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Alda Noni
Alda Noni (30 April 1916 – 19 May 2011) was an Italian soprano leggiero, one of the leading soubrettes of the immediate postwar period. Born in Trieste, she first studied voice and piano in her native city, and completed her studies in Vienna. She made her professional debut in Ljubljana in 1937, as Rosina, later appearing in Zagreb and Belgrade. She sang at the Vienna State Opera from 1942 to 1946, in Mozart, Rossini and lighter Donizetti roles, such as: Susanna, Zerlina, Despina, Adina, Norina. She was chosen by Richard Strauss himself, to sing Zerbinetta in 1944, to celebrate his 80th birthday. She sang widely in Italy, both on stage and on radio broadcast, where she was admired in opera by Cimarosa, Paisiello, and Fioravanti, often partnering Cesare Valletti and Sesto Bruscantini. She also appeared in London, 1946, Glyndebourne, 1949, and made her Paris Opéra debut in 1951, as Oscar, later singing Nanetta. She retired from the stage in 1955. She can be heard i ...
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Soprano Leggiero
A coloratura soprano is a type of operatic soprano voice that specializes in music that is distinguished by agile runs, leaps and trills. The term ''coloratura'' refers to the elaborate ornamentation of a melody, which is a typical component of the music written for this voice. Within the coloratura category, there are roles written specifically for lighter voices known as lyric coloraturas and others for larger voices known as dramatic coloraturas. Categories within a certain vocal range are determined by the size, weight and color of the voice. Coloratura is particularly found in vocal music and especially in operatic singing of the 18th and 19th centuries. The word ''coloratura'' ( , , ) means "coloring" in Italian, and derives from the Latin word ''colorare'' ("to color").''Oxford American Dictionaries''. Lyric coloratura soprano A very agile light voice with a high upper extension, capable of fast vocal coloratura. Lyric coloraturas have a range of approximately middle C ( ...
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Paisiello
Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini. Life Paisiello was born in Taranto in the Apulia region and educated by the Jesuits there. He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at Naples, where he studied under Francesco Durante, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas, ''La Pupilla'' and ''Il Mondo al Rovescio'', for Bologna, and a third, ''Il Marchese di Tidipano'', for Rome. His reputation now firmly established, he settled for some years at Naples, where, despite the popularity of Niccolò Piccinni, Domenico Cimarosa and Pietro Guglielmi, of whose triumphs he was bitterly jealous, h ...
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2011 Deaths
This is a list of deaths of notable people, organised by year. New deaths articles are added to their respective month (e.g., Deaths in ) and then linked here. 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989 1988 1987 See also * Lists of deaths by day The following pages, corresponding to the Gregorian calendar, list the historical events, births, deaths, and holidays and observances of the specified day of the year: Footnotes See also * Leap year * List of calendars * List of non-standard ... * Deaths by year {{DEFAULTSORT:deaths by year ...
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1916 Births
Events Below, the events of the First World War have the "WWI" prefix. January * January 1 – The British Empire, British Royal Army Medical Corps carries out the first successful blood transfusion, using blood that had been stored and cooled. * January 9 – WWI: Gallipoli Campaign: The last British troops are evacuated from Gallipoli, as the Ottoman Empire prevails over a joint British and French operation to capture Constantinople. * January 10 – WWI: Erzurum Offensive: Russia defeats the Ottoman Empire. * January 12 – The Gilbert and Ellice Islands Colony, part of the British Empire, is established in present-day Tuvalu and Kiribati. * January 13 – WWI: Battle of Wadi (1916), Battle of Wadi: Ottoman Empire forces defeat the British, during the Mesopotamian campaign in modern-day Iraq. * January 29 – WWI: Paris is bombed by German Empire, German zeppelins. * January 31 – WWI: An attack is planned on Verdun, France. February * ...
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I Quatro Rusteghi
''I quatro rusteghi'' (''The Four Curmudgeons'', ''The Four Ruffians'', in Edward J. Dent's translation ''School for Fathers'', also translated by James Benner as ''Foolish Fathers'' ) is a comic opera in three acts, music by Ermanno Wolf-Ferrari to a libretto by and Giuseppe Pizzolato based on Carlo Goldoni's 18th-century play ''I rusteghi''. The opera is written in Venetian dialect, hence "quatro" instead of "quattro". Performance history The opera was first performed as ''Die vier Grobiane'' in German at the Hoftheater in Munich on 19 March 1906. Its first performance in Italian was on 2 June 1914 at the Teatro Lirico in Milan under Ettore Panizza. The work was first performed in the United States by the New York City Opera on 19 October 1951 with Laszlo Halasz conducting. Wolf-Ferrari's most successful full-length work, it is still regularly performed. Roles Synopsis The action takes place in 18th century Venice Venice ( ; it, Venezia ; vec, Venesia or ) ...
