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Albert Of Malaspina
Albert Malaspina (1160/1165–1206/1212), called Alberto Moro ("the Moor") and ''lo marches putanier'' ("the whoring marquess"), was a member of the illustrious Malaspina family. He was a noted troubadour and patron of troubadours. Albert disputes with Peire de la Caravana the position of earliest native Italian troubadour. He was a son of Obizzo I the Great and husband of a daughter of William V of Montferrat. His brother-in-law Boniface I of Montferrat and his nephews Corrado (Conrad) and Guglielmo (William) were all enthusiastic patrons of troubadours. He was renowned for his bravery, generosity, courtliness, and learning. He composed a ''tenso'' with Raimbaut de Vaqueiras that begins ''Ara'm digatz Raimbaut, si vos agrada''. Though this is the only work of his to survive, the author of his ''vida'' compliments his couplets, ''cansos'', and ''sirventes''. According to Raimbaut, in his famous "epic letter" ''Valen marques, senher de Monferrat'', in the 1170s Albert abducte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couplet
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called ''heroic couplets''. John Dryden in the 17th century and Alexander Pope in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century Italian Troubadours
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1206 Deaths
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1160s Births , synthetic chemical element with atomic number 116
{{Numberdis ...
116 (''one hundred and sixteen'') may refer to: *116 (number) *AD 116 *116 BC *116 (Devon and Cornwall) Engineer Regiment, Royal Engineers, a military unit *116 (MBTA bus) *116 (New Jersey bus) *116 (hip hop group), a Christian hip hop collective *116 emergency number, see List of emergency telephone numbers ** 116 emergency telephone number in California *116 helplines in Europe *Route 116, see list of highways numbered 116 See also *11/6 (other) * *Livermorium Livermorium is a synthetic chemical element with the symbol Lv and has an atomic number of 116. It is an extremely radioactive element that has only been created in a laboratory setting and has not been observed in nature. The element is named aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ysabella (trobairitz)
Ysabel or Ysabella (poss. b. c. 1180Bogin, pp. 110–11.) was a 13th-century trobairitz. Almost nothing is known about her with certainty, but many conjectures have been put forward. She has been identified with: *Isabella, Queen of Jerusalem (died 1205), daughter of Amalric I of Jerusalem and Maria Comnena, widow of Conrad of Montferrat (died 1192)Bruckner et al., pp. 165–66. *Isabella, Marchioness of Bodonitsa (1278–1286), daughter of Guy Pallavicini (died 1237)Bertoni, pp. 130–31.Bogin, pp. 173–74. *Isabella, Triarch of Negroponte (1217), widow of Ravano dalle CarceriLachinhere./ref> *An otherwise unnamed daughter of William V of Montferrat (died 1191), sister of Boniface of Thessalonica, and wife of Albert Malaspina Ysabella is mentioned three times in the verses of Elias Cairel.Sometimes found as ''La tenzo de dona Ysabella e d'En Elyas Cairel''. "Estat ai dos ans" is addressed ''a ma dona Ysabelh'' (to my lady Ysabel).Riquer, pp. 144–45 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trobairitz
The ''trobairitz'' () were Occitan female troubadours of the 12th and 13th centuries, active from around 1170 to approximately 1260. ''Trobairitz'' is both singular and plural. The word ''trobairitz'' is first attested in the 13th-century romance '' Flamenca''. It comes from the Provençal word ''trobar'', the literal meaning of which is "to find", and the technical meaning of which is "to compose". The word ''trobairitz'' is used very rarely in medieval Occitan, as it does not occur in lyrical poetry, grammatical treatises or in the biographies (''vidas'') of the ''trobairitz'' or troubadours.Paden It does occur in the treatise ''Doctrina d'acort'' by Terramagnino da Pisa, written between 1282 and 1296. He uses it as an example of a word the plural and singular of which are the same.Elizabeth W. Poe, "Cantairitz e Trobairitz: A Forgotten Attestation of Old Provençal »Trobairitz«," ''Romanische Forschungen'', 114, 2 (2002), pp. 206–215, at 207: "which are correctly used on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genoa
