Aberlour House (building)
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Aberlour House (building)
Aberlour House is a country house near Aberlour in Moray, Scotland. It was built in 1838 by William Robertson for Alexander Grant, planter and merchant from Aberlour, after his return to the UK. His niece, Margaret Macpherson Grant, lived in it after Grant died, and it was later home to John Ritchie Findlay of ''The Scotsman'' newspaper and his descendants. It was requisitioned for military use during the Second World War, and after the war was sold for use as a preparatory school for Gordonstoun. The school was later moved into Gordonstoun's estate, and the building was sold to Walkers Shortbread, who restored and renovated it, and now use it as their head office. It has been designated a Category A listed building. Description Aberlour House, the only country house that William Robertson built from scratch, has been described by Charles McKean and Walker and Woodworth as his "masterpiece". Its main block presents a two-storey, five bay north-facing frontage, with a por ...
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Aberlour House Front
Aberlour ( gd, Obar Lobhair) is a village in Moray, Scotland, south of Elgin on the road to Grantown. The Lour burn is a tributary of the River Spey, and it and the surrounding parish are both named Aberlour, but the name is more commonly used in reference to the village which straddles the stream and flanks the Spey – although the full name of the village is Charlestown of Aberlour. Etymology Aberlour, recorded in 1226 as ''Aberlower'', means 'confluence of the Lour burn'. The first element is the Pictish word ''aber'' 'river mouth, confluence'. The name of the Lour burn is from Gaelic ''labhar'' 'loud, noisy'. This probably replaced an earlier Pictish cognate word. Charlestown refers to Charles Grant of Elchies. History A site noted as Abirlaur is shown in this location on maps in Joan Blaeu's Atlas of Scotland, from 1654. The current village, Charlestown of Aberlour, was "founded by Charles Grant of Elchies in 1812 – with the name of Charlestown of Aberlour after ...
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Doric Order
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Do ...
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Finial
A finial (from '' la, finis'', end) or hip-knob is an element marking the top or end of some object, often formed to be a decorative feature. In architecture, it is a small decorative device, employed to emphasize the Apex (geometry), apex of a dome, spire, tower, roof, or gable or any of various distinctive ornaments at the top, end, or corner of a building or structure. A finial is typically carved in stone. Where there are several such elements they may be called pinnacles. The very top of a finial can be a floral or foliated element called a bouquet. Smaller finials in materials such as metal or wood are used as a decorative ornament on the tops or ends of poles or rods such as tent-poles or curtain rods or any object such as a piece of furniture. These are frequently seen on top of bed posts or clocks. Decorative finials are also commonly used to fasten lampshades, and as an ornamental element at the end of the handles of souvenir spoons. The charm at the end of a pull chain ...
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Tuscan Order
The Tuscan order (Latin ''Ordo Tuscanicus'' or ''Ordo Tuscanus'', with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order, but with un-fluted columns and a simpler entablature with no triglyphs or guttae. While relatively simple columns with round capitals had been part of the vernacular architecture of Italy and much of Europe since at least Etruscan architecture, the Romans did not consider this style to be a distinct architectural order (for example, the Roman architect Vitruvius did not include it alongside his descriptions of the Greek Doric, Ionic, and Corinthian orders). Its classification as a separate formal order is first mentioned in Isidore of Seville's ''Etymologies'' and refined during the Italian Renaissance. Sebastiano Serlio described five orders including a "Tuscan order", "the solidest and least ornate", in his fourth book of ''Regole generali di ...
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Terrace (building)
A terrace is an external, raised, open, flat area in either a landscape (such as a park or garden) near a building, or as a roof terrace on a flat roof. Ground terraces Terraces are used primarily for leisure activity such as sitting, strolling, or resting.Davies, Nicholas and Jokiniemi, Erkki. ''Dictionary of Architecture and Building Construction''. New York: Routledge, 2008, p. 379. The term often applies to a raised area in front of a monumental building or structure, which is usually reached by a grand staircase and surrounded by a balustrade. A terrace may be supported by an embankment or solid foundation, either natural or man-made.Harris, Cyril M. ''Illustrated Dictionary of Historic Architecture''. New York: Dover Publications, 1977, p. 529. Terraces may also be platforms, supported by columns but without the space below filled in, but terraces are always open to the sky and may or may not be paved.Ching, Frank. ''A Visual Dictionary of Architecture''. Hoboken, N.J.: ...
