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Aglaja Orgeni
Aglaja Orgeni (born Anna Maria von Görger St Jörgen; 17 December 1841 – 15 March 1926), was a Hungarian coloratura soprano.Forbes, Elizabeth (1992). "Orgeni, Aglaja" in Sadie 3: 752. Biography Orgeni was born in Rimászombat, Galicia (now Rimavská Sobota, Slovakia). She studied with Pauline Viardot in Baden-Baden and Mathilde Marchesi.Rosenthal, Harold (1992). "Siems, Margarethe" in Sadie 4: 372. She became a member of the Hofoper Berlin (1865–1866), making her debut as Amina in Bellini's ''La sonnambula''. In 1866, she performed at Covent Garden singing Violetta in Verdi's '' La traviata'' and the title roles in Donizetti's ''Lucia di Lammermoor'' and Friedrich von Flotow's ''Martha''. She also appeared in the German cities of Leipzig, Dresden, and Hanover. In 1872 she appeared in Vienna, and in 1873, in Munich where she performed the roles of Leonora in Verdi's ''Il trovatore'', Amina in ''La sonnambula'', and Valentine in Meyerbeer's ''Les Huguenots''. Her ...
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Aglaja Orgeni - Mackenzie - NYPL
Aglaja may refer to: *An alternative form of Aglaia (given name) ** Aglaja Brix (born 1990), German actress ** Aglaja Orgeni (1841–1926), Hungarian opera singer ** Aglaya, a character in Dostoyevski's novel ''The Idiot'' * ''Aglaja'', 1893 opera by Leo Blech Leo Blech (21 April 1871 – 25 August 1958) was a German opera composer and conductor who is perhaps most famous for his work at the Königliches Opernhaus (later the Berlin State Opera / Staatsoper Unter den Linden) from 1906 to 1937, and late ... * Aglaja (dance company), from Bruges, Belgium * ''Aglaja'' (gastropod), a genus of sea slugs * 47 Aglaja, a large main belt asteroid {{disambiguation ...
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Hanover
Hanover (; german: Hannover ; nds, Hannober) is the capital and largest city of the German state of Lower Saxony. Its 535,932 (2021) inhabitants make it the 13th-largest city in Germany as well as the fourth-largest city in Northern Germany after Berlin, Hamburg and Bremen. Hanover's urban area comprises the towns of Garbsen, Langenhagen and Laatzen and has a population of about 791,000 (2018). The Hanover Region has approximately 1.16 million inhabitants (2019). The city lies at the confluence of the River Leine and its tributary the Ihme, in the south of the North German Plain, and is the largest city in the Hannover–Braunschweig–Göttingen–Wolfsburg Metropolitan Region. It is the fifth-largest city in the Low German dialect area after Hamburg, Dortmund, Essen and Bremen. Before it became the capital of Lower Saxony in 1946, Hannover was the capital of the Principality of Calenberg (1636–1692), the Electorate of Hanover (1692–1814), the Kingdom of Hannover ...
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The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ...
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Beatrice Gjertsen Bessesen
Beatrice Gjertsen Bessesen (1886 – September 7, 1935) was an American operatic soprano. She was the president of the Twin City Music and Dramatic Club. Bessesen sang with the St. Olaf Choir and toured with it in Norway. She made successful concert tours in the U.S. and Europe, appearing with various European opera companies. She sang in practically all the leading centers of Europe, and was the prima donna in many big operas. She was a strong factor in developing cultural and artistic appreciation among Norwegian Minnesotans. She is the namesake of the Bessesen Building, which is on the National Register of Historic Places listings in Minnesota. Early life and education Beatrice Gjertsen was born in Minneapolis, Minnesota, 1886. Her parents were Senator Henry J. Gjertsen of Norway and Marguerite (Goebel) Gjertsen of Germany. Bessesen was educated at South High School, where she sang at the school and church concerts. She studied voice culture with Anna Smith-Behrens. After ...
