthies of England'' (1662), he taught William Lawes. Among Coprario's works are fantasias, suites and other works for viols and violins, and two collections of song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyra Viol
The lyra viol is a small bass viol, used primarily in England in the seventeenth century. Described as "the smallest of the bass viols", one should consider that the consort bass was much larger in 17th century England than most bass viols nowadays (hovering between 78 and 80 cm string length, while the division viol hovers around 76 cm (30 inches according to Christopher Simpson). The lyra viol therefore is the "smallest" and according to James Talbot (end of the 17th century) is therefore 72 cm string lengthJohn Talbot's 17th century measurements for viols There is a large and important repertoire which was developed specifically for the lyra viol. Due to the number of strings and their rather flat layout, the lyra viol can approximate |
In Nomine
In Nomine is a title given to a large number of pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century. History This "most conspicuous single form in the early development of English consort music" originated in the early 16th century from a six-voice mass composed before 1530 by John Taverner on the plainchant ''Gloria Tibi Trinitas''. In the ''Benedictus'' section of this mass, the Latin phrase "in nomine Domini" was sung in a reduced, four-part counterpoint, with the plainchant melody in the meane part. At an early point, this attractive passage became popular as a short instrumental piece, though there is no evidence that Taverner himself was responsible for any of these arrangements. Over the next 150 years, English composers worked this melody into "In Nomine" pieces of ever greater stylistic range. ''In Nomine''s are typically consort pieces for four or five instruments, especially consorts of viols. One instrument plays t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consort Of Instruments
A consort of instruments was a phrase used in England during the 16th and 17th centuries to indicate an instrumental ensemble. These could be of the same or a variety of instruments. Consort music enjoyed considerable popularity at court and in households of the wealthy in the Elizabethan era, and many pieces were written for consorts by the major composers of the period. In the Baroque era consort music was absorbed into chamber music. Definitions and forms The earliest documented example of the English word 'consort' in a musical sense is in George Gascoigne’s ''The Princelye Pleasures'' (1576). Only from the mid-17th century has there been a clear distinction made between a ''‘whole’, or ‘closed’ consort'', that is, all instruments of the same family (for example, a set of viols played together) and a ''‘mixed’, or ‘broken’ consort'', consisting of instruments from various families (for example viols and lute). Major forms of music composed for consorts inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Campion
Thomas Campion (sometimes spelled Campian; 12 February 1567 – 1 March 1620) was an English composer, poet, and physician. He was born in London, educated at Cambridge, studied law in Gray's inn. He wrote over a hundred lute songs, masques for dancing, and an authoritative technical treatise on music. Life Campion was born in London, the son of John Campion, a clerk of the Court of Chancery, and Lucy (née Searle – daughter of Laurence Searle, one of the Queen's serjeants-at-arms). Upon the death of Campion's father in 1576, his mother married Augustine Steward, dying soon afterwards. His stepfather assumed charge of the boy and sent him, in 1581, to study at Peterhouse, Cambridge as a "gentleman pensioner"; he left the university after four years without taking a degree.. He later entered Gray's Inn to study law in 1586. However, he left in 1595 without having been called to the bar. On 10 February 1605, he received his medical degree from the University of Caen.Christoph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Donne
John Donne ( ; 22 January 1572 – 31 March 1631) was an English poet, scholar, soldier and secretary born into a recusant family, who later became a clergy, cleric in the Church of England. Under royal patronage, he was made Dean of St Paul's Cathedral in London (1621–1631). He is considered the preeminent representative of the metaphysical poets. His poetical works are noted for their metaphorical and sensual style and include sonnets, love poems, religious poems, Latin translations, epigrams, elegies, songs and satires. He is also known for his sermons. Donne's style is characterised by abrupt openings and various paradoxes, ironies and dislocations. These features, along with his frequent dramatic or everyday speech rhythms, his tense syntax and his tough eloquence, were both a reaction against the smoothness of conventional Elizabethan poetry and an adaptation into English of European baroque and mannerist techniques. His early career was marked by poetry that bore immen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
