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Alethia Lozano Birrueta
''Aletheia'' or Alethia (; grc, ἀλήθεια) is truth or disclosure in philosophy. Originating in Ancient Greek philosophy, the term was later used in the works of 20th-century philosopher Martin Heidegger. Although often translated as " truth", Heidegger argued that it is distinct from common conceptions of truth. Antiquity is variously translated as "unconcealedness", " disclosure", "revealing", or "unclosedness". The literal meaning of the word is "the state of not being hidden; the state of being evident." It also means factuality or reality. It is the antonym of , which literally means "oblivion", "forgetfulness", or "concealment" according to Pindar's First Olympian Ode. In Greek mythology, was personified as a Greek goddess, Aletheia. In some accounts she was a daughter of Zeus, while Aesop's Fables state she was crafted by Prometheus. In she was equated with Veritas, the Roman goddess of truth. Heidegger and ''aletheia'' In the early to mid 20th-cent ...
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ἀλήθεια
''Aletheia'' or Alethia (; grc, wikt:ἀλήθεια, ἀλήθεια) is truth or disclosure in philosophy. Originating in Ancient Greek philosophy, the term was later used in the works of 20th-century philosopher Martin Heidegger. Although often translated as "truth", Heidegger argued that it is distinct from common conceptions of truth. Antiquity is variously translated as "unconcealedness", "world disclosure, disclosure", "revealing", or "unclosedness". The literal meaning of the word is "the state of not being hidden; the state of being evidence, evident." It also means factuality or reality. It is the antonym of , which literally means "oblivion", "forgetfulness", or "concealment" according to Pindar's First Olympian Ode. In Greek mythology, was personified as a Greek goddess, Aletheia. In some accounts she was a daughter of Zeus, while Aesop's Fables state she was crafted by Prometheus. In she was equated with Veritas, the Roman goddess of truth. Heidegger and ''al ...
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Veritas
Veritas is the name given to the Roman virtue of Honesty, truthfulness, which was considered one of the main virtues any good Roman should possess. The Greek goddess of truth is Aletheia (Ancient Greek language, Ancient Greek: ). The German philosopher Martin Heidegger argues that the truth represented by ''aletheia'' (which essentially means "unconcealment") is different from that represented by ''veritas'', which is linked to a Roman understanding of rightness and finally to a Nietzschean sense of justice and a will to power. In Roman mythology, Veritas (), meaning Truth, is the Goddess of Truth, a daughter of Saturn (mythology), Saturn (called Cronus by the Greeks, the Titan (mythology), Titan of Time, perhaps first by Plutarch), and the mother of Virtus (deity), Virtus. She is also sometimes considered the daughter of Jupiter (mythology), Jupiter (called Zeus by the Greeks), or a creation of Prometheus. The elusive goddess is said to have hidden in the bottom of a holy well. ...
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Modal Logic
Modal logic is a collection of formal systems developed to represent statements about necessity and possibility. It plays a major role in philosophy of language, epistemology, metaphysics, and natural language semantics. Modal logics extend other systems by adding unary operators \Diamond and \Box, representing possibility and necessity respectively. For instance the modal formula \Diamond P can be read as "possibly P" while \Box P can be read as "necessarily P". Modal logics can be used to represent different phenomena depending on what kind of necessity and possibility is under consideration. When \Box is used to represent epistemic necessity, \Box P states that P is epistemically necessary, or in other words that it is known. When \Box is used to represent deontic necessity, \Box P states that P is a moral or legal obligation. In the standard relational semantics for modal logic, formulas are assigned truth values relative to a ''possible world''. A formula's truth value at ...
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Alethic Modality
Alethic modality (from Greek ἀλήθεια = truth) is a linguistic modality that indicates modalities of truth, in particular the modalities of logical necessity, contingency, possibility and impossibility. Alethic modality is often associated with epistemic modality in research, and it has been questioned whether this modality should be considered distinct from epistemic modality which denotes the speaker's evaluation or judgment of the truth. The criticism states that there is no real difference between "the truth in the world" (alethic) and "the truth in an individual's mind" (epistemic). An investigation has not found a single language in which alethic and epistemic modalities would be formally distinguished, for example by the means of a grammatical mood. In such a language, "A circle can't be square", "can't be" would be expressed by an alethic mood, whereas for "He can't be that wealthy", "can't be" would be expressed by an epistemic mood. As we can see, this is not a di ...
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Alethiology
Alethiology (or alethology, "the study of aletheia") literally means the ''study of truth'', but can more accurately be translated as ''the study of the nature of truth''. History It could be argued that ''alethiology'' is synonymous with ''epistemology'', the study of knowledge, and that dividing the two is mere semantics, but sometimes a distinction is made between the two. Epistemology is the study of knowledge and its acquisition. Alethiology is specifically concerned with the ''nature'' of truth, which is only one of the areas studied by epistemologists. The term ''alethiology'' is rare. The ten-volume ''Routledge Encyclopedia of Philosophy'' mentions it only once, in the article "Lambert, Johann Heinrich (1728–77)": The Encyclopædia Britannica Eleventh Edition describes the discipline as "…an uncommon expression for the doctrine of truth, used by Sir William Hamilton in his philosophic writings when treating of the rules for the discrimination of truth and error." The ...
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The Origin Of The Work Of Art
"The Origin of the Work of Art" (german: Der Ursprung des Kunstwerkes) is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960. Heidegger based his essay on a series of lectures he had previously delivered in Zurich and Frankfurt during the 1930s, first on the essence of the work of art and then on the question of the meaning of a "thing", marking the philosopher's first lectures on the notion of art. Content In "The Origin of the Work of Art" Heidegger explains the essence of art in terms of the concepts of being and truth. He argues that art is not only a way of expressing the element of truth in a culture, but the means of creating it and providing a springboard from which "that which is" can be revealed. Works of art are not merely representations of the way things are, but actually produce a community's shared understanding. Each time a new artwork is added to any cultur ...
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