|
Albino Luciani Diocesan Museum
The Albino Luciani Diocesan Museum (''Museo diocesano Albino Luciani'') is a museum of Christian art in the Ceneda district of Vittorio Veneto in northern Italy, located on the top floor of the episcopal seminary in the piazza Giovanni Paolo I. It houses works from several churches in the Roman Catholic Diocese of Vittorio Veneto, including paintings by Titian, Cima da Conegliano, Il Pordenone, Pomponio Amalteo, Palma il Giovane, and Francesco da Milano Francesco Canova da Milano (Francesco da Milano, also known as ''Il divino'', ''Francesco da Parigi'', etc.) (18 August 1497 – 2 January 1543) was an Italian lutenist and composer. He was born in Monza, near Milan, and worked for the papal cou .... Bibliography * Giacomini Miari Erminia e Mariani Paola, ''Musei religiosi in Italia'', Milano 2005, pp. 326 – 327 * Zuffi Stefano, ''I Musei Diocesani in Italia. Primo volume'', Palazzolo sull'Oglio (BS) 2003, pp. 74 – 77 References Museums in Veneto R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ceneda - Seminario Vescovile, Museo - Foto Di Paolo Steffan
Ceneda may refer to: * Ceneda, Italy, frazione of Vittorio Veneto **, medieval Lombard duchy of which Ceneda was capital **Diocese of Ceneda, now part of the Roman Catholic Diocese of Vittorio Veneto {{geodis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ceneda, Italy
Vittorio Veneto is a city and ''comune'' situated in the Province of Treviso, in the region of Veneto, Italy, in the northeast of Italy, between the Piave and the Livenza rivers, borders with the following municipalities: Alpago ( BL), Belluno (BL), Cappella Maggiore, Colle Umberto, Conegliano, Fregona, Limana (BL), Revine Lago, San Pietro di Feletto, Tarzo. Name The city is an amalgamation of two former ''comuni'', Cèneda and Serravalle, which were joined into one municipality in 1866 and named Vittorio after the King of Italy, Vittorio Emanuele II. The battle fought nearby in November 1918 became generally known as the Battle of Vittorio Veneto, and the city's name was officially changed to Vittorio Veneto in July 1923. Starting from the end of the nineteenth century, new neighborhoods were created around the road that connected the two towns, the current Viale della Vittoria, so that the union was also physical, and the town hall itself was placed halfway. However, the city s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vittorio Veneto
Vittorio Veneto is a city and ''comune'' situated in the Province of Treviso, in the region of Veneto, Italy, in the northeast of Italy, between the Piave and the Livenza rivers, borders with the following municipalities: Alpago ( BL), Belluno (BL), Cappella Maggiore, Colle Umberto, Conegliano, Fregona, Limana (BL), Revine Lago, San Pietro di Feletto, Tarzo. Name The city is an amalgamation of two former ''comuni'', Cèneda and Serravalle, which were joined into one municipality in 1866 and named Vittorio after the King of Italy, Vittorio Emanuele II. The battle fought nearby in November 1918 became generally known as the Battle of Vittorio Veneto, and the city's name was officially changed to Vittorio Veneto in July 1923. Starting from the end of the nineteenth century, new neighborhoods were created around the road that connected the two towns, the current Viale della Vittoria, so that the union was also physical, and the town hall itself was placed halfway. However, the city ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Catholic Diocese Of Vittorio Veneto
The Diocese of Vittorio Veneto ( la, Dioecesis Victoriensis Venetorum) is a Roman Catholic diocese in northern Italy, with capital in Vittorio Veneto. It was historically known as Diocese of Ceneda, the name being changed in 1939."Diocese of Vittorio Veneto" ''''. David M. Cheney. Retrieved February 29, 2016"Diocese of Vittorio Veneto" ''GCatholic.org''. Gabriel Chow. Retrieved February 29, 2016 Ceneda began as a |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cima Da Conegliano
Giovanni Battista Cima, also called Cima da Conegliano (c. 1459 – c. 1517), was an Italian Renaissance painter, who mostly worked in Venice. He can be considered part of the Venetian school, though he was also influenced by Antonello da Messina, in the emphasis he gives to landscape backgrounds and the tranquil atmosphere of his works. Once formed his style did not change greatly. He mostly painted religious subjects, often on a small scale for homes rather than churches, but also a few, mostly small, mythological ones. He often repeated popular subjects in different versions with slight variations, including his Madonnas and ''Saint Jerome in a Landscape''. His paintings of the ''Madonna and Child'' include several variations of a composition that have a standing infant Jesus, which in turn are repeated several times. Biography Giovanni Battista Cima was born at Conegliano, then part of the terrafirma of the Republic of Venice but now part of the province of Treviso, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Pordenone
