A Whole Nother Thang
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A Whole Nother Thang
''A Whole Nother Thang'' is the 1976 debut album by Parliament-Funkadelic vocalist Clarence "Fuzzy" Haskins. The album was released by Westbound Records and features heavy participation from various P-Funk musicians. The album features the track "Cookie Jar", which was later recorded by the P-Funk spin off act Parlet as well as Prince. It is the first P-Funk spin off album not to be produced by George Clinton. The album was produced and arranged by Haskins. In 1994, the album was reissued along with its successor '' Radio Active'' on a single CD entitled ''A Whole Nother Radio Active Thang'' (Westbound CDSEWD 099), which also featured the previously unreleased bonus track "Right Back Where I Started From". Track listing #"Tangerine Green" ( Clarence Haskins) #"Cookie Jar" (Haskins) #"Mr. Junk Man" (Haskins) #"I Can See Myself in You" (Haskins) #"Fuz and da Boog" (Haskins, Cordell Mosson Cordell "Boogie" Mosson (born Cardell Mosson; October 16, 1952 – April 18, 2013) was an ...
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Fuzzy Haskins
Clarence Eugene "Fuzzy" Haskins (born June 8, 1941) is a former singer with 1950s and 1960s doo-wop group, The Parliaments. He is a founding member of the groundbreaking and influential 1970s funk bands Parliament and Funkadelic, also known as Parliament-Funkadelic. He left Parliament-Funkadelic in 1977 to pursue a solo career. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. In 2019, he and Parliament-Funkadelic were given Grammy Lifetime Achievement Awards. Biography Haskins was born in Elkins, West Virginia, and starting in the late 1950s he was a founding member of doo wop vocal group The Parliaments, led by George Clinton. The group originated as a barbershop quintet in the back room of a barber shop on West 3rd Street in Plainfield, New Jersey. Haskins often sang lead in the group. They started traveling to Detroit, Michigan on weekends in order to audition for Motown Records and to participate in the fe ...
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Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ...
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Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ...
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Westbound Records
Westbound Records was a Detroit-based record label founded by Armen Boladian in 1968. It had a distribution deal with Janus Records from 1970 to 1975, but then it switched distribution to 20th Century Records during 1975 and 1976, but again switched distribution to Atlantic Records from 1976 to 1979. The label's most successful and influential act was Funkadelic, including the classic “Maggot Brain”. Its biggest hit was "The Americans" recorded by local news reporter Byron MacGregor in 1974. Westbound was also home to the Ohio Players before they went to Mercury Records and the label had a top 15 hit with "Funky Worm." Former Ric-Tic and Motown group The Fantastic Four also found moderate success during the disco era under the label. The Detroit Emeralds, who had also recorded briefly for Ric-Tic in the late 1960s, signed with Westbound in 1970 and enjoyed a string of hit singles, most notably 1972's "Feel The Need In Me". The record company's last national hit was 1983's "Y ...
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Radio Active (Fuzzy Haskins Album)
''Radio Active'' is the second album by Parliament-Funkadelic vocalist Clarence "Fuzzy" Haskins. It was released by Westbound Records in 1978 and was produced by GIG productions. The album features numerous P-Funk musicians including Garry Shider, Bernie Worrell, and Jerome Brailey. In 1994, the album was reissued along with its predecessor '' A Whole Nother Thang'' on a single CD entitled ''A Whole Nother Radio Active Thang'' (Westbound CDSEWD 099), which also featured the previously unreleased bonus track "Right Back Where I Started From". Track listing #"Not Yet" (Clarence Haskins) (released as a single-Westbound WT34716 and 12" single-Westbound DSKO 107) #"I Think I Got My Thang Together" (Haskins) (released as the b-side to "Not Yet") #"This Situation Called Love" ( Glenn Goins) #"Gimme Back (Some of the Love You Got from Me)" (Haskins) #"Things We Used to Do" (Haskins) #"Woman" (Haskins) #"Sinderilla" (Haskins) #"Silent Day" (Haskins, Cordell Mosson) Personnel * Cord ...
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Rock Albums Of The Seventies
''Christgau's Record Guide: Rock Albums of the Seventies'' is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in '' The Village Voice'' throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music. Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporari ...
