Aaron Robison
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Aaron Robison
Aaron Robison is a British ballet dancer and currently a Principal Dancer with San Francisco Ballet. He was previously a Lead principal dancer with English National Ballet. Biography Aaron Robison was born in Coventry, England. He trained at La Compañia Juvenil de Barcelona and at the Royal Ballet School. In 2004 he won the Young British Dancer of the Year Award. A Gold Medal at The Seoul International Dance Competition in South Korea. A Finalists Cash prize Prix de Lausanne. In 2012 amongst The Top 100 dancers of the year in Dance Europe. In 2018 nominated for most outstanding classical performance at the UK Critics circle National Dance Awards. Dance Europe Critics Choice for Most Outstanding Male performance for William Forsythe's new creation playlist 1,2, Aproximata Sonata 2018 and Arthur Pita's '' Salome'' in 2017. Robison also performed with companies such as English National Ballet, Houston Ballet, Birmingham Royal Ballet, Corella Ballet. Robison has per ...
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Coventry
Coventry ( or ) is a City status in the United Kingdom, city in the West Midlands (county), West Midlands, England. It is on the River Sherbourne. Coventry has been a large settlement for centuries, although it was not founded and given its city status until the Middle Ages. The city is governed by Coventry City Council. Historic counties of England, Formerly part of Warwickshire until 1451, Coventry had a population of 345,328 at the 2021 census, making it the tenth largest city in England and the 12th largest in the United Kingdom. It is the second largest city in the West Midlands (region), West Midlands region, after Birmingham, from which it is separated by an area of Green belt (United Kingdom), green belt known as the Meriden Gap, and the third largest in the wider Midlands after Birmingham and Leicester. The city is part of a larger conurbation known as the Coventry and Bedworth Urban Area, which in 2021 had a population of 389,603. Coventry is east-south-east of ...
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Romeo And Juliet (Prokofiev)
''Romeo and Juliet'' (russian: Ромео и Джульетта, Romeo i Dzhulyetta), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play ''Romeo and Juliet''. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940. Prokofiev reused music from the ballet in three suites for orchestra and a solo piano work. Background and premiere Based on a synopsis created by Adrian Piotrovsky (who first suggested the subject to Prokofiev) and Sergey Radlov, the ballet was composed by Prokofiev in September 1935 to their scenario which followed the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov Ballet to replace works based primarily on choreographic display and innovation). Following Radlov's acrimonious resignation from the Kirov in June 1934, a new agreement was signed with the Bolshoi Theatre in Moscow on the understanding that Piotrovsky would remain involved. However, the ballet's original happy en ...
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The Four Temperaments (ballet)
''The Four Temperaments'' or Theme and Four Variations (''The Four Temperaments'') is an orchestral work and ballet by Paul Hindemith. Although it was originally conceived as a ballet for Léonide Massine, the score was ultimately completed as a commission for George Balanchine, who subsequently choreographed it as a neoclassical ballet based on the theory of the four temperaments. The music was premiered in Switzerland by the Stadtorchester Winterthur under the direction of Hermann Scherchen on March 10, 1943. However, Balanchine created the choreography a few years later. The ballet, ''The Four Temperaments'' was the first work Balanchine made for the Ballet Society, the forerunner of the New York City Ballet, and premiered on November 20, 1946, at the Central High School of Needle Trades, New York, during the Ballet Society's first performance. Though at the premiere, critics did not receive the ballet well, it was later acknowledged as a "masterpiece," and was reviv ...
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Impressing The Czar
''Impressing the Czar'' is a four-act, award-winning, postmodern dance, postmodern Judith MackrelImpressing the Czar: Sadler's Wells, London The Guardian, 7 November 2008 ballet choreographed by William Forsythe (choreographer), William Forsythe to music by Thom Willems, Leslie Stuck, Eva Crossman-Hecht, and Ludwig van Beethoven. It was premiered in its full-length version in 1988 in Frankfurt am Main by the Ballet Frankfurt. The work's title is a reference to the Nicholas II of Russia, Czar Nicholas II's lukewarm reception of Marius Petipa's lavish production of ''The Sleeping Beauty (ballet), The Sleeping Beauty''. ''Impressing the Czar'' has five sections titled "Potemkin's Signature," "In the Middle, Somewhat Elevated," "La Maison de Mezzo Prezzo," "Bongo Bongo Nageela," and "Mr. Pnut Goes to the Big Top." Though the work has no continuous narrative theme, the ballet comments ironically and often humorously on the history of Western civilization and its economies of culture. T ...
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Études (ballet)
''Études'' is a one-act ballet choreographed by Danish dancer and choreographer Harald Lander to piano studies by Carl Czerny arranged for orchestra by Knudåge Riisager. It is considered Lander's most famous choreographic work and brought him international fame. The work premiered on 15 January 1948 at the Royal Danish Theatre in Copenhagen with the Royal Danish Ballet, with scenery and costumes by Rolf Gerard and lighting by Nananne Porcher. ''Études'' is considered an homage to classical ballet training. It begins with traditional ballet exercises at the ''barre'' and ends with spectacular bravura displays.Matthew Naughtin, ''Ballet Music,'' 2014, p. 219 The original cast included: Margot Lander, Hans Brenaa, Svend Erik Jensen, Inge Sand and Inge Goth. Its ABT premiere at the 54th Street Theatre in New York took place on 5 October 1961 and featured dancers Toni Lander, Royes Fernandez, Bruce Marks, Eleanor D'Antuono and Elisabeth Carroll. Sections The order of the vario ...
