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Airavateswarar Temple, Maruthuvakudi
Airavateswarar Temple is a Hindu temple located at Maruthuvakudi near Aduthurai in the Thanjavur district of Tamil Nadu, India India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and the most populous democracy in the world. Bounded by the Indian Ocean on the so .... பு.மா.ஜெயசெந்தில்நாதன், தேவார வைப்புத்தலங்கள், வர்த்தமானன் பதிப்பகம், சென்னை, 2009 Legend Indra, the god-king of Heaven, and his white elephant Airavata were cursed by Sage Durvasa for throwing a garland given to them by the god Brahma. Indra lost his Kingdom and Airavata turned black. Indra worshipped the god Shiva here and was eventually released from the curse. It is also the place where Shiva slew the demon Marutthuvasura, from which the name of the village originated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gopuram IMG 1249
A ''gopuram'' or ''gopura'' ( Tamil: கோபுரம், Malayalam: ഗോപുരം, Kannada: ಗೋಪುರ, Telugu: గోపురం) is a monumental entrance tower, usually ornate, at the entrance of a Hindu temple, in the South Indian architecture of the Southern Indian states of Tamil Nadu, Andhra Pradesh, Kerala, Karnataka, and Telangana, and Sri Lanka. In other areas of India they are much more modest, while in Southern Indian temples they are very often by far the highest part of the temple. Ancient and early medieval temples feature smaller ''gopuram'', while in later temples they are a prominent feature of Hindu Dravidian style; in many cases the temple compound was expanded and new larger gopuram built along the new boundary. They are topped by the '' kalasam'', a bulbous stone finial. They function as gateways through the walls that surround the temple complex. Another towering structure located towards the center of the temple is the Vimanam. Both of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parvati
Parvati ( sa, पार्वती, ), Uma ( sa, उमा, ) or Gauri ( sa, गौरी, ) is the Hindu goddess of power, energy, nourishment, harmony, love, beauty, devotion, and motherhood. She is a physical representation of Mahadevi in her complete form. She is also revered in her appearances as Durga and Kali.Suresh Chandra (1998), Encyclopedia of Hindu Gods and Goddesses, , pp 245–246 She is one of the central deities of the goddess-oriented sect called Shaktism, and the chief goddess in Shaivism. Along with Lakshmi and Saraswati, she forms the Tridevi. Parvati is the wife of the Hindu god Shiva. She is the reincarnation of Sati, the first wife of Shiva who immolated herself during a yajna (fire-sacrifice).Edward Balfour, , The Encyclopaedia of India and of Eastern and Southern Asia, pp 153 Parvati is the daughter of the mountain-king Himavan and queen Mena.H.V. Dehejia, Parvati: Goddess of Love, Mapin, , pp 11 Parvati is the mother of the Hindu deities Ganesha and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamil Nadu Rice Research Institute
The Tamil Nadu Rice Research Institute (TRRI) is an Indian research institute working in the field of rice under Tamil Nadu Agricultural University (TNAU). Situated in Maruthuvakudi, Aduthurai, in Thanjavur district, it was established in April, 1985 in TNAU to meet the research requirements of the region with the help of existing Agricultural Colleges and Research centres and perform lead function for rice and rice based cropping system research. TRRI coordinate the research programmes of all the stations of the state on rice and rice based cropping system research. This directorate responsible for coordinating research in the Region II of the TNAU. History It is first established as a Research Station at Manganallur in 1912, subsequently shifted to Aduthurai as Agricultural Research Station in 1922. In 1962 it was renamed as Regional Research Station, and about a decade later in 1973, University Research Centre of Tamil Nadu Agricultural University (TNAU) started in State Regi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sembiyan Mahadevi
