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Achille Et Polyxène
''Achille et Polyxène'' (''Achilles and Polyxena'') is a tragédie lyrique containing a prologue and five acts based on Virgil's ''Aeneid'' with a French libretto by Jean Galbert de Campistron. The opera's overture and first act were composed by Jean-Baptiste Lully, who died from a conducting injury before he could complete the score. The prologue and the remaining acts are the work of his pupil Pascal Collasse who finished the work, eight months after Lully's death on 22 March 1687. Acts 1 and 4 of the ballet was created by Louis Lestang, and the ballet to the prologue and acts 2 and 3 were by Louis-Guillaume Pécour. The opera was first performed on 7 November 1687, by the Paris Opera at the Théâtre du Palais-Royal in Paris. Analysis of the libretto and music The libretto for this opera differs from those of Lully's earlier works with Philippe Quinault. Typically, Lully would begin his operas with a lively prologue, but this work has a somber prologue in which the Muses lamen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Dun
Jean Dun, also known as Jean Dun "père", (? – 1735) was a French opera singer active at the Paris Opéra where he created many bass roles during the late 17th and early 18th centuries. He was also the bass soloist at the church of Saint-Paul-Saint-Louis in Paris during the time Charpentier was the Master of Music there. His voice is described in contemporary sources as ''basse-taille'', which is closer in quality to that of a modern baritone. Little is known about his early life, but according to Casaglia, he appeared in the small role of Eutyro in the premiere of Francesco Cavalli's ''Ercole amante'' in 1662.Casaglia (2005) By 1697, he was singing leading roles, sometimes creating as many as two or three in one opera, e.g. in the 1710 premiere of André Campra's opéra-ballet ''Les fêtes vénitiennes''. In the course of his lengthy career he appeared in more than 37 operas.Antony (2008) p. 34. Dun retired from the stage in 1720 with a pension from the Paris Opéra, but from 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera World Premieres At The Paris Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unfinished Operas
Unfinished may refer to: *Unfinished creative work, a work which a creator either chose not to finish or was prevented from finishing. Music * Symphony No. 8 (Schubert) "Unfinished" * ''Unfinished'' (album), 2011 album by American singer Jordan Knight * "Unfinished" (Kotoko song), stylized "→unfinished→", 2012 * "Unfinished" (Mandisa song), 2017 * "Unfinished", song by Stone Sour from the 2010 album ''Audio Secrecy'' * "Unfinished", song by Mineral from the 1998 album ''EndSerenading'' Television and film * "Unfinished" (''How I Met Your Mother''), 2010 television show episode * ''Unfinished'' (film), 2018 South Korean film Literature * ''Unfinished'' (book), a 2021 memoir by Priyanka Chopra See also * * Unfinished symphony * Unfinished building An unfinished building is a building (or other architectural structure, as a bridge, a road or a tower) where construction work was abandoned or on-hold at some stage or only exists as a design. It may also refer to bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Pascal Collasse
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Jean-Baptiste Lully
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenedos
Tenedos (, ''Tenedhos'', ), or Bozcaada in Turkish language, Turkish, is an island of Turkey in the northeastern part of the Aegean Sea. Administratively, the island constitutes the Bozcaada, Çanakkale, Bozcaada district of Çanakkale Province. With an area of it is the third largest Turkish island after Imbros (Gökçeada) and Marmara Island, Marmara. In 2018, the district had a population of 3023. The main industries are tourism, wine production and fishing. The island has been famous for its grapes, wines and red poppies for centuries. It is a former bishopric and presently a Latin Catholic titular see. Tenedos is mentioned in both the ''Iliad'' and the ''Aeneid'', in the latter as the site where the Achaeans (Homer), Greeks hid their fleet near the end of the Trojan War in order to trick the Troy, Trojans into believing the war was over and into taking the Trojan Horse within their city walls. The island was important throughout classical antiquity despite its small size ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie-Louise Desmatins
Marie-Louise Desmatins ( fl. 1682–1708) was a French soprano and creator of many roles in French Baroque opera. She performed in Jean Baptiste Lully's ''Persée'' (1682), '' Armide'' (1686 and 1703 revival), ''Achille et Polyxène'' (1687), ''Thésée'' (1698 revival), ''Isis'' (1704 revival), ''Roland'' (1705 revival), '' Bellérophon'' (1705 revival), '' Alceste'' (1706 revival), as well as in Pascal Collasse's '' Enée et Lavinie'' (1690) and ''Thétis et Pélée'' (1699 revival), André Cardinal Destouches' ''Issé'' (1697), Henri Desmarets' '' Didon'' (1704 revival), André Campra's ''Iphigénie en Tauride'' (1704), and Marin Marais' '' Alcyone'' (1706). The absence of her name in subsequent cast lists remained unexplained until 2007, when a report on the novel ''La Musique du Diable'' (1711) confirmed her death. A satirical narrative of Desmatins' afterlife in Hades, the novel suggests that she died of complications of a primitive form of liposuction Liposuction, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Le Rochois
Marie Le Rochois (c. 1658 – 8 October 1728) was a French operatic soprano who belonged to the Académie Royale de Musique. She is often referred to as Marthe Le Rochois or simply La Rochois. Opera career She was introduced to Jean-Baptiste Lully, possibly by his father-in-law Michel Lambert who may have been her teacher, and became a member of the Paris Opéra in 1678. She sang in operas by Lully, Pascal Collasse, Henri Desmarets, Marc-Antoine Charpentier, André Campra, Marin Marais, and André Cardinal Destouches but she was best regarded for her portrayal of '' Armide'' in Lully's opera. Unlike some of her wilder colleagues at the opera, Julie d'Aubigny and Fanchon Moreau, she enjoyed a reputation for moral rectitude. Less of a celebrity, she was more of an artist, as indicated by the number of important roles with which she was entrusted by Lully and his successors. Retirement After retiring from the stage in 1698, she became a teacher, while remaining active in the con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louison Moreau
Louise 'Louison' Moreau (born before 1668 – died after 1692) was a French operatic soprano who belonged to the Académie Royale de Musique, also a popular celebrity commonly referred to as one of the ''filles de l'opéra.'' Opera career Preceding her younger sister Fanchon Moreau by about three years, Louison made her debut at the Paris Opéra around 1680. Once dismissed for being pregnant, she was reinstated and remained until 1692. From 1683 to 1692 when both sisters were referred to as 'Mlle Moreau', it usually makes it difficult to determine who sang what, however popular songs of the day and gossip columns are sometimes revealing. It is known that Louison created the role of Amasie in the premiere of '' Orontée,'' a tragédie en musique by Jean-Louis Lully, the son of Jean-Baptiste Lully, and Paolo Lorenzani Paolo Francesco Lorenzani (5 January 1640 – 28 October 1713) was an Italian composer of the Baroque Era. While living in France, he helped promote apprec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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