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Il Matrimonio Segreto
' (''The Secret Marriage'') is a dramma giocoso in two acts, music by Domenico Cimarosa, on a libretto by Giovanni Bertati, based on the 1766 play ''The Clandestine Marriage'' by George Colman the Elder and David Garrick. It was first performed on 7 February 1792 at the Imperial Hofburg Theatre in Vienna in the presence of Emperor Leopold II. Performance history Cimarosa's only work still to be regularly performed, it is arguably one of the greatest 18th century opera buffa apart from those by Mozart. Its premiere was the occasion of the longest encore in operatic history; Leopold II was so delighted that he ordered supper served to the company and the entire opera repeated immediately after. The Italian premiere of the opera was given at La Scala in Milan on 17 February 1793 with Maria Gazzotti as Carolina and Vincenzo Del Moro as Paolino. On 23 May, the same year, it arrived at the Teatre de la Santa Creu in Barcelona. England saw the work for the first time on 11 January 1794 ...
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Le Nozze Di Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ...
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Le Cantatrici Villane
''Le cantatrici villane'' (''The Boorish Singers'') is a comic opera (''dramma giocoso'') in two acts composed by Valentino Fioravanti to a libretto by Giuseppe Palomba. It was first performed in Naples in 1799. A revised one act version premiered at the Teatro San Moisè in Venice as ''Le virtuose ridicole'' in 1801. An opera by Antonio Cagnoni based on the same libretto and entitled '' Don Bucefalo'' premiered in Milan in 1847. Roles * Rosa, ''a peasant believed to be a widow'' (soprano)Roles and voice types based on Gelli (2007b) * Agata, ''a peasant'' (soprano) * Giannetta, ''a peasant'' (soprano) * Don Bucefalo, ''a timid and ignorant choirmaster'' ( bass) * Don Marco, ''a well-to-do student of Don Bucefalo and in love with Rosa'' (bass) * Carlino, ''a young soldier who has disappeared in Spain and husband of Rosa'' (tenor) * Giansimone, ''a waiter in the local inn'' (tenor) Synopsis The action takes place in 18th century Casoria, a village near Naples. Three country wenc ...
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Cetra Records
Cetra was an Italian record company, active between 1933 and 1957, the year in which, by merging with Fonit (Fonodisco Italiano Trevisan), it gave birth to Fonit Cetra. Its roster of artists included Maria Callas, Renata Tebaldi, Lina Pagliughi, Ebe Stignani, Carlo Bergonzi (tenor), Carlo Bergonzi, Galliano Masini, Giovanni Malipiero, Ferruccio Tagliavini, Carlo Tagliabue, Rolando Panerai, Italo Tajo, Giuseppe Taddei, Tancredi Pasero and Cesare Siepi, among other leading Italian opera singers. The company was notable for issuing many recordings of obscure or seldom heard operas and the more obscure operas of Giuseppe Verdi to coincide with the 50th anniversary of the composer's 1901 death in 1951. Cetra recordings are often now reissued by the company Fonit Cetra. Cetra opera albums were first distributed in the United States on the Cetra-Soria label (founded by Dario and Dorle Soria, who later founded Angel Records). Beginning in 1966, several Cetra opera recordings were distribut ...
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Falstaff (opera)
''Falstaff'' () is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play '' The Merry Wives of Windsor'' and scenes from '' Henry IV, Part 1'' and '' Part 2'', by William Shakespeare. The work premiered on 9 February 1893 at La Scala, Milan. Verdi wrote ''Falstaff'', the last of his 28 operas, as he approached the age of 80. It was his second comedy, and his third work based on a Shakespeare play, following '' Macbeth'' and '' Otello''. The plot revolves around the thwarted, sometimes farcical, efforts of the fat knight Sir John Falstaff to seduce two married women to gain access to their husbands' wealth. Verdi was concerned about working on a new opera at his advanced age, but he yearned to write a comic work and was pleased with Boito's draft libretto. It took the collaborators three years from mid-1889 to complete. Although the prospect of a new opera from Verdi aroused im ...
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Un Ballo In Maschera
''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. The plot concerns the assassination in 1792 of King Gustav III of Sweden who was shot, as the result of a political conspiracy, while attending a masked ball, dying of his wounds thirteen days later. It was to take over two years between the commission from Naples, planned for a production there, and its premiere performance at the Teatro Apollo in Rome on 17 February 1859. In becoming the ''Un ballo in maschera'' which we know today, Verdi's opera (and his libretto) underwent a significant series of transformations and title changes, caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858. Based on the Scribe libretto and begun as ''Gustavo III'' set in Stockho ...
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Palais Garnier
The Palais Garnier (, Garnier Palace), also known as Opéra Garnier (, Garnier Opera), is a 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the behest of Emperor Napoleon III. Initially referred to as ''le nouvel Opéra de Paris'' (the new Paris Opera), it soon became known as the Palais Garnier, "in acknowledgment of its extraordinary opulence" and the architect Charles Garnier's plans and designs, which are representative of the Napoleon III style. It was the primary theatre of the Paris Opera and its associated Paris Opera Ballet until 1989, when a new opera house, the Opéra Bastille, opened at the Place de la Bastille. The company now uses the Palais Garnier mainly for ballet. The theatre has been a ''monument historique'' of France since 1923. The Palais Garnier has been called "probably the most famous opera house in the world, a symbol of Paris like No ...
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