Sembiyan Mahadevi was Queen regnant and empress of the Chola Empire from 949 CE - 957 CE as the wife of Gandaraditya Chola. She is the mother of Uttama Chola. She was one of the most powerful empresses of the Chola empire who over a period of sixty years constructed numerous temples and gave generous gifts to many temples in South India. She figures as early as, if not before, Saka 901 during the reign of her son. According to an inscription dated 941, Sembiyan Mahadevi is said to have made an endowment so that a lamp may be kept permanently lit in front of the Shiva deity (perhaps not long after the crystallization of the Chidambaram Nataraja (Natarāja) cult). After her husband Gandaraditya Chola's death, she immediately lost her title as ''Queen and Empress'' and was later known as the ''Widow of Thanjavur'' (Rajamata). She lost all of her power as queen and empress and only wore white which was known as the grief color, setting her self into mourning for the rest of her life. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gopuram
A ''gopuram'' or ''gopura'' ( Tamil: கோபுரம், Malayalam: ഗോപുരം, Kannada: ಗೋಪುರ, Telugu: గోపురం) is a monumental entrance tower, usually ornate, at the entrance of a Hindu temple, in the South Indian architecture of the Southern Indian states of Tamil Nadu, Andhra Pradesh, Kerala, Karnataka, and Telangana, and Sri Lanka. In other areas of India they are much more modest, while in Southern Indian temples they are very often by far the highest part of the temple. Ancient and early medieval temples feature smaller ''gopuram'', while in later temples they are a prominent feature of Hindu Dravidian style; in many cases the temple compound was expanded and new larger gopuram built along the new boundary. They are topped by the ''kalasam'', a bulbous stone finial. They function as gateways through the walls that surround the temple complex. Another towering structure located towards the center of the temple is the Vimanam. Both of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chola
The Chola dynasty was a Tamils, Tamil thalassocratic Tamil Dynasties, empire of southern India and one of the longest-ruling dynasties in the history of the world. The earliest datable references to the Chola are from inscriptions dated to the 3rd century BCE during the reign of Ashoka of the Maurya Empire. As one of the Three Crowned Kings of Tamilakam, along with the Chera dynasty, Chera and Pandya dynasty, Pandya, the dynasty continued to govern over varying territories until the 13th century CE. The Chola Empire was at its peak under the Medieval Cholas in the mid-9th century CE. The heartland of the Cholas was the fertile valley of the Kaveri River. They ruled a significantly larger area at the height of their power from the later half of the 9th century till the beginning of the 13th century. They unified peninsular India south of the Tungabhadra River, and held the territory as one state for three centuries between 907 and 1215 CE.K. A. Nilakanta Sastri, ''A Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dravidian Architecture
Dravidian architecture, or the South Indian temple style, is an architectural idiom in Hindu temple architecture that emerged from South India, reaching its final form by the sixteenth century. It is seen in Hindu temples, and the most distinctive difference from north Indian styles is the use of a shorter and more pyramidal tower over the garbhagriha or sanctuary called a vimana, where the north has taller towers, usually bending inwards as they rise, called shikharas. However, for modern visitors to larger temples the dominating feature is the high gopura or gatehouse at the edge of the compound; large temples have several, dwarfing the vimana; these are a much more recent development. There are numerous other distinct features such as the ''dwarapalakas'' – twin guardians at the main entrance and the inner sanctum of the temple and ''goshtams'' – deities carved in niches on the outer side walls of the garbhagriha. Mentioned as one of three styles of temple building in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Appar
Appar, also referred to as ( ta, திருநாவுக்கரசர்) or Navukkarasar, was a seventh-century Tamil Śaiva poet-saint. Born in a peasant Śaiva family, raised as an orphan by his sister, he lived about 80 years and is generally placed sometime between 570 and 650 CE.Zvelebil 1974, p. 95 Appar composed 4,900 devotional hymns to the god Shiva, out of which 313 have survived and are now canonized as the 4th to 6th volumes of ''Tirumurai''. One of the most prominent of the sixty-three revered Nayanars, he was an older contemporary of Thirugnana Sambandar. His images are found and revered in Tamil Shiva temples. His characteristic iconography in temples show him carrying a farmer's small hoe – a gardening tool and weed puller. Names Appar is also known as Tirunāvukkarasar (''lit.'' "King of the Tongue, Lord of Language"). His birth-name was Marulneekkiyar, and was renamed to Tharumasenar while he studied and later served as the head of a Jain monastery. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nayanars
