A View Of Delft
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A View Of Delft
''A View of Delft, with a Musical Instrument Seller's Stall'' is a 1652 painting by Carel Fabritius. It is an oil painting on canvas of 20.9 by 35.7 cm (8.2 by 14.1 in) of a cityscape of Delft. The work has been in the collection of the National Gallery in London since 1922. The unusual perspective distortion, especially visible to the right of the church, suggests that it may have been intended to have been displayed on a curved surface at the back of a perspective box (and viewed through a peephole,) hence making an illusion of anamorphosis. Fabritius is mentioned in contemporary documents in connection with perspective boxes.Key facts
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Carel Fabritius
Carel Pietersz. Fabritius (; bapt. 27 February 1622 – 12 October 1654) was a Dutch painter. He was a pupil of Rembrandt and worked in his studio in Amsterdam. Fabritius, who was a member of the Delft School, developed his own artistic style and experimented with perspective and lighting. Among his works are ''A View of Delft'' (1652; National Gallery, London), '' The Goldfinch'' (1654), and '' The Sentry'' (1654). Biography Carel Pietersz. Fabritius was born in February 1622 in Middenbeemster, a village in the ten-year-old Beemster polder in the Dutch Republic, and was baptized on 27 February of that year.Carel Fabritius
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City Hall (Delft)
The City Hall in Delft is a Renaissance style building on the Markt across from the Nieuwe Kerk. It is the seat of the city's government as well as a popular venue for civic wedding ceremonies. Most administrative functions have been transferred to an office inside the Delft railway station building. Originally designed by the Dutch architect Hendrick de Keyser, it was heavily changed over the centuries and was restored in the 20th century to its Renaissance appearance. History In the town hall from 1618 are some group portraits, and portraits of the counts of Orange and Nassau, including several by Michiel van Mierevelt (1567–1641), one of the earliest Dutch portrait painters, and with his son Pieter (1595–1623), a native of Delft. The oldest part of the complex is the belfry covered in " Gobertanger" limestone from Wallonia, a building material used often in important renaissance buildings in the Netherlands up to 1600. The tower, called "De Steen" or "The Stone", was origi ...
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History Of Delft
Delft () is a city and municipality in the province of South Holland, Netherlands. It is located between Rotterdam, to the southeast, and The Hague, to the northwest. Together with them, it is part of both the Rotterdam–The Hague metropolitan area and the Randstad. Delft is a popular tourist destination in the Netherlands, famous for its historical connections with the reigning House of Orange-Nassau, for its blue pottery, for being home to the painter Jan Vermeer, and for hosting Delft University of Technology (TU Delft). Historically, Delft played a highly influential role in the Dutch Golden Age. In terms of science and technology, thanks to the pioneering contributions of Antonie van Leeuwenhoek and Martinus Beijerinck, Delft can be considered to be the birthplace of microbiology. History Early history The city of Delft came into being beside a canal, the 'Delf', which comes from the word ''delven'', meaning to delve or dig, and this led to the name Delft. At the ele ...
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Collections Of The National Gallery, London
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ...
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Cityscape Paintings
In the visual arts, a cityscape (urban landscape) is an artistic representation, such as a painting, drawing, print or photograph, of the physical aspects of a city or urban area. It is the urban equivalent of a landscape. ''Townscape'' is roughly synonymous with ''cityscape,'' though it implies the same difference in urban size and density (and even modernity) implicit in the difference between the words ''city'' and ''town''. In urban design the terms refer to the configuration of built forms and interstitial space. History of cityscapes in art From the first century A.D. dates a fresco at the Baths of Trajan in Rome depicting a bird's eye view of an ancient city.Eugenio la Rocca: "The Newly Discovered City Fresco from Trajan's Baths, Rome." ''Imago Mundi'' Vol. 53 (2001), pp. 121–124. In the Middle Ages, cityscapes appeared as a background for portraits and biblical themes. From the 16th up to the 18th century numerous copperplate prints and etchings were made ...
