Absolutely Sweet Marie
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Absolutely Sweet Marie
"Absolutely Sweet Marie" is a song by American singer-songwriter Bob Dylan, which was released on the third side of the double album and Dylan's seventh studio album, ''Blonde on Blonde'' (1966). The song was written by Dylan and produced by Bob Johnston. It was recorded at around 1:00 am on March 8, 1966, at Columbia Studio A, Nashville. Some commentators have interpreted the song as being about sexual frustration. The song has received critical acclaim; ''Rolling Stone'' placed the track 78th in their 2015 ranking of the 100 greatest Dylan songs. Dylan first performed "Absolutely Sweet Marie" live in concert on the first night of his Never Ending Tour, in Concord, California, on June 7, 1988. In all, he has played the song in concert 181 times, most recently in 2012. It was later included on ''The Original Mono Recordings'' (2010) and alternate versions appeared on '' The Bootleg Series Vol. 12: The Cutting Edge 1965–1966'' (2015). George Harrison performed the song for ' ...
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Bob Dylan
Bob Dylan (legally Robert Dylan, born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career spanning more than 60 years. Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and " The Times They Are a-Changin' (1964) became anthems for the civil rights and antiwar movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defying pop music conventions and appealing to the burgeoning counterculture. Following his self-titled debut album in 1962, which comprised mainly traditional folk songs, Dylan made his breakthrough as a songwriter with the release of ''The Freewheelin' Bob Dylan'' the following year. The album features "Blowin' in the Wind" and the thematically complex " A Hard Rain's a-Gonna Fall". Many of his s ...
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Charlie McCoy
Charles Ray McCoy (born March 28, 1941) is a Grammy-winning American session musician, harmonica player, and multi-instrumentalist. In 2009, he was inducted into the Country Music Hall of Fame. Based in Nashville, McCoy's playing is heard on recordings by Elvis Presley, Bob Dylan, Johnny Cash, Chet Atkins, Waylon Jennings, Leon Russell, and Loretta Lynn. He has recorded thirty-seven studio albums, including fourteen for Monument Records. Thirteen of his singles have entered the '' Billboard'' country charts. He was a member of Area Code 615 and Barefoot Jerry. In 2007, McCoy was inducted into the International Musicians Hall of Fame as a part a group of session musicians dubbed "The Nashville A-Team". In 2022, he was invited to become a member of the Grand Ole Opry. Early life McCoy was born in Oak Hill, West Virginia, United States. His family moved to nearby Fayetteville when he was a boy and then to Miami, Florida. At age eight, he began playing the harmonica, starting on ...
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See That My Grave Is Kept Clean
"See That My Grave Is Kept Clean" is a song recorded by American blues musician Blind Lemon Jefferson in two slightly differing versions in October 1927 and February 1928, that became "one of his most famous compositions". Son House used the melody on his 1930 recording of " Mississippi County Farm Blues". Versions Bob Dylan recorded the song for his 1962 debut album ''Bob Dylan''. He recorded it again with the Band, which is included on ''The Basement Tapes''. Other artists to cover the song include B.B. King, Peter, Paul and Mary (as "One Kind Favor"), Lightnin' Hopkins (as "One Kind Favor"), Canned Heat (as "One Kind Favor" on ''Living the Blues''), the Grateful Dead (as "One Kind Favor"), Mike Bloomfield, Keiji Haino, Diamanda Galás, Meindert Talma & the Negroes, Laibach, Lou Reed, Furry Lewis, Chrome Cranks, the Dream Syndicate, Dave Van Ronk, Hobart Smith, Mavis Staples, Martin Simpson, Thelonious Monster, Peter Parcek, and Widespread Panic. Staples' version of the s ...
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Blind Lemon Jefferson
Lemon Henry "Blind Lemon" Jefferson (September 24, 1893 – December 19, 1929)Some sources indicate Jefferson was born on October 26, 1894. was an American blues and gospel singer-songwriter and musician. He was one of the most popular blues singers of the 1920s and has been called the "Father of the Texas Blues".Dicaire, David (1999). ''Blues Singers: Biographies of 50 Legendary Artists of the Early 20th Century''. Jefferson, North Carolina: McFarland and Company. pp. 140–144. . Due mainly to his high-pitched voice and the originality of his guitar playing, Jefferson's performances were distinctive. His recordings sold well, but he was not a strong influence on younger blues singers of his generation, who could not imitate him as easily as they could other commercially successful artists. Charters, Samuel (1977). ''The Blues Makers''. New York: Da Capo Press. . Later blues and rock and roll musicians, however, did attempt to imitate both his songs and his musical style. Biogra ...
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She'll Be Coming 'Round The Mountain
"She'll Be Coming 'Round the Mountain" (sometimes referred to as "Coming 'Round the Mountain") is a traditional folk song often categorized as children's music. The song is derived from the Christian spiritual known as "When the Chariot Comes". It has been assigned the number 4204 in the Roud Folk Song Index. Background The first appearance of "She'll Be Comin' Round the Mountain" in print was in Carl Sandburg's '' The American Songbag'' in 1927. Sandburg reports that the Negro spiritual "When the Chariot Comes", which was sung to the same melody, was adapted by railroad workers in the Midwestern United States during the 1890s. It is often heard today with responses that add on to the previous verse. The original song was published in ''Old Plantation Hymns'' in 1899. It ostensibly refers to the Second Coming of Christ and subsequent Rapture, with the ''she'' referring to the chariot that the returning Christ is depicted as driving. Like many spirituals that originated in the ...
