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Agostino Ciampelli
Agostino Ciampelli (29 August 1565 – 22 April 1630) was an Italian painter of the Baroque period. He trained with Santi di Tito in Florence, and painted in Rome under Clement VIII, including a ''Crucifixion'' for Santa Prassede and a ''Saint Giovanni Gualberto'' in its sacristy; ''Angels'' on the walls above the choirstalls in the apse of Santa Maria in Trastevere; frescoes of the ''Stoning of Saint Vitale'' in San Vitale and further frescoes in the little church of Santa Bibiena; and ''The Visitation'' in Sant Stefano di Pescia. At the Basilica of San Giovanni in Laterano, Ciampelli frescoed the walls of the canons' sacristy, the "Sala Clementina". Life Florence and Rome Agostino Ciampelli was born in Florence. There is little known about his early childhood. Agostino trained in the studio of Santi di Tito, a leading artists of the Counter Reformation. Agostino was admitted into the Accademia del Disegno in Florence in 1585. Some of his earliest known works include pai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastels
A pastel () is an art medium in a variety of forms including a stick, a square a pebble or a pan of color; though other forms are possible; they consist of powdered pigment and a binder. The pigments used in pastels are similar to those used to produce some other colored visual arts media, such as oil paints; the binder is of a neutral hue and low saturation. The color effect of pastels is closer to the natural dry pigments than that of any other process. Pastels have been used by artists since the Renaissance, and gained considerable popularity in the 18th century, when a number of notable artists made pastel their primary medium. An artwork made using pastels is called a pastel (or a pastel drawing or pastel painting). ''Pastel'' used as a verb means to produce an artwork with pastels; as an adjective it means pale in color. Pastel media Pastel sticks or crayons consist of powdered pigment combined with a binder. The exact composition and characteristics of an individual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angels
In various theistic religious traditions an angel is a supernatural spiritual being who serves God. Abrahamic religions often depict angels as benevolent celestial intermediaries between God (or Heaven) and humanity. Other roles include protectors and guides for humans, and servants of God. Abrahamic religions describe angelic hierarchies, which vary by religion and sect. Some angels have specific names (such as Gabriel or Michael) or titles (such as seraph or archangel). Those expelled from Heaven are called fallen angels, distinct from the heavenly host. Angels in art are usually shaped like humans of extraordinary beauty. They are often identified in Christian artwork with bird wings, halos, and divine light. Etymology The word ''angel'' arrives in modern English from Old English ''engel'' (with a hard ''g'') and the Old French ''angele''. Both of these derive from Late Latin ''angelus'', which in turn was borrowed from Late Greek ''angelos'' (literally "messenge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trastevere
Trastevere () is the 13th ''rione'' of Rome: it is identified by the initials R. XIII and it is located within Municipio I. Its name comes from Latin ''trans Tiberim'', literally 'beyond the Tiber'. Its coat of arms depicts a golden head of a lion on a red background, the meaning of which is uncertain. History In Rome's Regal period (753–509 BC), the area across the Tiber belonged to the Etruscans: the Romans named it ''Ripa Etrusca'' (Etruscan bank). Rome conquered it to gain control of and access to the river from both banks, but was not interested in building on that side of the river. In fact, the only connection between Trastevere and the rest of the city was a small wooden bridge called the ''Pons Sublicius'' (English: 'bridge on wooden piles'). By the time of the Republic c. 509 BC, the number of sailors and fishermen making a living from the river had increased, and many had taken up residence in Trastevere. Immigrants from the East also settled there, mainly Jews a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sant'Agnese Fuori Le Mura
The church of Saint Agnes Outside the Walls ( it, Sant'Agnese fuori le mura) is a titulus church, minor basilica in Rome, on a site sloping down from the Via Nomentana, which runs north-east out of the city, still under its ancient name. What are said to be the remains of Saint Agnes are below the high altar. The church is built over the Catacombs of Saint Agnes, where the saint was originally buried, and which may still be visited from the church. A large basilica with the same name was built nearby in the 4th century and its ruins can be seen near Santa Costanza, in the same site. The existing church was built by Pope Honorius I in the 7th century, and largely retains its original structure, despite many changes to the decoration. In particular the mosaic in the apse of Agnes, Honorius, and another Pope is largely in its original condition. The current Cardinal Priest of the ''Titulus S. Agnetis Extra moenia'' is Camillo Ruini. History A very large basilica was built som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florentine Academy