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1652 Paintings
Year 165 ( CLXV) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Orfitus and Pudens (or, less frequently, year 918 '' Ab urbe condita''). The denomination 165 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * A Roman military expedition under Avidius Cassius is successful against Parthia, capturing Artaxata, Seleucia on the Tigris, and Ctesiphon. The Parthians sue for peace. * Antonine Plague: A pandemic breaks out in Rome, after the Roman army returns from Parthia. The plague significantly depopulates the Roman Empire and China. * Legio II ''Italica'' is levied by Emperor Marcus Aurelius. * Dura-Europos is taken by the Romans. * The Romans establish a garrison at Doura Europos on the Euphrates, a control point for the commerc ...
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1652 In The Dutch Republic
Year 165 (Roman numerals, CLXV) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Orfitus and Pudens (or, less frequently, year 918 ''Ab urbe condita''). The denomination 165 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * A Roman military expedition under Avidius Cassius is successful against Parthia, capturing Artaxata, Seleucia on the Tigris, and Ctesiphon. The Parthians sue for peace. * Antonine Plague: A pandemic breaks out in Ancient Rome, Rome, after the Roman army returns from Parthia. The plague significantly depopulates the Roman Empire and China. * Legio II Italica, Legio II ''Italica'' is levied by Emperor Marcus Aurelius. * Dura-Europos is taken by the Romans. * The Romans establish a garrison at Doura Europos on the Eup ...
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William The Silent
William the Silent (24 April 153310 July 1584), also known as William the Taciturn (translated from nl, Willem de Zwijger), or, more commonly in the Netherlands, William of Orange ( nl, Willem van Oranje), was the main leader of the Dutch Revolt against the Spanish Habsburgs that set off the Eighty Years' War (1568–1648) and resulted in the formal independence of the United Provinces in 1648. Born into the House of Nassau, he became Prince of Orange in 1544 and is thereby the founder of the Orange-Nassau branch and the ancestor of the monarchy of the Netherlands. In the Netherlands, he is also known as Father of the Fatherland (''Pater Patriae'') ( nl, Vader des Vaderlands). A wealthy nobleman, William originally served the Habsburgs as a member of the court of Margaret of Parma, governor of the Spanish Netherlands. Unhappy with the centralisation of political power away from the local estates and with the Spanish persecution of Dutch Protestants, William joined the D ...
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Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), '' Sain ...
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Nieuwe Kerk (Delft)
The Nieuwe Kerk (; en, New Church) is a Protestant church in the city of Delft in the Netherlands. The building is located on Delft Market Square (Markt), opposite to the City Hall (Dutch: ''Stadhuis''). In 1584, William the Silent was entombed here in a mausoleum designed by Hendrick and Pieter de Keyser. Since then members of the House of Orange-Nassau have been entombed in the royal crypt. The latest are Queen Juliana and her husband Prince Bernhard in 2004. The private royal family crypt is not open to the public. The church tower, with the most recent recreation of the spire which was designed by Pierre Cuypers and completed in 1872, is the second highest in the Netherlands, after the Domtoren in Utrecht. History The New Church, formerly the church of St. Ursula (14th century), is the burial place of the princes of Orange. The church is remarkable for its fine tower and chime of bells, and contains the splendid allegorical monument of William the Silent, crafted by Hen ...
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Oil On Canvas
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority o ...
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Anamorphosis
Anamorphosis is a distorted projection requiring the viewer to occupy a specific vantage point, use special devices, or both to view a recognizable image. It is used in painting, photography, sculpture and installation, toys, and film special effects. The word is derived from the Greek prefix ''ana-'', meaning "back" or "again", and the word ''morphe'', meaning "shape" or "form". Extreme anamorphosis has been used by artists to disguise caricatures, erotic and scatological scenes, and other furtive images from a casual spectator, while revealing an undistorted image to the knowledgeable viewer. Types of projection There are two main types of anamorphosis: ''perspective'' (oblique) and ''mirror'' (catoptric). More complex anamorphoses can be devised using distorted lenses, mirrors, or other optical transformations. An oblique anamorphism forms an affine transformation of the subject. Early examples of Perspective (graphical), perspectival anamorphosis date to the Renaissance ...
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