Aisha Qandisha
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Aisha Qandisha
Aicha Qandicha ( ary, عيشة قنديشة, ʿayša qəndiša, referred to in some works as Qandisa) is a female mythological figure in Moroccan folklore. One of a number of folkloric characters who are similar to jinn, but have distinct personalities, she is typically depicted as a beautiful young woman who has the legs of a hoofed animal such as a goat or camel. Although descriptions of Aicha Kandicha vary from region to region within Morocco, she is generally thought to live near water sources, and is said to use her beauty to seduce local men and then madden or kill them. Origins Edvard Westermarck claimed that Aicha Kandicha's name is "distinctly of Eastern origin," co-identifying her with Qetesh in ancient Canaanite religion, who he identified as "the temple harlot," and tying her to the cult of the goddess Astarte, incorrectly characterised as a "fertility" goddess. Westermarck suggests that Phoenician colonies in North Africa first introduced Kandicha, who was later ...
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Mythology
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many soc ...
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Martil River
Martil Valley () is situated to the northeast of Tetouan, Morocco. It is about 10 to 15 km long. The name comes from the river that crosses the valley, formerly known as Rio Martin, during the Spanish protectorate period in the first half of the 20th century. The river flows into the Mediterranean Sea at the sea resort of Martil Martil (Berber: ⵎⴰⵔⵜⵉⵍ, ar, مرتيل) is a town in Tanger-Tetouan-Al Hoceima, Morocco. It is located on the Mediterranean Sea northeast of Tetouan. The name Martil comes from the Spanish Spanish might refer to: * Items from or re .... Valleys of Morocco Tétouan {{TangerTetouanAlHoceima-geo-stub ...
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Xana
The xana is a character found in Asturian mythology. Always female, she is a creature of extraordinary beauty believed to live in fountains, rivers, waterfalls or forested regions with pure water. She is usually described as small or slender with long blonde or light brown hair (most often curly), which she tends to with gold or silver combs woven from sun or moonbeams. The origin of the Asturian word ''xana'' is unclear, though some scholars see it as a derivation from the Latin name for the goddess Diana. References to where the mythological xanas lived are still common in Asturian toponyms. They also appear in Eastern Galician and Cantabrian mythology (Anjanas). Characteristics The xanas promise treasures and can be disenchanted. Some xanas also attack people and steal their food. They live in fountains and caves. A xana can be a beneficial spirit, offering "love water" to travelers and rewards of gold or silver to those found worthy through some undefined judgment. The ...
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Siren (mythology)
In Greek mythology, the sirens (Ancient Greek: singular: ; plural: ) were humanlike beings with alluring voices; they appear in a scene in the Odyssey in which Odysseus saves his crew's lives. Roman poets placed them on some small islands called Sirenum scopuli. In some later, rationalized traditions, the literal geography of the "flowery" island of Anthemoessa, or Anthemusa, is fixed: sometimes on Cape Pelorum and at others in the islands known as the Sirenuse, near Paestum, or in Capreae. All such locations were surrounded by cliffs and rocks. Sirens continued to be used as a symbol for the dangerous temptation embodied by women regularly throughout Christian art of the medieval era. Nomenclature The etymology of the name is contested. Robert S. P. Beekes has suggested a Pre-Greek origin. Others connect the name to σειρά (''seirá'', "rope, cord") and εἴρω (''eírō'', "to tie, join, fasten"), resulting in the meaning "binder, entangler", i.e. one who binds ...
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Hulder
A hulder (or huldra) is a seductive forest creature found in Scandinavian folklore. Her name derives from a root meaning "covered" or "secret". In Norwegian folklore, she is known as huldra ("the rchetypalhulder", though folklore presupposes that there is an entire Hulder race and not just a single individual). She is known as the skogsrå "forest spirit" or Tallemaja "pine tree Mary" in Swedish folklore, and in Sámi folklore. Her name suggests that she is originally the same being as the völva divine figure Huld and the German Holda. The word hulder is only used of a female; a "male hulder" is called a ''huldrekall'' and also appears in Norwegian folklore. This being is closely related to other underground dwellers, usually called ''tusser'' (sg., ''tusse''). Though described as beautiful, the huldra is noted for having a distinctive inhuman feature—an animal's tail (usually a cow's or a fox's) and/or a back resembling a hollowed-out tree. Folklore The hulder is one o ...
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Patasola
The Patasola or "one leg" is one of many legends in South American folklore about female monsters from the jungle, appearing to male hunters or loggers in the middle of the wilderness when they think about women. The Patasola appears in the form of a beautiful and seductive woman, often in the likeness of a loved one, who lures a man away from his companions deep into the jungle. There, the Patasola reveals her true, hideous appearance as a one-legged creature with ferocious vampire-like lust for human flesh and blood, attacking and devouring the flesh or sucking the blood of her victims. Location The Patasola derives from vampire legend. According to popular belief, she inhabits mountain ranges, virgin forests, and other heavily wooded or jungle-like areas. At the edges of these places, and primarily at night, she lures male hunters, loggers, miners, millers, and animal herders. She also interferes with their daily activities. She blocks shortcuts through the jungle, disor ...
