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Abraham Bloemaert
Abraham Bloemaert (25 December 1566 – 27 January 1651) was a Dutch painter and printmaker in etching and engraving. He was initially working in the style of the "Haarlem Mannerists", but in the 16th century altered his style in line with the new Baroque style that was then developing. He mostly painted history subjects and some landscapes. He was an important teacher, who trained most of the Utrecht Caravaggisti, at least for a period. Life Bloemaert was born in Gorinchem, Habsburg Netherlands, the son of the architect Cornelis Bloemaert I, who moved his family to Utrecht in 1575, where Abraham was first a pupil of Gerrit Splinter (pupil of Frans Floris) and of Joos de Beer. [Baidu] |
Hendrick Snyers
Hendrick Snyers (born 1611, Antwerp – died 1644, Antwerp), was a Flemish Baroque engraver. Biography Snyers was a pupil of Nicolaes Lauwers in 1635–1636. In 1643 he promised to work for the history painter Abraham van Diepenbeeck for three years.Hendrick Snyers in the He is known for his engraved portraits of Adam van Noort and Abraham Bloemaert in " Het Gulden Cabinet
''Het Gulden Cabinet vande Edel Vry Schilder-Const'' or ''The Golden Cabinet of the Noble Liberal Art of Painting'' is a book by the 17th-century Flemish notary and ''Chamber of rhetoric, rederijker'' Cornelis de ...
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Karel Van Mander
Karel van Mander (I) or Carel van Mander I (May 1548 – 2 September 1606) was a Flemish painter, poet, art historian and art theoretician, who established himself in the Dutch Republic in the latter part of his life. He is mainly remembered as a biographer of Early Netherlandish painters and Northern Renaissance artists in his ''Schilder-boeck''. As an artist and art theoretician he played a significant role in the spread and development of Northern Mannerism in the Dutch Republic.Painting in the Dutch Golden Age - A Profile of the Seventeenth Century, National Gallery of Art, 2007, p. 119 Life Most of the information about Karel van Mander's life is based on a brief and anonymous biographical sketch included in the posthumous second edition of the Schilder-boeck published in 1618 by Jacob Pietersz Wachter. It is not certain who wrote this biographical sketch and various candidates have been proposed. Most recently it has been argued that it was written by his son Kare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clandestine Church
A clandestine church ( nl, schuilkerk), defined by historian Benjamin J. Kaplan as a "semi-clandestine church", is a house of worship used by religious minorities whose communal worship is tolerated by those of the majority faith on condition that it is discreet and not conducted in public spaces. ''Schuilkerken'' are commonly built inside houses or other buildings, and do not show a public façade to the street. They were an important advance in religious tolerance in the wake of the Reformation, an era when worship services conducted by minority faiths were often banned and sometimes penalized by exile or execution. History According to historian Benjamin Kaplan, clandestine churches became common in Europe in the wake of the Reformation as a way for governments to permit a degree of religious toleration for minority Christian denominations and Jews. Both political and religious considerations frequently led governments to ban all worship not sanctioned by the state, and in ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utrecht Guild Of Saint Luke
The Utrecht Guild of Saint Luke refers to two artist collectives in Utrecht (city); the old Catholic ''Zadelaarsgilde'' (Saddler's Guild) dating from the Middle Ages, as well as the newer ''Sint Lucas Gilde'' established in 1611. The first collective was for a number of trades that were connected to the art industry, though the smiths had their own guild called the "St. Eloyen" guild. The second collective was founded for the oil painters after the Protestant Reformation. The Zadelaarsgilde fell under the patron saint Luke the Evangelist and the St. Eloyen guild fell under Saint Eligius. History Like other Dutch cities, Utrecht required membership in the guilds in order to sell wares falling under those guilds. In the 14th century, the Utrecht saddlemakers, painters, sculptors, book illustrators, and bookbinders were all united in the Zadelaarsgilde. In those days oil painters were just as likely to paint on leather parchment or harness as on wooden panels or sculptures, so the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paulus Moreelse
Paulus Moreelse (1571 – 6 March 1638) was a Dutch painter, mainly of portraits. Life Moreelse was born and lived most of his life in Utrecht. He was a pupil of the Delft portrait painter Michiel Jansz. van Mierevelt, who had himself been a pupil of Anthonie van Blocklandt. He took a study-trip to Italy, where he received many portrait commissions. Back in Utrecht, in 1596 he became a member of the ''zadelaarsgilde'' (Saddler's guild), which then embraced the painters as well. In 1611, along with Abraham Bloemaert, he was one of the founders of a new painters' guild, called "St. Lucas-gilde", and became its first ''deken''. ( Rijksbureau voor Kunsthistorische Documentatie), artist record. Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joachim Wtewael
Joachim Anthoniszoon Wtewael (; also known as Uytewael ) (1566 – 1 August 1638) was a Dutch Northern Mannerism, Mannerist painter and Drawing, draughtsman, as well as a highly successful flax merchant, and town councillor of Utrecht (city), Utrecht. Wtewael was one of the leading Dutch exponents of Northern Mannerism, and his distinctive and attractive style remained largely untouched by the naturalistic developments happening around him, "characterized by masterfully drawn, highly polished figures often set in poses".Slive, 13 Wtewael was trained in the style of late 16th-century Haarlem Mannerism and remained essentially faithful to it, despite painting well into the early period of Dutch Golden Age painting. Altogether he has left about a hundred paintings, as well as drawings and some stained glass he designed. He painted a mixture of large paintings on canvas, and tiny cabinet paintings on copper plates, the latter the more numerous and typically the most distinct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guild Of St