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Harold Lander
Harald Alfred Bernhardt Stevnsborg Lander (25 February 1905 – 14 September 1971) was a Danish dancer, choreographer and artistic director of the Royal Danish Ballet. Lander was born in Copenhagen. He started as a dancer, studying under ballet master Michel Fokine in 1926–27, and danced various principal roles until his retirement in 1945.Harald Lander
Encyclopædia Britannica
During his tenure as artistic director and ballet master of the from 1932 to 1951, he enriched the company's repertoire with productions of Fokine's iconic masterpieces and Bournonville revivals. Lander was married three times, first to



Paquita
''Paquita'' is a ballet in two acts and three scenes originally choreographed by Joseph Mazilier to music by Édouard Deldevez and Ludwig Minkus. Paul Foucher received royalties as librettist. History ''Paquita'' is the creation of French composer Édouard Deldevez and Paris Opéra Ballet Master Joseph Mazilier. It was first presented at the Salle Le Peletier by the Paris Opera Ballet on 1 April 1846 and was retained in the repertory of the Opéra until 1851. In 1847, ''Paquita'' was staged for the first time in Russia for the Imperial Ballet of St. Petersburg by Marius Petipa and Pierre-Frédéric Malavergne, being the first work ever staged by Petipa in Russia. In 1881, Petipa produced a revival of the ballet for which he added new pieces specially composed by Ludwig Minkus. This included the ''Paquita pas de trois'' for the first act and the ''Paquita grand pas classique'' and the ''Mazurka des enfants'' for the last act. Petipa's version of ''Paquita'' was retained in the r ...
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Wayne Eagling
Wayne Eagling (born 27 November 1950) is a Canadian ballet dancer, now retired. After more than twenty years as a popular member of The Royal Ballet in London, he became well known as an international choreographer and company director. Early life and training Wayne John Eagling was born in Montreal, Quebec, to Anglophone parents, Edward and Thelma Eagling. He spent much of his childhood and youth in California, where his family had moved. As a boy, he augmented his academic studies by attending classes at the Patricia Ramsey Studio of Dance Arts. There, he developed into a gifted student of classical ballet and, as he matured, was encouraged by his teachers to pursue a career as a professional dancer. In 1965, when he was 15, he was noticed by Michael Somes and Gerd Larsen of the Royal Ballet during the company's tour of the United States and was offered a place at the Royal Ballet School in London. He moved to England in the late 1960s, when "swinging London," the vibrant cultur ...
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Peter Wright (dancer)
Sir Peter Wright CBE (born 25 November 1926) is a British ballet teacher, choreographer, director and former professional dancer. He worked as a choreographer and as the artistic director of Birmingham Royal Ballet, a classical ballet company based in Birmingham, England. On retiring from the company in 1995, he was bestowed the honorary title of Director Laureate of the company. Early life As a child, Wright was educated at Leighton Park School and then went on to Bedales. At the age of 16, his mother took him to a performance of ''Les Sylphides'' by the International Ballet, and it was this experience that led him to pursue dance as a career. His father was an accountant and, being a Quaker, was also very religious. He did not approve of his only son wanting to pursue a career in dance, which led to Wright leaving both home and school at the age of 17. Career After leaving home, Wright auditioned for Ninette de Valois, to join what is now the Royal Ballet School, but was rej ...
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Ben Stevenson (dancer)
Ben Stevenson OBE (born 4 April 1936), is a former ballet dancer with Britain's Royal Ballet and English National Ballet, co-director of National Ballet of Washington, D.C. (1971–1974), artistic director of Chicago Ballet (1974-1975), artistic director of Houston Ballet (1976–2003), and current artistic director of Texas Ballet Theater (2003–present). Early life A native of Portsmouth, England, Stevenson received his dance training at the Arts Educational School in London. Upon his graduation, he was awarded the prestigious Adeline Genée Gold Medal, the highest award give to a dancer by the Royal Academy of Dancing. Career At the age of 18, Stevenson was invited to join the Sadler's Wells Royal Ballet by Dame Ninette de Valois. A few years later, Anton Dolin invited him to dance with the London Festival Ballet, where, as a principal dancer, he performed leading roles in all the classics. After choreographing ''Cinderella'' in 1970 for the National Ballet of Washington, D. ...
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Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lo ...
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Stanton Welch
Stanton De Burgh Welch (born 1969) is an Australian dancer and choreographer. He currently serves as the Artistic Director of the Houston Ballet. Early life Welch was born in Melbourne to Marilyn Jones and Garth Welch, two prominent Australian dancers. Career Welch was initially trained at the dance school run by his parents. In 1989, after a year as a scholarship student at the San Francisco Ballet School, Welch was accepted into the Australian Ballet where he became a leading soloist. While with The Australian Ballet, Welch developed an interest in choreography and, in 1990, received his first commission. By 1995, he had been appointed a resident choreographer with the Australian Ballet and, in 2003, he was also appointed artistic director of the Houston Ballet. Welch has received choreographic commissions from many international companies including the Australian Ballet, the Houston Ballet, the American Ballet Theatre, the Atlanta Ballet, BalletMet, the Birmingham Royal ...
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