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Marie-Louise Desmatins
Marie-Louise Desmatins ( fl. 1682–1708) was a French soprano and creator of many roles in French Baroque opera. She performed in Jean Baptiste Lully's ''Persée'' (1682), '' Armide'' (1686 and 1703 revival), ''Achille et Polyxène'' (1687), ''Thésée'' (1698 revival), ''Isis'' (1704 revival), ''Roland'' (1705 revival), '' Bellérophon'' (1705 revival), '' Alceste'' (1706 revival), as well as in Pascal Collasse's '' Enée et Lavinie'' (1690) and ''Thétis et Pélée'' (1699 revival), André Cardinal Destouches' ''Issé'' (1697), Henri Desmarets' '' Didon'' (1704 revival), André Campra's ''Iphigénie en Tauride'' (1704), and Marin Marais' '' Alcyone'' (1706). The absence of her name in subsequent cast lists remained unexplained until 2007, when a report on the novel ''La Musique du Diable'' (1711) confirmed her death. A satirical narrative of Desmatins' afterlife in Hades, the novel suggests that she died of complications of a primitive form of liposuction Liposuction, or ...
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Marie-Louise Desmatins By Robert Tournieres
Marie Louise or Marie-Louise may refer to: People *Marie Louise of Orléans (1662–1689), daughter of Philippe I, Duke of Orléans, queen consort of Charles II of Spain *Marie Louise of Hesse-Kassel (1688–1765), daughter of Charles I, Landgrave of Hesse-Kassel, wife of John William Friso, Prince of Orange *Marie Louise of Savoy (1688–1714), Queen consort of Spain *Marie Louise Élisabeth d'Orléans (1695–1719), daughter of Philippe II, Duke of Orléans, wife of Charles, Duke of Berry (1686–1714) *Princess Marie Louise of Savoy (1749–1792), French courtier, victim of the French Revolution *Maria Luisa of Parma or Marie Louise of Bourbon-Parma (1751–1819), daughter of Philip, Duke of Parma, queen consort of Charles IV of Spain *Marie Louise, Duchess of Parma (1791–1847), the second wife of Napoléon Bonaparte and Empress of the French *Princess Marie Luise Charlotte of Hesse-Kassel (1814–1895), daughter of Prince William of Hesse-Kassel, wife of Prince Frederick August ...
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Issé (opera)
''Issé'' is an operatic ''pastorale héroïque'' by the French composer André Cardinal Destouches. Initially it was in three acts. The definitive revised version consists of a prologue and five acts. The libretto was by Antoine Houdar de la Motte.Wood 1992. Although Destouches was only 25 at the time of its premiere, it is considered his best score.Pitou, vol. 1, pp. 241–242. Performance history ''Issé'' was first performed in a concert version without a prologue in the Salle de la Belle-Cheminée at the Palace of Fontainebleau on 7 October 1697. At the request of Louis XIV, a prologue was added for the official premiere, a concert performance on 17 December at the Trianon (Versailles) for the festivities surrounding the marriage of Princess Marie Adélaïde of Savoy to Louis' grandson, the Duke of Burgundy, to whom ''Issé'' was dedicated.Jean-Claude Brenac''Issé''/ref> Louis XIV was so pleased with the work after its performance at the Trianon, that he gave Destouches a p ...
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French Operatic Sopranos
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ...
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18th-century Deaths
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ...
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17th-century Births
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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Bridgeman Art Library
The Bridgeman Art Library, based in London, Paris, New York and Berlin, provides one of the largest archives for reproductions of works of art in the world. Founded in 1972 by Harriet Bridgeman, the Bridgeman Art Library cooperates with many art galleries and museums to gather images and footage for licensing. The library today The Bridgeman Art Library is a company that represents museums, art collections and artists throughout the world by providing a central source of fine art and photography for image users. The company's aim is to make these images accessible for users on a commercial basis; each one has been catalogued with full picture data and key-worded to simplify the search process. A full research service is also provided whereby expert researchers can select images to the customer's requirements. In addition to fine art, designs, antiques, maps, architecture, furniture, art glass, ceramics, anthropological artefacts- and many other media are featured in the col ...
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Robert Le Vrac De Tournières
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be use ...
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Liposuction
Liposuction, or simply lipo, is a type of fat-removal procedure used in plastic surgery. Evidence does not support an effect on weight beyond a couple of months and does not appear to affect obesity-related problems. In the United States, liposuction is the most common cosmetic surgery. The procedure may be performed under general, regional, or local anesthesia. It involves using a cannula and negative pressure to suck out fat. As a cosmetic procedure it is believed to work best on people with a normal weight and good skin elasticity. While the suctioned fat cells are permanently gone, after a few months overall body fat generally returns to the same level as before treatment. This is despite maintaining the previous diet and exercise regimen. While the fat returns somewhat to the treated area, most of the increased fat occurs in the abdominal area. Visceral fat—⁠the fat surrounding the internal organs—increases, and this condition has been linked to life-shortening di ...
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The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ...
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Alcyone (opera)
''Alcyone'' is an opera by the French composer Marin Marais. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto, by Antoine Houdar de la Motte, is based on the Greek myth of Ceyx and Alcyone as recounted by Ovid in his ''Metamorphoses''. The opera was first performed on 18 February 1706 by the Académie royale de musique at the Théâtre du Palais-Royal in Paris. The score is particularly famous for the storm scene (''tempête'') in act 4. The "Marche pour les Matelots", from act 3, became popular as a dance tune and is the basis of the Christmas carol "Masters in This Hall". Having been recorded by Erato in 1990, ''Alcione'' received its first stage production since the composer's death as the first work to appear at the newly refurbished Opéra Comique in Paris on 25 April 2017; directed by Louise Moaty, Jordi Savall conducted Le Concert des Nations, with Lea Desandre in the title role and Marc Mauillon, Cyril Auvity, Lisandro Abadie an ...
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Marin Marais
Marin Marais (; 31 May 1656, in Paris – 15 August 1728, in Paris) was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colombe for six months. In 1676 he was hired as a musician to the royal court of Versailles and was moderately successful there, being appointed in 1679 as ''ordinaire de la chambre du roy pour la viole,'' a title he kept until 1725. He was the father of the composer Roland Marais (c. 1685 – c. 1750). Career Marin Marais was a master of the viol, and the leading French composer of music for the instrument. He wrote five books of '' Pièces de viole'' (1686–1725) for the instrument, generally suites with basso continuo. These were quite popular in the court, and for these he was remembered in later years as he who "founded and firmly established the empire of the viol" ( Hubert Le Blanc, 1740). His other works include a book of ''Pièces en ...
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Iphigénie En Tauride (Desmarets And Campra)
''Iphigénie en Tauride'' (English: ''Iphigeneia in Tauris'') is an opera by the French composers Henri Desmarets and André Campra. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto is by Joseph-François Duché de Vancy with additions by Antoine Danchet. Desmarets had begun work on the opera around 1696 but abandoned it when he was forced to go into exile in 1699. Campra and his regular librettist Danchet took up the piece and wrote the prologue, most of Act Five, two arias in Act One, an aria for Acts Two and Three, and two arias for the fourth act. The plot is ultimately based on Euripides' tragedy ''Iphigeneia in Tauris''. Performance history ''Iphigénie'' was first performed by the Académie royale de musique at the Théâtre du Palais-Royal in Paris on 6 May 1704 with Françoise Journet as Iphigénie and Gabriel-Vincent Thévenard Gabriel-Vincent Thévenard (10 August 1669 – 24 August 1741) was a French operatic baritone (''b ...
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