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Sihuanaba
Sihuanaba, La Siguanaba, Cigua or Cegua is a supernatural character from Central American folklore though it can also be heard in Mexico. It is a shapeshifting spirit that typically takes the form of an attractive, long haired woman seen from behind. She lures men away into danger before revealing her face to be that of a horse or, alternatively, a skull. The Siguanaba and its variants may have been brought to Latin America from Spain during the Colonial Period, used by the colonists as a means of exercising control over the indigenous and ''mestizo'' population.Fernández-Poncela 1995, p.107. Appearance When encountered, she is a beautiful woman who is either naked or dressed in either flimsy white or black clothing; she usually appears bathing in a public water tank, river, or other water source,Lara Figueroa 1996, pp.28-29. although she may also be found washing clothing.Lara Figueroa 1996, p.32. She likes to lure lone men out late on dark, moonless nights, without letting th ...
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Succubus
A succubus is a demon or supernatural entity in folklore, in female form, that appears in dreams to seduce men, usually through sexual activity. According to religious tradition, a succubus needs male semen to survive; repeated sexual activity with a succubus will result in a bond being formed between the succubus and the man; a succubus cannot drain or harm the man with whom she is having intercourse. In modern representations, a succubus is often depicted as a beautiful seductress or enchantress, rather than as demonic or frightening. The male counterpart to the succubus is the incubus. Etymology The term derives from Late Latin ''succuba'' "paramour" from ''succubare'' "to lie beneath" (''sub-'' "under" and ''cubare'' "to lie"), used to describe this female supernatural being's implied sexual position relative to the male sleeper's position. The English word "succubus" dates from the late 14th century. The succubus is also known as the earth wanderer, and she seeks her victi ...
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Kandisha (2020 Film)
''Kandisha'' is a French horror film directed and written by Alexandre Bustillo and Julien Maury. The film stars Mériem Sarolie, Walid Afkir, Suzy Bemba, Bakary Diombera, Mathilde Lamusse, Félix Glaux-Delporto and Sandor Funtek. Focusing on a teenage girl who must fight to protect her younger brother with help from her two friends from the wraith of a Moroccan figure from folklore she inadvertently summoned Plot Three teenage childhood friends invoke the spirit of Aïsha Kandisha, the avenging creature of a Moroccan legend. When one of them Amélie suffers at the hands of a former boyfriend, she asks Kandisha to punish him. The game turns into a nightmare when the people in their closest environment start to re-appear dead as Kandisha not satisfied with one sacrifice starts venting out her rage on any male in her vicinity...including their nearest and dearest. Then, the three friends must do everything possible to contain this evil creature who is demanding to be reborn by ...
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Gnawa Music
Gnawa music (Ar. ) is a body of Moroccan religious songs and rhythms. Its well-preserved heritage combines ritual poetry with traditional music and dancing. The music is performed at ''lila'', communal nights of celebration dedicated to prayer and healing guided by the Gnawa ''maalem'', or master musician, and their group of musicians and dancers. Though many of the influences that formed this music can be traced to West African kingdoms, its traditional practice is concentrated in Morocco.El Hamel, Chouki (n.d.) "Gnawa Music of Morocco. afropop.org. Gnawa music has spread to many other countries in Africa and Europe, such as France.Meddeb, Abdelwahab (n.d.)Lila gnawa franceculture.fr. (in French) The word "Gnawa", plural of "Gnawi", is taken to be derived from the Hausa language, Hausa demonym "Kanawa" for the residents of Kano (city), Kano, the capital of the Hausa-Fulani Emirate, which was under Morocco influence (Opinion of Essaouira Gnawa Maalems, Maalem Sadiq, Abdallah ...
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Spirit Possession
Spirit possession is an unusual or altered state of consciousness and associated behaviors purportedly caused by the control of a human body by spirits, ghosts, demons, or gods. The concept of spirit possession exists in many cultures and religions, including Buddhism, Christianity,Mark 5:9, Luke 8:30 Haitian Vodou, Hinduism, Islam, Wicca, and Southeast Asian, African, and Native American traditions. Depending on the cultural context in which it is found, possession may be considered voluntary or involuntary and may be considered to have beneficial or detrimental effects on the host. In a 1969 study funded by the National Institute of Mental Health, spirit possession beliefs were found to exist in 74% of a sample of 488 societies in all parts of the world, with the highest numbers of believing societies in Pacific cultures and the lowest incidence among Native Americans of both North and South America. As Pentecostal and Charismatic Christian churches move into both Africa ...
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Sufi
Sufism ( ar, ''aṣ-ṣūfiyya''), also known as Tasawwuf ( ''at-taṣawwuf''), is a mystic body of religious practice, found mainly within Sunni Islam but also within Shia Islam, which is characterized by a focus on Islamic spirituality, ritualism, asceticism and esotericism. It has been variously defined as "Islamic mysticism",Martin Lings, ''What is Sufism?'' (Lahore: Suhail Academy, 2005; first imp. 1983, second imp. 1999), p.15 "the mystical expression of Islamic faith", "the inward dimension of Islam", "the phenomenon of mysticism within Islam", the "main manifestation and the most important and central crystallization" of mystical practice in Islam, and "the interiorization and intensification of Islamic faith and practice". Practitioners of Sufism are referred to as "Sufis" (from , ), and historically typically belonged to "orders" known as (pl. ) – congregations formed around a grand who would be the last in a chain of successive teachers linking back to Muha ...
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