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Chimneypiece
The fireplace mantel or mantelpiece, also known as a chimneypiece, originated in medieval times as a hood that projected over a fire grate to catch the smoke. The term has evolved to include the decorative framework around the fireplace, and can include elaborate designs extending to the ceiling. ''Mantelpiece'' is now the general term for the jambs, mantel shelf, and external accessories of a fireplace. For many centuries, the ''chimneypiece'' was the most ornamental and most artistic feature of a room, but as fireplaces have become smaller, and modern methods of heating have been introduced, its artistic as well as its practical significance has lessened. Where the fireplace continues up the wall with an elaborate construction, as in historic grand buildings, this is known as an overmantel.''OED'' first citation, 1882. Mirrors and paintings designed to be hung above a mantel shelf may be called "mantel mirror", "mantel painting" and so on. History Up to the twelfth century ...
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Gilding
Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. A gilded object is also described as "gilt". Where metal is gilded, the metal below was traditionally silver in the West, to make silver-gilt (or ''vermeil'') objects, but gilt-bronze is commonly used in China, and also called ormolu if it is Western. Methods of gilding include hand application and gluing, typically of gold leaf, chemical gilding, and electroplating, the last also called gold plating. Parcel-gilt (partial gilt) objects are only gilded over part of their surfaces. This may mean that all of the inside, and none of the outside, of a chalice or similar vessel is gilded, or that patterns or images are made up by using a combination of gilt and ungilted areas. Gilding gives an object a gold appearance at a fraction of the cost of creating a solid gold object. In addition, a solid gold piece would often be too soft or ...
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Coffer
A coffer (or coffering) in architecture is a series of sunken panels in the shape of a square, rectangle, or octagon in a ceiling, soffit or vault. A series of these sunken panels was often used as decoration for a ceiling or a vault, also called ''caissons'' ("boxes"), or ''lacunaria'' ("spaces, openings"), so that a coffered ceiling can be called a ''lacunar'' ceiling: the strength of the structure is in the framework of the coffers. History The stone coffers of the ancient Greeks and Romans are the earliest surviving examples, but a seventh-century BC Etruscan chamber tomb in the necropolis of San Giuliano, which is cut in soft tufa-like stone reproduces a ceiling with beams and cross-beams lying on them, with flat panels filling the ''lacunae''. For centuries, it was thought that wooden coffers were first made by crossing the wooden beams of a ceiling in the Loire Valley châteaux of the early Renaissance. In 2012, however, archaeologists working under the Packard Humani ...
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Newel
A newel, also called a central pole or support column, is the central supporting pillar of a staircase. It can also refer to an upright post that supports and/or terminates the handrail of a stair banister (the "newel post"). In stairs having straight flights it is the principal post at the foot of the staircase, but the term can also be used for the intermediate posts on landings and at the top of a staircase. Although its primary purpose is structural, newels have long been adorned with decorative trim and designed in different architectural styles. Newel posts turned on a lathe are solid pieces that can be highly decorative, and they typically need to be fixed to a square newel base for installation. These are sometimes called solid newels in distinction from hollow newels due to varying techniques of construction. Hollow newels are known more accurately as box newel posts. In historic homes, folklore holds that the house plans were placed in the newel upon completion of the h ...
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Ionic Order
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital, which have been the subject of much theoretical and practical discourse, based on a brief and obscure passage i ...
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Cantilever
A cantilever is a rigid structural element that extends horizontally and is supported at only one end. Typically it extends from a flat vertical surface such as a wall, to which it must be firmly attached. Like other structural elements, a cantilever can be formed as a beam, plate, truss, or slab. When subjected to a structural load at its far, unsupported end, the cantilever carries the load to the support where it applies a shear stress and a bending moment. Cantilever construction allows overhanging structures without additional support. In bridges, towers, and buildings Cantilevers are widely found in construction, notably in cantilever bridges and balconies (see corbel). In cantilever bridges, the cantilevers are usually built as pairs, with each cantilever used to support one end of a central section. The Forth Bridge in Scotland is an example of a cantilever truss bridge. A cantilever in a traditionally timber framed building is called a jetty or forebay. In the southe ...
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