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Alexandre Boëly
Alexandre Pierre-François Boëly (19 April 1785 – 27 December 1858) was a French composer, organist, pianist, and violist. Career Born in Versailles into a family of musicians, Boëly received his first music lessons from his father, Jean-François, who was a countertenor at the Sainte-Chapelle in Paris and a composer and harp teacher at the court of Versailles. He also studied under the Tyrolian pianist Ignaz Ladurner, who introduced him to the work of Bach and Haydn, which Boëly would champion in his adult career. Besides mastering the piano and organ, Boëly was also a talented violist. As the Romantic movement swept through Europe during the 19th century, Boëly was shunned by the official mainstream of musical life in Paris because of his classical sensibilities and his "elitist" fidelity to writing serious music. Boëly regarded with distaste the music that was written and feted by many of his contemporaries. The most popular standards during the Napoleonic period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Frescobaldi
Girolamo Alessandro Frescobaldi (; also Gerolamo, Girolimo, and Geronimo Alissandro; September 15831 March 1643) was an Italian composer and virtuoso keyboard player. Born in the Duchy of Ferrara, he was one of the most important composers of keyboard music in the late Renaissance and early Baroque periods. A child prodigy, Frescobaldi studied under Luzzasco Luzzaschi in Ferrara, but was influenced by many composers, including Ascanio Mayone, Giovanni Maria Trabaci, and Claudio Merulo. Girolamo Frescobaldi was appointed organist of St. Peter's Basilica, a focal point of power for the Cappella Giulia (a musical organisation), from 21 July 1608 until 1628 and again from 1634 until his death. Frescobaldi's printed collections contain some of the most influential music of the 17th century. His work influenced Johann Jakob Froberger, Johann Sebastian Bach, Henry Purcell, and other major composers. Pieces from his celebrated collection of liturgical organ music, '' Fiori musicali' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eastman School Of Music
The Eastman School of Music is the music school of the University of Rochester, a private research university in Rochester, New York. It was established in 1921 by industrialist and philanthropist George Eastman. It offers Bachelor of Music (B.M.) degrees, Master of Arts (M.A.) degrees, Master of Music (M.M.) degrees, Doctor of Philosophy (Ph.D.) degrees, and Doctor of Musical Arts (D.M.A.) degrees in many musical fields. The school also awards a "Performer's Certificate" or "Artist's Diploma". In 2015, there were more than 900 students enrolled in the collegiate division of the Eastman School (approximately 500 undergraduate and 400 graduate students). Students came from almost every state of the United States, with approximately 25% foreign students. Each year approximately 2000 students apply (1000 undergraduates and 1000 graduates). The acceptance rate was 13% in 2011 and about 1,000 students (ranging in age from 16 years to over 80 years of age) are enrolled in the Eastman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brigitte François-Sappey
Brigitte François-Sappey (born 21 January 1944) is a French musicologist, educator, radio producer, and lecturer. Biography Brigitte François-Sappey studied music at the Conservatoire de Paris where she won first prizes of music history, musical analysis, musical esthetics, musicology, and at the École normale de musique de Paris where she graduated for piano teaching. At the same time, she pursued graduate studies in history at the Paris IV University. After obtaining a bachelor's and master's degrees, she is a Ph.D. student in humanities and social sciences, under the direction of Norbert Dufourcq. A professor of music history at the Conservatoire de Paris from 1973, she created the class of music culture in 1992, of which she is now an honorary professor. She also founded the classes of art and civilization and history of music at the Conservatoire de Lyon (1979–1982) and musical analysis at the Conservatoire Rameau of the 6th arrondissement of Paris (1976–1979). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montmartre Cemetery