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Erika Wedekind
Erika Wedekind, complete named ''Frida Marianne Erica Wedekind'', also ''Erika Oschwald'', (13 November 1868 – 10 October 1944) was a German operatic soprano. She came from the family. Her brothers were the writers Frank Wedekind and . She was married since 1898 to the Kgl. Privy Councillor Walther Oschwald. Life and career Born in Hanover, Wedekind grew up at Lenzburg Castle in the Swiss canton of Aargau, which had been purchased by her father – a general practitioner. Although she was celebrated by the local press for her successful stage performances as a young girl in Lenzburg and Aarau, her father refused to allow her to train as a singer and forced her to train as a teacher. It was only after his death that she graduated from the Hochschule für Musik Carl Maria von Weber Dresden, Dresdner Konservatorium from 1891 to 1894, initially with Gustav Scharfe (until his death in 1892) and studied singing with the famous soprano and music teacher Aglaja Orgeni. Wedekind mad ...
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Margarethe Siems
Margarethe Siems (20 December 1879 – 13 April 1952) was a German operatic dramatic coloratura soprano and voice teacher. A Kammersängerin of the Dresden State Opera, between 1909 and 1912 Siems created leading roles in three operas by Richard Strauss: Chrysothemis in '' Elektra'', the Marschallin in ''Der Rosenkavalier'', and Zerbinetta in ''Ariadne auf Naxos''. Biography Margarethe Siems was born in Breslau (now Wrocław). After early training in piano and violin, she studied singing at the Dresden Conservatory with the Hungarian soprano, Aglaja Orgeni, who had herself been a pupil of Pauline Viardot and Mathilde Marchesi. She made her opera début at the Neues deutsches Theatre, Prague in 1902 as Marguerite de Valois in Meyerbeer's ''Les Huguenots'' and became a member of the Dresden State Opera in 1908. At Dresden she sang in the premieres for both ''Elektra'' as Chrysothemis (1909) and ''Der Rosenkavalier'' as the Marschallin (1911). Strauss considered her his ideal for ...
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Maude Fay
Maude Fay (also spelled Maud Fay; 18 April 1878 – 7 October 1964) was an American operatic soprano who was known for singing dramatic roles.Cummings, David (1992). "Fay, Maude" in Sadie, Stanley, ed. ''The New Grove Dictionary of Opera'' (4 volumes) 2: 143. London: Macmillan. . Biography Originally from San Francisco, Maude Fay went to Dresden on the advice of Johanna Gadski. There she studied singing with the Hungarian soprano Aglaja Orgeni, who herself had studied with Pauline Viardot. After three years of training in Dresden, Fay made her debut in 1906 at the Court Theater in Munich as Marguerite in Gounod's ''Faust''. Her performance resulted in a five-year engagement to sing leading dramatic roles. She was particularly admired in Wagner. Other roles in Munich included the title role in Emil von Reznicek's comic opera ''Donna Diana'' (1 December 1908), Chrysothemis in Richard Strauss's '' Elektra'' at the Munich premiere with Felix Mottl conducting (14 February 1909), ...
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Google Books
Google Books (previously known as Google Book Search, Google Print, and by its code-name Project Ocean) is a service from Google Inc. that searches the full text of books and magazines that Google has scanned, converted to text using optical character recognition (OCR), and stored in its digital database.The basic Google book link is found at: https://books.google.com/ . The "advanced" interface allowing more specific searches is found at: https://books.google.com/advanced_book_search Books are provided either by publishers and authors through the Google Books Partner Program, or by Google's library partners through the Library Project. Additionally, Google has partnered with a number of magazine publishers to digitize their archives. The Publisher Program was first known as Google Print when it was introduced at the Frankfurt Book Fair in October 2004. The Google Books Library Project, which scans works in the collections of library partners and adds them to the digital invent ...
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Dresden Royal Conservatory
Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label=Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth largest by area (after Berlin, Hamburg and Cologne), and the third most populous city in the area of former East Germany, after Berlin and Leipzig. Dresden's urban area comprises the towns of Freital, Pirna, Radebeul, Meissen, Coswig, Radeberg and Heidenau and has around 790,000 inhabitants. The Dresden metropolitan area has approximately 1.34 million inhabitants. Dresden is the second largest city on the River Elbe after Hamburg. Most of the city's population lives in the Elbe Valley, but a large, albeit very sparsely populated area of the city east of the Elbe lies in the West Lusatian Hill Country and Uplands (the westernmost part of the Sudetes) and thus in Lusatia. Many boroughs west of the Elbe lie in the foreland of the Ore Mounta ...
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Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ...
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Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year f ...
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Les Huguenots
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ... by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ''Les Huguenots'' was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of ''Robert le diable'', recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera. Meyerbeer and his librettist for ''Robert le Diable'', Eugène Scribe, had agreed to collaborate on an epic work concerning the French War ...
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