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Ticknor & Fields
Ticknor and Fields was an American publishing company based in Boston, Massachusetts. Founded as a bookstore in 1832, the business would publish many 19th century American authors including Ralph Waldo Emerson, Nathaniel Hawthorne, Henry James, Henry Wadsworth Longfellow, Harriet Beecher Stowe, Henry David Thoreau, and Mark Twain. It also became an early publisher of ''The Atlantic Monthly'' and ''North American Review''. The firm was named after founder William Davis Ticknor and apprentice James T. Fields, although the names of additional business partners would come and go, notably that of James R. Osgood in the firm's later years. Financial problems led Osgood to merge the company with the publishing firm of Henry Oscar Houghton in 1878, forming a precursor to the modern publisher Houghton Mifflin Harcourt. Houghton Mifflin revived the Ticknor and Fields name as an imprint from 1979 to 1989. Company history Early years In 1832 William Davis Ticknor and John All ...
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Parliament-Funkadelic
Parliament-Funkadelic (abbreviated as P-Funk) is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their distinctive funk style drew on psychedelic culture, outlandish fashion, science-fiction, and surreal humor; it would have an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism. The groups released albums such as ''Maggot Brain'' (1971), ''Mothership Connection'' (1975), and ''One Nation Under a Groove'' (1978) to critical praise, and scored charting hits with singles such as " Give Up the Funk" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. The collective's origins date back to the doo-wop group the Parliaments, ...
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Clarence "Fuzzy" Haskins
Clarence Eugene "Fuzzy" Haskins (born June 8, 1941) is a former singer with 1950s and 1960s doo-wop group, The Parliaments. He is a founding member of the groundbreaking and influential 1970s funk bands Parliament and Funkadelic, also known as Parliament-Funkadelic. He left Parliament-Funkadelic in 1977 to pursue a solo career. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. In 2019, he and Parliament-Funkadelic were given Grammy Lifetime Achievement Awards. Biography Haskins was born in Elkins, West Virginia, and starting in the late 1950s he was a founding member of doo wop vocal group The Parliaments, led by George Clinton. The group originated as a barbershop quintet in the back room of a barber shop on West 3rd Street in Plainfield, New Jersey. Haskins often sang lead in the group. They started traveling to Detroit, Michigan on weekends in order to audition for Motown Records and to participate in the fe ...
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P-Funk
Parliament-Funkadelic (abbreviated as P-Funk) is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their distinctive funk style drew on psychedelic culture, outlandish fashion, science-fiction, and surreal humor; it would have an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism. The groups released albums such as '' Maggot Brain'' (1971), ''Mothership Connection'' (1975), and '' One Nation Under a Groove'' (1978) to critical praise, and scored charting hits with singles such as " Give Up the Funk" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. The collective's origins date back to the doo-wop group the Parliam ...
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Parlet
Parlet was a female spinoff group from P-Funk formed by veteran background vocalists Mallia Franklin, Jeanette Washington and Debbie Wright. Washington and Wright were the first female members in Parliament-Funkadelic Parliament-Funkadelic (abbreviated as P-Funk) is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their distinctive fu ... in 1975. Discography References American funk musical groups P-Funk groups Casablanca Records artists African-American girl groups {{US-band-stub ...
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Prince (musician)
Prince Rogers Nelson (June 7, 1958April 21, 2016), more commonly known mononymously as Prince, was an American singer-songwriter, musician, and record producer. The recipient of numerous awards and nominations, he is widely regarded as one of the greatest musicians of his generation. He was known for his flamboyant, androgynous persona; his wide vocal range, which included a far-reaching falsetto and high-pitched screams; and his skill as a multi-instrumentalist, often preferring to play all or most of the instruments on his recordings. Prince produced his albums himself, pioneering the Minneapolis sound. His music incorporated a wide variety of styles, including funk, R&B, rock, new wave, soul In many religious and philosophical traditions, there is a belief that a soul is "the immaterial aspect or essence of a human being". Etymology The Modern English noun ''soul'' is derived from Old English ''sāwol, sāwel''. The earliest attes ..., synth-pop, pop music, pop, ...
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