The Cemetery of Montmartre (french: link=no, Cimetière de Montmartre) is a cemetery in the 18th arrondissement of Paris, France, that dates to the early 19th century. Officially known as the Cimetière du Nord, it is the third largest necropolis in Paris, after the Père Lachaise Cemetery and the Montparnasse Cemetery. History In the mid-18th century, overcrowding in the cemeteries of Paris had created numerous problems, from impossibly high funeral costs to unsanitary living conditions in the surrounding neighborhoods. In the 1780s, the Cimetière des Innocents was officially closed and citizens were banned from burying corpses within the city limits of Paris. During the early 19th century, new cemeteries were constructed outside the precincts of the capital: Montmartre in the north, Père Lachaise Cemetery in the east, Passy Cemetery in the west and Montparnasse Cemetery in the south. The Montmartre Cemetery was opened on 1 January 1825. It was initially known as le Cimetière ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requiem
A Requiem or Requiem Mass, also known as Mass for the dead ( la, Missa pro defunctis) or Mass of the dead ( la, Missa defunctorum), is a Mass of the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, using a particular form of the Roman Missal. It is usually celebrated in the context of a funeral (where in some countries it is often called a Funeral Mass). Musical settings of the propers of the Requiem Mass are also called Requiems, and the term has subsequently been applied to other musical compositions associated with death, dying, and mourning, even when they lack religious or liturgical relevance. The term is also used for similar ceremonies outside the Roman Catholic Church, especially in Western Rite Orthodox Christianity, the Anglo-Catholic tradition of Anglicanism, and in certain Lutheran churches. A comparable service, with a wholly different ritual form and texts, exists in the Eastern Orthodox and Eastern Catholic church ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
César Franck
César-Auguste Jean-Guillaume Hubert Franck (; 10 December 1822 – 8 November 1890) was a French Romantic composer, pianist, organist, and music teacher born in modern-day Belgium. He was born in Liège (which at the time of his birth was part of the United Kingdom of the Netherlands). He gave his first concerts there in 1834 and studied privately in Paris from 1835, where his teachers included Anton Reicha. After a brief return to Belgium, and a disastrous reception of an early oratorio ''Ruth'', he moved to Paris, where he married and embarked on a career as teacher and organist. He gained a reputation as a formidable musical improviser, and travelled widely within France to demonstrate new instruments built by Aristide Cavaillé-Coll. In 1858, he became organist at the Basilica of St. Clotilde, Paris, a position he retained for the rest of his life. He became professor at the Paris Conservatoire in 1872; he took French nationality, a requirement of the appointment. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Baptist Cramer
Johann (sometimes John) Baptist Cramer (24 February 1771 – 16 April 1858) was an English pianist, composer and music publisher of German origin. He was the son of Wilhelm Cramer, a famous London violinist and conductor, one of a numerous family who were identified with the progress of music during the 18th and 19th centuries. Biography Cramer was born in Mannheim and was brought to London as a child, where he worked for most of his musical career, lived most of his life, and died. From 1782 to 1784, he studied piano under Muzio Clementi and soon became a renowned professional pianist both in London and on the continent. He enjoyed a worldwide reputation, and was particularly appreciated by Beethoven when he visited Vienna, concertized and competed with him. Both were considered the greatest pianists of their time, Beethoven excelling in interpretative expressiveness, Cramer in pure technical perfection. He was the English publisher of Beethoven's Piano Concerto No. 5 and is c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Kalkbrenner
Friedrich Wilhelm Michael Kalkbrenner (2–8 November 1785 – 10 June 1849), also known as ''Frédéric Kalkbrenner'', was a pianist, composer, piano teacher and piano manufacturer. German by birth, Kalkbrenner studied at the Conservatoire de Paris, starting at a young age and eventually settled in Paris, where he lived until his death in 1849. Kalkbrenner composed more than 200 piano works, as well as many piano concertos and operas. When Frédéric Chopin came to Paris, Kalkbrenner suggested that Chopin could benefit by studying in one of Kalkbrenner's schools. It was not until the late 1830s that Kalkbrenner's reputation was surpassed by the likes of Chopin, Thalberg and Liszt. Author of a famous method of piano playing (1831) which was in print until the late 19th century, he ran in Paris what is sometimes called a "factory for aspiring virtuosos" and taught scores of pupils from as far away as Cuba. His best piano pupils were Marie Pleyel and Camille-Marie Stamaty. Throu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