The Nayanars (or Nayanmars; ta, நாயன்மார், translit=Nāyaṉmār, translit-std=ISO, lit=hounds of Siva, and later 'teachers of Shiva ) were a group of 63 Tamil Hindu saints living during the 6th to 8th centuries CE who were devoted to the Hindu god Shiva. Along with the Alvars, their contemporaries who were devoted to Vishnu, they influenced the Bhakti movement in early medieval South India. The names of the Nayanars were first compiled by Sundarar. The list was expanded by Nambiyandar Nambi during his compilation of material by the poets for the ''Tirumurai'' collection, and would include Sundarar himself and Sundarar's parents. The Nalvar () are the four foremost Nayanars Appar, Sundarar, Sambandar and Manikkavaasagar. History The list of the Nayanars was initially compiled by Sundarar (Sundararmurthi). In his poem ''Tiruthonda Thogai'' he sings, in eleven verses, the names of the Nayanar saints up to Karaikkal Ammaiyar, and refers to himself as "the serv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaippu Sthalam
The ''Vaippu Sthalam'' :ta:வைப்புத் தலங்கள் also Called Tevara Vaippu Sthalam are places in South India that were mentioned casually in the songs in Tevaram, hymns composed in praise of the god Shiva during 7th-8th century. The ''Paadal Petra Sthalam'' by comparison are 275 temples that are revered in the verses of Saiva Nayanars in the 6th-9th century CE and are amongst the greatest Shiva temples of the continent. Thevaram Thevaram ( ta, தேவாரம்) refers to the collection of verses sung on the primary god of the Shaivite sect of Hindu religion, Lord Shiva by three Tamil poets (known as ''Saiva Kuruvars'') - Thirugnana Sambanthar (aka Campantar), Tirunavukkarasar (aka Appar) and Sundaramoorthy Nayanar (aka Sundarar). The former two lived in the 7th century AD while the latter around 8th century AD. All songs in ''Tevaram'' are believed to be in sets of 10 songs (called ''pathikam'' in Tamil). List of Vaippu Sthalam The list of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Murugan
Kartikeya ( sa, कार्त्तिकेय, Kārttikeya), also known as Skanda, Subrahmanya, Shanmukha (), and Murugan ( ta, முருகன்), is the Hindu god of war. He is the son of Parvati and Shiva, the brother of Ganesha and a god whose legends have many versions in Hinduism. Kartikeya has been an important deity in the Indian subcontinent since ancient times, worshipped as Mahasena and Kumara in North India and is predominantly worshipped in the state of Tamil Nadu and other parts of South India, Sri Lanka, Singapore, and Malaysia as Murugan. Murugan is widely regarded as the "God of the Tamil people". It has been postulated that the Tamil deity of Murugan was syncretised with the Vedic deity of Subrahmanya following the Sangam era. Both Muruga and Subrahmanya refer to Kartikeya. The iconography of Kartikeya varies significantly; he is typically represented as an ever-youthful man, riding or near an Indian peafowl, called Paravani, bearing a vel and so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ganesha
Ganesha ( sa, गणेश, ), also known as Ganapati, Vinayaka, and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in Ganapatya sect. His image is found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and includes Nepal, Sri Lanka, Thailand, Indonesia (Java and Bali), Singapore, Malaysia, Philippines, and Bangladesh and in countries with large ethnic Indian populations including Fiji, Guyana, Mauritius, and Trinidad and Tobago. Although Ganesha has many attributes, he is readily identified by his elephant head. He is widely revered, more specifically, as the remover of obstacles and thought to bring good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked as a patron of letters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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