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Agostino Agresta
Agostino Agresta (''fl.'' 1600–1617) was a Neapolitan composer working at the beginning of the 17th century, who can be seen as having been strongly influenced by Carlo Gesualdo. Agresta's only known surviving works are unaccompanied madrigals, including a complete book of six-voice pieces. Biography Incredibly little is known about the life and career of Agresta, including neither the circumstances of his birth or death. Apart from his works (discussed below), there are only two contemporary or near-contemporary references to him. He and his elder brother Giovanni Antonio are listed together in the third book of Scipione Cerreto's 1601 ''Della prattica musicale'' as excellent composers operating in Naples ('Compositori eccellenti della Città di Napoli, che oggi vivono'); however, no works by Giovanni Antonio survive. And a 1664 work by the Neapolitan scholar Camillo Tutini lists him as a madrigalist in a section devoted to promoting the cultural claims of Naples against Rome ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Tregian The Elder
Francis Tregian the Elder (1548–1608) was a Cornish recusant and landowner in Cornwall. He was arrested and imprisoned, and later pardoned. Biography Tregian was the son of John Tregian of Wolvenden of Probus, Cornwall and Catherine Arundell, the daughter of Sir John and Lady Elizabeth Arundell of Lanherne. A staunch Catholic, he inherited substantial estates on the death of his father, including the manors of Bedock, Landegy, Lanner and Carvolghe, and the family home, 'Golden', in the parish of Probus, near Truro. He was the father of Francis Tregian the Younger, notable for his musical interests. He had resided at the English Court in order to help the persecuted Catholics. In 1576 Tregian harboured at Golden Manor House a Catholic seminary priest, Cuthbert Mayne, who passed as his steward.Burton, Ed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Composers
The Renaissance ( , ) , from , with the same meanings. is a Periodization, period in History of Europe, European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the Early modern period, early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Italian Renaissance painting#Proto-Renaissance painting, Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composers From Naples
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or 'singer-songwriter' are more often used, particula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Sartori
Claudio Sartori (1 April 1913 – 11 March 1994) was an Italian musicologist. Sartori was born in Brescia, Italy, on 1 April 1913. He studied piano and literature, two activities he loved his whole life. He went to university and graduated with a dissertation in history of music. He started his career as a librarian in a school in Bologna in 1939. Here, Sartori started to develop his interest for musical sources and he published several articles on musicology. During World War II, he joined the Italian resistance movement; he was imprisoned by the SS and then released in 1945. After the war, Sartori started a career as a journalist in Milan writing for the newspaper ''Popolo di Milano''. In the following years he worked as musicologist, journalist and music critic. In 1947, Sartori was appointed to the library of the Milan Conservatory. From this moment on, Sartori devoted himself to research in musicology. His efforts were concentrated on the cataloguing of the musical sources ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Lesure
François Lesure (23 May 1923 in Paris – 21 June 2001) was a French librarian and musicologist. Biography François Lesure studied at the Sorbonne, the École nationale des chartes (graduated in 1950), the École pratique des hautes études (graduated in 1948) and the Conservatoire de Paris. In 1950, he became curator in the music department of the Bibliothèque nationale de France, which he directed from 1970 to 1988. Between 1964 and 1977, he was appointed professor of musicology at the Université libre de Bruxelles. He succeeded Solange Corbin to the chair of musicology at the École pratique des Hautes Études in 1973. François Lesure organized major exhibitions at the Bibliothèque nationale and the Opéra de Paris (Mozart in 1956, Debussy in 1962, Berlioz in 1969, ''Deux siècles d'opéra français'' in 1972) and at the Villa Médicis in Rome (''Debussy et le symbolisme'' in 1984). He is mainly remembered as a specialist in 16th-century music, music sociology, mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Costanzo Festa
Costanzo Festa (c. 1485/1490 – 10 April 1545) was an Italian composer of the Renaissance. While he is best known for his madrigals, he also wrote sacred vocal music. He was the first native Italian polyphonist of international renown, and with Philippe Verdelot, one of the first to write madrigals, in the infancy of that most popular of all sixteenth-century Italian musical forms. Life Not much is known about his early life. He was probably born in the Piedmont near Turin, but the evidence for this is not certain, being based mainly on later documents referring to him as a ''clericis secularibus'', i.e. not a monk, from that region. His birth date has been given as early as 1480 and as late as 1495, but recent scholarship has tended to narrow the range to the late 1480s.Haar, Grove online In addition he may have been related to his slightly younger contemporary Sebastiano Festa, another early madrigal composer, also from the same region. Sebastiano's father, Jacobinus, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Guarini
Giovanni Battista Guarini (10 December 1538 – 7 October 1612) was an Italian poet, dramatist, and diplomat. Life Guarini was born in Ferrara. On the termination of his studies at the universities of Pisa, Padua and Ferrara, he was appointed professor of literature at Ferrara. Soon after his appointment, he published some sonnets which obtained for him great popularity as a poet. In 1567, he entered the service of Alfonso II d'Este, Duke of Ferrara. After about 20 years of service, differences with the Duke led him to resign. After residing successively in Savoy, Mantua, Florence and Urbino, he returned to his native Ferrara. There he discharged one final public mission, that of congratulating Pope Paul V on his election (1605). He died in Venice, where he had been summoned to attend a lawsuit, aged 73. He was the father of Anna Guarini, one of the famous ''virtuose'' singers of the Ferrara court, the three women of the ''concerto di donne''. She was murdered by her husband in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrarch
Francesco Petrarca (; 20 July 1304 – 18/19 July 1374), commonly anglicized as Petrarch (), was a scholar and poet of early Renaissance Italy, and one of the earliest humanists. Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the Accademia della Crusca. Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the " Dark Ages".Renaissance or Prenaissan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Marino
Giovanni Battista was a common Italian given name (see Battista for those with the surname) in the 16th-18th centuries. It refers to "John the Baptist" in English, the French equivalent is "Jean-Baptiste". Common nicknames include Giambattista, Gianbattista, Giovambattista, or Giambo. In Genoese the nickname was Baciccio, and a common shortening was Giovan Battista, Giobatta or simply G.B.. The people listed below are Italian unless noted otherwise. * Giovanni Battista Adriani (c.1511–1579), historian. * Giovanni Battista Agnello (fl. 1560–1577), author and alchemist. * Giovanni Battista Aleotti (1546–1636), architect. * Giovanni Battista Amendola (1848–1887), sculptor. * Giovanni Battista Amici (1786–1863), astronomer and microscopist. * Giovanni Battista Angioletti (1896-1961), writer and journalist. * Giovanni Battista Ballanti (1762–1835), sculptor. * Giovanni Battista Barbiani (1593–1650), painter. * Giovanni Battista Beccaria (1716–1781), physicist. * Giovanni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adriano Banchieri
Adriano Banchieri (Bologna, 3 September 1568 – Bologna, 1634) was an Italian composer, music theorist, organist and poet of the late Renaissance and early Baroque eras. He founded the Accademia dei Floridi in Bologna. Biography He was born and died in Bologna (then in the Papal States). In 1587 he became a monk of the Benedictine order, taking his vows in 1590, and changing his name to Adriano (from Tommaso). One of his teachers at the monastery was Gioseffo Guami, who had a strong influence on his style. Like Orazio Vecchi he was interested in converting the madrigal to dramatic purposes. Specifically, he was one of the developers of a form called "madrigal comedy" — unstaged but dramatic collections of madrigals which, when sung consecutively, told a story. Formerly, madrigal comedy was considered to be one of the important precursors to opera, but most music scholars now see it as a separate development, part of a general interest in Italy at the time in c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