A guild ( ) is an association of artisans and merchants who oversee the practice of their craft/trade in a particular area. The earliest types of guild formed as organizations of tradesmen belonging to a professional association. They sometimes depended on grants of letters patent from a monarch or other ruler to enforce the flow of trade to their self-employed members, and to retain ownership of tools and the supply of materials, but were mostly regulated by the city government. A lasting legacy of traditional guilds are the guildhalls constructed and used as guild meeting-places. Guild members found guilty of cheating the public would be fined or banned from the guild. Typically the key "privilege" was that only guild members were allowed to sell their goods or practice their skill within the city. There might be controls on minimum or maximum prices, hours of trading, numbers of apprentices, and many other things. These rules reduced free competition, but sometimes maintained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zadelaarsgilde
The Utrecht Guild of Saint Luke refers to two artist collectives in Utrecht (city); the old Catholic ''Zadelaarsgilde'' (Saddler's Guild) dating from the Middle Ages, as well as the newer ''Sint Lucas Gilde'' established in 1611. The first collective was for a number of trades that were connected to the art industry, though the smiths had their own guild called the "St. Eloyen" guild. The second collective was founded for the oil painters after the Protestant Reformation. The Zadelaarsgilde fell under the patron saint Luke the Evangelist and the St. Eloyen guild fell under Saint Eligius. History Like other Dutch cities, Utrecht required membership in the guilds in order to sell wares falling under those guilds. In the 14th century, the Utrecht saddlemakers, painters, sculptors, book illustrators, and bookbinders were all united in the Zadelaarsgilde. In those days oil painters were just as likely to paint on leather parchment or harness as on wooden panels or sculptures, so the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amsterdam
Amsterdam ( , , , lit. ''The Dam on the River Amstel'') is the Capital of the Netherlands, capital and Municipalities of the Netherlands, most populous city of the Netherlands, with The Hague being the seat of government. It has a population of 907,976 within the city proper, 1,558,755 in the City Region of Amsterdam, urban area and 2,480,394 in the Amsterdam metropolitan area, metropolitan area. Located in the Provinces of the Netherlands, Dutch province of North Holland, Amsterdam is colloquially referred to as the "Venice of the North", for its large number of canals, now designated a World Heritage Site, UNESCO World Heritage Site. Amsterdam was founded at the mouth of the Amstel River that was dammed to control flooding; the city's name derives from the Amstel dam. Originally a small fishing village in the late 12th century, Amsterdam became a major world port during the Dutch Golden Age of the 17th century, when the Netherlands was an economic powerhouse. Amsterdam is th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chateau Of Fontainebleau
Palace of Fontainebleau (; ) or Château de Fontainebleau, located southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. The medieval castle and subsequent palace served as a residence for the French monarchs from Louis VII to Napoleon III. Francis I and Napoleon were the monarchs who had the most influence on the palace as it stands today. It became a national museum in 1927 and was designated a UNESCO World Heritage Site in 1981 for its unique architecture and historical importance. History Medieval palace (12th century) The earliest record of a fortified castle at Fontainebleau dates to 1137. It became a favorite residence and hunting lodge of the Kings of France because of the abundant game and many springs in the surrounding forest. It took its name from one of the springs, the fountain de Bliaud, located now in the English garden, next to the wing of Louis XV. It was used by King Louis VII, for whom Thomas B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Wars Of Religion
The French Wars of Religion is the term which is used in reference to a period of civil war between French Catholic Church, Catholics and Protestantism, Protestants, commonly called Huguenots, which lasted from 1562 to 1598. According to estimates, between two and four million people died from violence, famine or diseases which were directly caused by the conflict; additionally, the conflict severely damaged the power of the French monarchy. The fighting ended in 1598 when Henry of Navarre, who had converted to Catholicism in 1593, was proclaimed Henry IV of France and issued the Edict of Nantes, which granted substantial rights and freedoms to the Huguenots. However, the Catholics continued to have a hostile opinion of Protestants in general and they also continued to have a hostile opinion of him as a person, and his assassination in 1610 triggered a fresh round of Huguenot rebellions in the 1620s. Tensions between the two religions had been building since the 1530s, exacerba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
School Of Fontainebleau
The School of Fontainbleau (french: École de Fontainebleau) (c. 1530 – c. 1610) refers to two periods of artistic production in France during the late Renaissance centered on the royal Palace of Fontainebleau that were crucial in forming the Northern Mannerism. First School of Fontainebleau (from 1531) In 1531, the Florentine artist Rosso Fiorentino, having lost most of his possessions at the Sack of Rome in 1527, was invited by François I to come to France, where he began an extensive decorative program for the Château de Fontainebleau. In 1532 he was joined by another Italian artist, Francesco Primaticcio (from Bologna). Rosso died in France in 1540. On the advice of Primaticcio, Niccolò dell'Abbate (from Modena) was invited to France in 1552 by François's son Henri II. Although known for their work at Fontainebleau, these artists were also invited to create works of art for other noble families of the period and were much esteemed and well-paid. The works of this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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