Genoa ( ; it, Genova ; lij, Zêna ). is the capital of the Italian region of Liguria and the List of cities in Italy, sixth-largest city in Italy. In 2015, 594,733 people lived within the city's administrative limits. As of the 2011 Italian census, the Province of Genoa, which in 2015 became the Metropolitan City of Genoa, had 855,834 resident persons. Over 1.5 million people live in the wider metropolitan area stretching along the Italian Riviera. On the Gulf of Genoa in the Ligurian Sea, Genoa has historically been one of the most important ports on the Mediterranean Sea, Mediterranean: it is currently the busiest in Italy and in the Mediterranean Sea and twelfth-busiest in the European Union. Genoa was the capital of Republic of Genoa, one of the most powerful maritime republics for over seven centuries, from the 11th century to 1797. Particularly from the 12th century to the 15th century, the city played a leading role in the commercial trade in Europe, becoming one o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sirventes
The ''sirventes'' or ''serventes'' (), sometimes translated as "service song", was a genre of Old Occitan lyric poetry practiced by the troubadours. The name comes from ''sirvent'' ('serviceman'), from whose perspective the song is allegedly written. Sirventes usually (possibly, always) took the form of parodies, borrowing the melody, metrical structure and often even the rhymes of a well-known piece to address a controversial subject, often a current event. The original piece was usually a canso, but there are sirventes written as contrafacta of (at least) sestinas and pastorelas. They were always opinionated, being either highly complimentary or, more often, oozing with vitriol; however, these features are not unique to the sirventes, so a piece can be positively identified as one only if its nature is explicitly stated in the text (which it often is) or the original piece it is based on has been preserved (which is also often the case: for a parody to work, it had to target a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canso (song)
The ''canso'' or ''canson'' or ''canzo'' () was a song style used by the troubadours. It was, by far, the most common genre used, especially by early troubadours, and only in the second half of the 13th century was its dominance challenged by a growing number of poets writing ''coblas esparsas''. The ''canso'' became, in Old French, the ''grand chant'' and, in Italian, the ''canzone''. Structure A ''canso'' usually consists of three parts. The first stanza is the ''exordium'', where the composer explains his purpose. The main body of the song occurs in the following stanzas, and usually draw out a variety of relationships with the ''exordium''; formally, aside from the ''envoi''(''s''), which are not always present, a ''canso'' is made of stanzas all having the same sequence of verses, in the sense that each verse has the same number of metrical syllables. This makes it possible to use the same melody for every stanza. The sequence can be extremely simple, as in ''Can vei la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vida (Occitan Literary Form)
''Vida'' () is the usual term for a brief prose biography, written in Old Occitan, of a troubadour or trobairitz. The word ''vida'' means "life" in Occitan languages; they are short prose biographies of the troubadours, and they are found in some chansonniers, along with the works of the author they describe. Vidas are notoriously unreliable: Mouzat, while complaining that some scholars still believe them, says they represent the authors as "ridiculous bohemians, and picaresque heroes"; Alfred Jeanroy calls them "the ancestors of modern novels". Most often, they are not based on independent sources, and their information is deduced from literal readings of details of the poems. Most of the ''vidas'' were composed in Italy, many by Uc de Saint Circ. Additionally, some individual poems are accompanied by ''razo A ''razo'' (, literally "cause", "reason") was a short piece of Occitan prose detailing the circumstances of a troubadour composition. A ''razo'' normally introduced an in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malaspina Family
The House of Malaspina was a noble Italian family of Longobard origin that descended from Boniface I, Margrave of Tuscany, Boniface I, through the Obertenghi line, that ruled Lunigiana from the 13th to the 14th centuries, and the Province of Massa and Carrara, marquisate of Massa and lordship of Carrara (which later became the Duchy of Massa and Carrara and at a later time the Principality of Massa and the Marquisate of Carrara) since the 14th century. History The founder of the Malaspina family was Oberto I, who became the count of Luni, Italy, Luni in 945. Oberto I was appointed as the marquise of the March of Genoa under the Italian king Berengar II of Italy, Berengario II in 951 and he became a count palatine in 953. Oberto I had two children; Oberto II, who inherited the title of count of Luni from his father, and Adalberto I, whose offspring founded the Pallavicino and the Cavalcabò families. Oberto II had four children; Bertha of Milan, the spouse of the King of Italy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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