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Albert De Saint-Albin
Albert de Saint-Albin (1843, in Paris – 18 December 1901, in Paris) was a 19th-century French playwright, journalist, chansonnier and librettist. Biography A journalist at ''Le Temps'', chief editor of the ''Jockey'' (1866) and the ''Le Figaro'' (1880), he was known as a sports columnist under the pseudonym Robert Milton and was a great promoter of fencing. His plays were presented on the most important Parisian stages of the 19th century, including the Théâtre des Variétés, the Théâtre du Palais-Royal, the Théâtre du Vaudeville, and the Théâtre de la Gaîté. Moreover, Saint-Albin was a great collector of paintings by Eugène Boudin of which he owned a dozen works and by Gustave Moreau. Edmond de Goncourt, ''L'art du XVIIIe siècle'', 1901, p.176 Works Theatre *1875: ''Le Manoir de Pictordu'', comédie-opérette in 3 acts, with Arnold Mortier *1876: ''La Belle Poule'', three-act opéra bouffe, with Hector Crémieux *1877: ''La Foire Saint-Laurent'', thr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Male Journalists
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century French Journalists
The 19th (nineteenth) century began on 1 January 1801 (Roman numerals, MDCCCI), and ended on 31 December 1900 (Roman numerals, MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolitionism, abolished in much of Europe and the Americas. The Industrial Revolution, First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Gunpowder empires, Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century French Dramatists And Playwrights
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Bisson
Alexandre Bisson (9 April 1848 – 27 January 1912) was a French playwright, vaudeville creator, and novelist. Born in Briouze, Orne in Lower Normandy, he was successful in his native France as well as in the United States. Remembered as a significant creator of Parisian vaudeville, in collaboration with Edmond Gondinet, Bisson's 1881 three-act comedy ''Un Voyage d'agrément'' was performed at the Théâtre du Vaudeville in Paris. Of his works, Bisson is best remembered for his play ''Madame X'', which was performed in 1910 both in Paris and on Broadway with Sarah Bernhardt in the leading role. Over the years, the play would be revived for Broadway three times and nine '' Madame X'' motion pictures in several languages have been filmed. The first silent screen adaptation was in 1916 and the latest in 2000. Better-known versions include a 1929 sound film starring Ruth Chatterton and directed by Lionel Barrymore plus the 1966 film starring Lana Turner. In 2006, a musical based ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Meilhac
Henri Meilhac (23 February 1830 – 6 July 1897) was a French dramatist and opera librettist, best known for his collaborations with Ludovic Halévy on Georges Bizet's ''Carmen'' and on the works of Jacques Offenbach, as well as Jules Massenet's ''Manon''. Biography Meilhac was born in the 1st arrondissement of Paris in 1830. As a young man, he began writing fanciful articles for Parisian newspapers and comédies en vaudevilles, in a vivacious boulevardier spirit which brought him to the forefront. About 1860, Meilhac met Ludovic Halévy, and their collaboration for the stage lasted twenty years. Their most famous collaboration is the libretto for Georges Bizet's ''Carmen''. However, Meilhac's work is most closely tied to the music of Jacques Offenbach, for whom he wrote over a dozen librettos, most of them together with Halévy. The most successful collaborations with Offenbach are ''La belle Hélène'' (1864), '' Barbe-bleue'' (1866), '' La Vie parisienne'' (1866), ''La Grand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Planquette
Jean Robert Planquette (31 July 1848 – 28 January 1903) was a French composer of songs and operettas. Several of Planquette's operettas were extraordinarily successful in Britain, especially ''Les cloches de Corneville'' (1878), the length of whose initial London run broke all records for any piece of musical theatre up to that time. ''Rip Van Winkle'' (1882) also earned international fame. Life and career The son of a singer, Planquette was born in Paris and educated at the Paris Conservatoire. He did not finish his studies, lacking the funds to do so, and worked as a café pianist and composer and singing (he was a tenor). A few romances that he composed brought less fame than did his song, "Sambre et Meuse", first sung in 1867 by Lucien Fugère, who went on to be one of the foremost French opera singers of his day. In 1876, the director of the Théâtre des Folies-Dramatiques gave Planquette a commission to compose his first operetta, ''Les cloches de Corneville''. It op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmond Gondinet
Edmond Gondinet (7 March 1828 – 19 November 1888) was a French playwright and librettist. This author, nearly forgotten today, produced forty plays of which several were successful. He collaborated with Alphonse Daudet and Eugène Labiche, among others. Plays *''Trop curieux'' (1863), comedy in one act performed for the first time in Paris at the Comédie Française on June 25, 1863. (Calmann Lévy, publisher) *''Les Victimes de l'argent'' (1865), comedy in three acts, performed for the first time in Paris in the Théâtre du Gymnase on June 15, 1865. (Calmann Lévy, publisher) *''Les Révoltées'' (1865), three-act comedy in verse, performed for the first time in Paris in Théâtre du Gymnase on November 30, 1865 (Théâtre Complet III-2) *''La Cravate blanche'' (1867), one-act comedy in free verse, performed for the first time in Paris in the Théâtre du Gymnase on July 23, 1867 (Théâtre Complet I-3) *''Le Comte Jacques'' (1868), three-act comedy, performed for the fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Hennequin
Alfred Néoclès Hennequin (13 January 1842 – 7 August 1887) was a Belgian playwright, best known for his farces. Born in Liège, Hennequin was trained there as an engineer, and was employed by the national railway company. In his spare time he wrote plays, and in 1870 had a success in Brussels with his farce ''Les Trois chapeaux'' (The Three Hats). He moved to Paris in 1871 and became a full-time playwright. Between 1871 and 1886 he wrote a series of comic plays, including ''Le Procès Veauradieux'' (The Veauradieux Trial, 1875), ''Les Dominos roses'' (The Pink Dominos, 1876), ''Bébé'' (Baby, 1877) and ''La Femme à papa'' (Father's Wife, 1879). Most of his plays were co-written with collaborators including Alfred Delacour and Albert Millaud and, in his last play, his son Maurice Hennequin, Maurice. Hennequin, with his intricate plotting and frenetic exits and entrances through various doors, is known as the originator of the bedroom farce and a model for a later master of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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