Pordenone, Il Pordenone in Italian, is the byname of Giovanni Antonio de’ Sacchis (c. 1484 – 14 January 1539), an Italian Mannerist painter, loosely of the Venetian school. Vasari, his main biographer, wrongly identifies him as Giovanni Antonio Licinio. He painted in several cities in northern Italy "with speed, vigor, and deliberate coarseness of expression and execution—intended to shock". He appears to have visited Rome, and learnt from its High Renaissance masterpieces, but lacked a good training in anatomical drawing. Like Polidoro da Caravaggio, he was one of the artists often commissioned to paint the exteriors of buildings; of such work at most a shadow survives after centuries of weather. Michelangelo is said to have approved of one palace facade in 1527; it is now only known from a preparatory drawing. Much of his work was lost when the Doge's Palace in Venice was largely destroyed by fires in 1574 and 1577. A number of fresco cycles survive, for example ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pomponio Amalteo
Pomponio Amalteo (1505 – 9 March 1588) was an Italian painter of the Venetian school. Biography Pomponio Amalteo was born at Motta di Livenza in Veneto in 1505. He was a pupil and son-in-law of Il Pordenone, whose style he closely imitated; he inherited Pordenone's studio in Friuli, where he led a long career.''Encyclopædia Britannica'' 1911 As Pordenone became increasingly active in Venice in the 1530s, Pomponio Amalteo was allowed to emerge as an independent master. He also became an inheritor of part of his Friulian approach, kind of an arrangement, cemented by his marriage to Pordenone’s daughter in 1534. His works consist chiefly of frescoes and altarpieces and many of which (for instance those in the church of Santa Maria de' Battisti and the altarpiece of ''Saint Sebastian'' (1533) at the duomo of San Vito al Tagliamento) have degraded greatly over time. Five pictures representing subjects of Roman history painted by Amalteo adorn the ''Hall of the Notaries'' at Bellu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palma Il Giovane
Iacopo Negretti (1548/50 – 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane ("Young Palma"), was an Italian painter from Venice and a notable exponent of the Venetian school. After Tintoretto's death (1594), Palma became Venice's dominant artist perpetuating his style. Outside Venice, he received numerous commissions in the area of Bergamo, then part of the Venetian Domini di Terraferma, and in Central Europe, most prominently from the connoisseur emperor Rudolph II in Prague. Biography Palma was born in Venice. Born into a family of painters, he was the great-nephew of the painter Palma Vecchio ("Old Palma") and the son of Antonio Nigreti (1510/15–1575/85), a minor painter who was himself the pupil of the elder Palma's workshop foreman Bonifacio de' Pitati and who after Bonifazio's death (1553) inherited Bonifacio's shop and clientele; the younger Palma seems to have polished his style making copies after Titian. In 1567 Guidobal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Da Milano (painter)
Francesco da Milano (born ''Francesco Pagani'') was an Italian painter from Lombardy. He was active between 1502 and 1548 and twenty of his works in oil-on-canvas and fresco survive in the hill-country of Treviso and Friuli, including a fresco cycle at Castello Roganzuolo. As a Lombard, some aspects of his style were influenced by Bernardo Zenale and Vincenzo Civerchio, though he was also influenced by Titian, who like him lived and worked in the "contrada de Piai" in Serravalle. Titian was preferred to Francesco by Serravalle's town council - Francesco had been the initial choice to paint the Serravalle Altarpiece. Bibliography *Baldissin, Mariuccia e Soligon, Antonio, ''Chiese a San Fior. Alla scoperta del patrimonio artistico'', San Fior 2002, pp. 102–120. *Crespi, Leonardi, Zanato, ''Magia del colore. Chiese affrescate della Marca Trevigiana'', Vianello libri, 2008. *Giorgio Tagliaferro, ''Tiziano Vecellio. Madonna col Bambino in gloria e santi Andrea e Pietro'', in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museums In Veneto
A museum ( ; plural museums or, rarely, musea) is a building or institution that Preservation (library and archival science), cares for and displays a collection (artwork), collection of artifacts and other objects of artistic, culture, cultural, history, historical, or science, scientific importance. Many public museums make these items available for public viewing through display case, exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. Ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
