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Adoration Of The Shepherds (Parmigianino)
''Adoration of the Shepherds'' is an oil on panel painting by Parmigianino, executed ''c.'' 1521–1522, now in a private collection. The work was rediscovered by Gould in 1992 and a year later was exhibited at the Kunsthaus Zürich. Like '' Nativity'' (Courtauld Gallery The Courtauld Gallery () is an art museum in Somerset House, on the Strand in central London. It houses the collection of the Courtauld Institute of Art, a self-governing college of the University of London specialising in the study of the hist ...), it was identified as a work of the artist's youth, whilst he was still strongly influenced by Correggio, an influence which only faded after 1524. A preparatory drawing for the Madonna, angels and Joseph survives in a London private collection and was exhibited in Washington and Parma, also showing the influence of Correggio, whilst the two rams and a lamb in the bottom left may be a tribute to the bucranium in that painter's Camera di San Paolo. Another dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parmigianino
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes ''Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous ''Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at only 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunsthaus Zürich
The Kunsthaus Zürich is in terms of area the biggest art museum of Switzerland and houses one of the most important art collections in Switzerland, assembled over the years by the local art association called '. The collection spans from the Medieval art, Middle Ages to contemporary art, with an emphasis on Swiss art. Architecture The old museum part was drawn-up by architects Karl Moser and Robert Curjel and opened in 1910. Particularly notable are the several preserved Moser interiors in the original section of the museum, decorated in masterful Neo-Grec version of Secession (art), Secession style. The bas-reliefs on the facade are by Moser's longtime collaborator Oskar Kiefer. The original museum building was extended in 1925, 1958 and 1976. A $230 million extension by London-based David Chipperfield was opened in 2020. Half of the extension's budget came from the city and canton of Zurich, with the other half provided by private donors. Chipperfield's design is a massive rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nativity (Parmigianino)
''Nativity'' or ''Rest on the Flight into Egypt'' is a c.1521–1522 oil on panel painting by Parmigianino, now in the Courtauld Gallery in London. Its attribution as a youthful work by Parmigianino has not always been unanimous, being supported by Freedberg (1950), Ghidiglia Quintavalle (1963, 1968) and Di Giampaolo (1991) and opposed by Berenson (1907), Venturi (1926), Fröhlich-Bum (1921) and Copertini (1932, assigning it instead to Bertoia). Recent scholarship has tended to accept it by comparison with other early works such as ''Adoration of the Shepherds (Parmigianino), Adoration of the Shepherds'', with the exception of Rossi (1980), who according to Di Giampaolo argued it was a copy. Mario Di Giampaolo ed Elisabetta Fadda, Parmigianino, Keybook, Santarcangelo di Romagna 2002. It passed through several famous collections such as count Moritz von Fries's collection in Vienna, before being acquired by the English painter Thomas Lawrence in 1830. It was later acquired by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtauld Gallery
The Courtauld Gallery () is an art museum in Somerset House, on the Strand in central London. It houses the collection of the Courtauld Institute of Art, a self-governing college of the University of London specialising in the study of the history of art. The Courtauld collection was formed largely through donations and bequests and includes paintings, drawings, sculptures and other works from medieval to modern times; it is particularly known for its French Impressionist and Post-Impressionist paintings. The collection contains some 530 paintings and over 26,000 drawings and prints. The head of the Courtauld Gallery is Ernst Vegelin. The gallery closed on 3 September 2018 for a major redevelopment, called Courtauld Connects, and reopened on 19 November 2021. History The Courtauld Institute was founded in 1932 through the philanthropic efforts of the industrialist and art collector Samuel Courtauld, the diplomat and collector Lord Lee of Fareham, and the art historian Sir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Correggio
Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also , , ), was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro. Early life Antonio Allegri was born in Correggio, Italy, Correggio, a small town near Reggio Emilia. His date of birth is uncertain (around 1489). His father was a merchant. Otherwise little is known about Correggio's early life or training. It is, however, often assumed that he had his first artistic education from his father's brother, the painter Lorenzo Allegri (painter), Lorenzo Allegri. In 1503–1505, he was apprenticed to Francesco Bianchi Ferrara in Modena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bucranium
Bucranium (plural ''bucrania''; Latin, from Greek ''βουκράνιον'', referring to the skull of an ox) was a form of carved decoration commonly used in Classical architecture. The name is generally considered to originate with the practice of displaying garlanded, sacrificial oxen, whose heads were displayed on the walls of temples, a practice dating back to the sophisticated Neolithic site of Çatalhöyük in eastern Anatolia, where cattle skulls were overlaid with white plaster. Etymology and sphere of application The word "bucranium" (latin ''bucranium'') comes from Ancient Greek: βουκράνιον - being composed of βοῦς (''ox'') and κρανίον (''skull'') - and literally means "ox skull". Analogic, the Greek word αἰγικράνιον (''latin'' aegicranium) means a "goat skull", also used as a decorative element in architecture. The technical term "bucranium" was originally used in the description of classical architecture. Its application to the fie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camera Di San Paolo
250px, Overview of the vault frescoes. 250px, Coat of arms of abbess Giovanna. 250px, The fresco of Diana in the fireplace. The ''Camera di San Paolo'' (Italian: "Chamber of St. Paul) or ''Camera della Badessa'' (Italian: "Abbess' Chamber") is a room in the former Monastery of San Paolo, in Parma, northern Italy. It is painted with frescoes by Correggio in the vault (697x645 cm) and over the fireplace. History Giovanna Piacenza, in her first decade as abbess of the monastery, ordered improvements and decorations. In 1514, the vault of her private apartment was decorated by Alessandro Araldi, with biblical and mythological subjects. This, a few years later, led to a similar but more up-to-date project for the adjacent chamber, this time assigned to Correggio, who had moved to Parma around 1519. It is not known how the painter and Giovanna came into contact, although Correggio at the time had familiarity with another Benedictine monastery, that of San Benedetto Po in what i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cleveland Museum Of Art
The Cleveland Museum of Art (CMA) is an art museum in Cleveland, Ohio, located in the Wade Park District, in the University Circle neighborhood on the city's east side. Internationally renowned for its substantial holdings of Asian and Egyptian art, the museum houses a diverse permanent collection of more than 61,000 works of art from around the world. The museum provides general admission free to the public. With a $755 million endowment, it is the fourth-wealthiest art museum in the United States. With about 770,000 visitors annually (2018), it is one of the most visited art museums in the world. History Beginnings The Cleveland Museum of Art was founded as a trust in 1913 with an endowment from prominent Cleveland industrialists Hinman Hurlbut, John Huntington, and Horace Kelley. The neoclassical, white Georgian Marble, Beaux-Arts building was constructed on the southern edge of Wade Park, at the cost of $1.25 million. Wade Park and the museum were designed by the loca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Parmigianino
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1522 Paintings
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