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Paul Williams (journalist)
Paul S. Williams (May 19, 1948 – March 27, 2013) was an American music journalist and writer who created ''Crawdaddy!'', the first national US magazine of rock music criticism, in January 1966. He was a leading authority on the works of musicians Bob Dylan, Brian Wilson, and Neil Young, and science fiction writers Philip K. Dick (serving as the executor of his literary estate) and Theodore Sturgeon. Career While briefly enrolled at Swarthmore College, Williams created '' :Crawdaddy!'', the first national US magazine of rock music criticism, in January 1966 with the help of some of his fellow science fiction fans (he had previously produced science fiction fanzines). His aim was to reflect the sophistication brought to pop music by two albums released in 1965: Bob Dylan's ''Bringing It All Back Home'' and the Beatles' ''Rubber Soul''. The first issue was ten mimeographed pages written entirely by Williams. In that issue, he declared that ''Crawdaddy!'' would include "neither pin ...
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British Invasion
The British Invasion was a cultural phenomenon of the mid-1960s, when rock and pop music acts from the United Kingdom and other aspects of British culture became popular in the United States and significant to the rising "counterculture" on both sides of the Atlantic Ocean. Pop and rock groups such as the Beatles, the Rolling Stones, the Zombies, the Kinks, Small Faces, the Dave Clark Five, Herman's Hermits, the Hollies, the Animals, Gerry and the Pacemakers, the Searchers, the Yardbirds, the Who and Them, as well as solo singers like Dusty Springfield, Cilla Black, Petula Clark, Tom Jones and Donovan, were at the forefront of the "invasion". Background The rebellious tone and image of US rock and roll and blues musicians became popular with British youth in the late 1950s. While early commercial attempts to replicate US rock and roll mostly failed, the trad jazz–inspired skiffle craze, with its do it yourself attitude, produced two top ten hits in the US by Lonnie Done ...
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Bridge (music)
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a thirty-two-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section. The bridge is often used to contrast with and prepare for the return of the verse and the chorus. "The b section of the popular song chorus is often called the ''bridge'' or ''release''." Etymology The term comes from a German word for bridge, ''Steg'', used by the Meistersingers of the 15th to the 18th century to describe a transitional section in medieval bar form. The German term became widely known in 1920s Germany through musicologist Alfred Lorenz and his exhaustive studies of Richard Wagner's adaptations of bar form in his popular 19th-cent ...
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Vanity Fair (magazine)
''Vanity Fair'' is a monthly magazine of popular culture, fashion, and current affairs published by Condé Nast in the United States. The first version of ''Vanity Fair'' was published from 1913 to 1936. The imprint was revived in 1983 and currently includes five international editions of the magazine. As of 2018, the Editor-in-Chief is Radhika Jones. Vanity Fair is most recognized for its celebrity pictures and the occasional controversy that surrounds its more risqué images. Furthermore, the publication is known for its energetic writing, in-depth reporting, and social commentary. History ''Dress and Vanity Fair'' Condé Montrose Nast began his empire by purchasing the men's fashion magazine ''Dress'' in 1913. He renamed the magazine ''Dress and Vanity Fair'' and published four issues in 1913. It continued to thrive into the 1920s. However, it became a casualty of the Great Depression and declining advertising revenues, although its circulation, at 90,000 copies, was a ...
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LP Record
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of  rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compound ...
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Henry Strzelecki
Henry Pershing Strzelecki (August 8, 1939 – December 30, 2014) was a Nashville studio musician who performed with Roy Orbison, Chet Atkins, Waylon Jennings, Willie Nelson, Eddy Arnold, Bob Dylan, Johnny Cash, Ronnie Milsap, Merle Haggard, and many others. Born in Birmingham, Alabama, Strzelecki began playing country music in his teens. He wrote the novelty song "Long Tall Texan," which was a hit for The Beach Boys. He worked with Chet Atkins for many years, both in the studio and on tour. He was considered a primary member of the Nashville A-Team and worked with nearly every star to come out of Nashville in the 1960s, 1970s and 1980s. In 1987 he was nominated for Bassman of the Year at the 23rd Academy of Country Music Awards. Strzelecki was struck by a car in Nashville on December 22 and died of his injuries on December 30, 2014. See also *The Nashville A-Team *Strzelecki (other) Strzelecki may refer to: People *Andrzej Strzelecki, Polish actor and academic teacher ...
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Hargus "Pig" Robbins
Hargus Melvin Robbins (January 18, 1938 – January 30, 2022), known by his nickname "Pig," was an American session keyboard player. Having played on records for many artists, including John Stewart, Dolly Parton, Connie Smith, Patti Page, Loretta Lynn, Kenny Rogers, George Jones, Charlie Rich, Bob Dylan, Neil Young, J.J. Cale, John Hartford, Mark Knopfler, Ween, Alan Jackson, Merle Haggard, Roger Miller, David Allan Coe, Moe Bandy, George Hamilton IV, Sturgill Simpson, Conway Twitty, and Al Hirt. He was blind, having lost his sight at age four due to an accident involving his father's knife. Life and career Robbins was born on January 18, 1938, in Spring City, Tennessee. He learned to play piano at age seven, while attending the Nashville School for the Blind. He played his first session in 1957, with his first major recording being George Jones's " White Lightning". Thereafter he played keyboards for scores of country music artists. Between 1963 and 1979, Robbins also rec ...
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