The Accademia di Belle Arti di Firenze ("academy of fine arts of Florence") is an instructional art academy in Florence, in Tuscany, in central Italy. It was founded by Cosimo I de' Medici in 1563, under the influence of Giorgio Vasari. Michelangelo, Benvenuto Cellini and other significant artists have been associated with it. Like other state art academies in Italy, it became an autonomous degree-awarding institution under law no. 508 dated 21 December 1999, and falls under the Ministero dell'Istruzione, dell'Università e della Ricerca, the Italian ministry of education and research. The adjacent (but unaffiliated) Galleria dell'Accademia houses the original ''David'' by Michelangelo. History The Accademia e Compagnia delle Arti del Disegno, or "academy and company of the arts of drawing", was founded on 13 January 1563 by Cosimo I de' Medici, under the influence of Giorgio Vasari. It was made up of two parts: the Company was a kind of guild for all working artists, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patron
Patronage is the support, encouragement, privilege, or financial aid that an organization or individual bestows on another. In the history of art, arts patronage refers to the support that kings, popes, and the wealthy have provided to artists such as musicians, painters, and sculptors. It can also refer to the right of bestowing offices or church benefices, the business given to a store by a regular customer, and the guardianship of saints. The word "patron" derives from the la, patronus ("patron"), one who gives benefits to his clients (see Patronage in ancient Rome). In some countries the term is used to describe political patronage or patronal politics, which is the use of state resources to reward individuals for their electoral support. Some patronage systems are legal, as in the Canadian tradition of the Prime Minister to appoint senators and the heads of a number of commissions and agencies; in many cases, these appointments go to people who have supported the politica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro De Medici
Alessandro de' Medici (22 July 1510 – 6 January 1537), nicknamed "il Moro" due to his dark complexion, Duke of Penne and the first Duke of the Florentine Republic (from 1532), was ruler of Florence from 1530 to his death in 1537. The first Medici to rule Florence as a hereditary monarch, Alessandro was also the last Medici from the senior line of the family to lead the city. His assassination at the hands of distant cousin Lorenzaccio caused the title of Duke to pass to Cosimo I de Medici, from the family's junior branch. Life Born in Florence, Alessandro was recognized by a plurality of his contemporaries as the only son of Lorenzo II de' Medici, grandson of Lorenzo de' Medici "the Magnificent". Others believed him to be the illegitimate son of Giulio de' Medici (later Pope Clement VII), but at the time that was a minority view.Catherine Fletcher, ''The Black Prince of Florence: The Spectacular Life and Treacherous World of Alessandro de' Medici'' (London: Bodley Head, 2016), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Of The Gesu
Church may refer to: Religion * Church (building), a building for Christian religious activities * Church (congregation), a local congregation of a Christian denomination * Church service, a formalized period of Christian communal worship * Christian denomination, a Christian organization with distinct doctrine and practice * Christian Church, either the collective body of all Christian believers, or early Christianity Places United Kingdom * Church (Liverpool ward), a Liverpool City Council ward * Church (Reading ward), a Reading Borough Council ward * Church (Sefton ward), a Metropolitan Borough of Sefton ward * Church, Lancashire, England United States * Church, Iowa, an unincorporated community * Church Lake, a lake in Minnesota Arts, entertainment, and media * '' Church magazine'', a pastoral theology magazine published by the National Pastoral Life Center Fictional entities * Church (''Red vs. Blue''), a fictional character in the video web series ''Red vs. Blue'' * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Corsini, Rome
The Palazzo Corsini is a prominent late-baroque palace in Rome, erected for the Corsini family between 1730 and 1740 as an elaboration of the prior building on the site, a 15th-century villa of the Riario family, based on designs of Ferdinando Fuga. It is located in the Trastevere section of the city, and stands beside the Villa Farnesina. Description During 1659–1689, the former Riario palace had hosted the eccentric Christina, Queen of Sweden, who abdicated, converted, and moved to Rome. Under her patronage, this was the site for the first meetings of the Roman ''Accademia dell'Arcadia''. In 1736, the Florentine cardinal (Catholic Church), Cardinal Neri Maria Corsini, nephew of Pope Clement XII (formerly Cardinal Lorenzo Corsini), acquired the villa and land, and commissioned the structure now standing. During the Napoleonic occupation of Rome, the palace hosted Joseph Bonaparte. Today, the palace hosts some offices of the ''National Academy of Science'' (Accademia dei Lincei) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_(31023042187)_CROP.jpg "Click for more on -> Patron")
