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A Santa Compaña
''A Santa Compaña'' is the debut studio album by Galician pop band Golpes Bajos, released on 30 July 1984 by Nuevos Medios. It was written by band frontman Germán Coppini and keyboardist Teo Cardalda. It was produced in Madrid and Barcelona by Luis Fernandez Soria, Cardalda, and guitarist Pablo Novoa. The album artwork depicts all four band members, wearing traditional Galician women's clothing, standing on a field of rocks, except for Coppini, who is sitting at their feet. Its title refers to the ''Santa Compaña'', a Galician folk myth. ''A Santa Compaña'' mainly features a sound that embodies Sophisti-pop, post-punk, new wave, as well as elements of Latin music. It also draws influence from Italian pop and bossa nova. Background The album was written by band founders Germán Coppini and Teo Cardalda, it was produced by Luis Fernandez Soria, Cardalda, and guitarist Pablo Novoa at Audiofilm studios in Madrid, with a cover of Italian track '' Come Prima'', being recorded ...
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Golpes Bajos
Golpes Bajos was a 1980s pop group in Spain, a part of the so-called ''"Edad de Oro del Pop Español"'', i.e. "The Golden Age of Spanish Pop Music". They were active in 1982–1986, with a final reunion tour in 1997–1998. History ''Golpes Bajos'' was a pop group created in 1982 in Vigo (Pontevedra), Spain. It was initially a duo formed by Germán Coppini (the-then lead singer of Siniestro Total) and Teo Cardalda (composing music and playing various instruments). The group subsequently expanded after spring 1983 with Pablo Novoa and Luis García, who both shared with Teo the work covering multiple keyboards, bass, guitars and drums. Golpes Bajos on POPes80 (''see below:'' References): states ''"Inicialmente, Golpes Bajos fue un dúo nacido en 1982...'' ''ciudad pontevedresa de Vigo, formado por Germán Coppini...''" translated as "Initially, Golpes Bajos was a duo born in 1982 in the city of Vigo pontevedresa, formed by Germán Coppini (voice and lyrics) and Teo Carda ...
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Latin Music
Latin music (Portuguese language, Portuguese and es, música latina) is a term used by the music industry as a catch-all category for various styles of music from Ibero-America (including Music of Spain, Spain and Portuguese music, Portugal) and Latin American music in the United States, the Latino United States inspired by Music of Latin America, Latin American, Spanish and Portuguese music genres, as well as music that is sung in either Spanish language, Spanish and/or Portuguese language, Portuguese. Terminology and categorization Because the majority of Latino immigrants living in New York City in the 1950s were of Puerto Rican or Cuban descent, "Latin music" had been stereotyped as music simply originating from the Spanish Caribbean. The popularization of bossa nova and Herb Alpert's Mexican-influenced sounds in the 1960s did little to change the perceived image of Latin music. Since then, the music industry classifies all music sung in Spanish or Portuguese as Latin ...
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1984 Albums
Events January * January 1 – The Bornean Sultanate of Brunei gains full independence from the United Kingdom, having become a British protectorate in 1888. * January 7 – Brunei becomes the sixth member of the Association of Southeast Asian Nations (ASEAN). * January 10 ** The United States and the Vatican City, Vatican (Holy See) restore full diplomatic relations. ** The Victoria, Seychelles, Victoria Agreement is signed, institutionalising the Indian Ocean Commission. *January 24 – Steve Jobs launches the Macintosh 128K, Macintosh personal computer in the United States. February * February 3 ** Dr. John Buster and the research team at Harbor–UCLA Medical Center announce history's first embryo transfer from one woman to another, resulting in a live birth. ** STS-41-B: Space Shuttle Challenger, Space Shuttle ''Challenger'' is launched on the 10th Space Shuttle mission. * February 7 – Astronauts Bruce McCandless II and Robert L. Stewart make the first untethered spac ...
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Fairlight CMI
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, sampler, and digital audio workstation introduced in 1979 by Fairlight. — with links to some Fairlight history and photos It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital. History Origins: 1971–1979 In the 1970s, Kim Ryrie, then a teenager, had an idea to develop a build-it-yourself analogue synthesizer, the ETI 4600, for the magazine he founded, ''Electronics Today International'' (ETI). Ryrie was frustrated by the limited number of sounds that the synthesizer could make. After his classmate, Peter Vogel, graduated from high school and had a brief stint at university in 1975, Ryrie asked ...
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Sampler (musical Instrument)
A sampler is an electronic or digital musical instrument which uses sound recordings (or " samples") of real instrument sounds (e.g., a piano, violin, trumpet, or other synthesizer), excerpts from recorded songs (e.g., a five-second bass guitar riff from a funk song) or found sounds (e.g., sirens and ocean waves). The samples are loaded or recorded by the user or by a manufacturer. These sounds are then played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device (e.g., electronic drums) to perform or compose music. Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may often be pitch-shifted to different pitches to produce musical scales and chords. Often samplers offer filters, effects units, modulation via low frequency oscillation and other synthesizer-like processes that allow the original sound to be modified in many different ways. Most samplers have Mult ...
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Mario Panzeri
Mario Panzeri (11 October 1911 – 19 May 1991) was an Italian lyricist and composer. He is well known for his composed songs that include "Maramao perché sei morto?" "Pippo non lo sa", "Lettera a Pinocchio", and "Grazie dei fior", which won the first edition of the Sanremo Music Festival in 1951. Panzeri was the composer of Sanremo Music Festival 1964 winning song "Non ho l'età". Life and career Born in Milan, Panzeri started his career as a revue actor and singer. He began composing songs in the second half of the 1930s, having large success with two songs, "Maramao perché sei morto?" and "Pippo non lo sa", which also raised some controversies as they were accused of mocking some important Fascist personalities (Costanzo Ciano and Achille Starace, respectively). In 1951 a song he composed, "Grazie dei fior", won the first edition of the Sanremo Music Festival. In 1959 his song "Lettera a Pinocchio" was presented at the first edition of the Zecchino d'Oro and later became ...
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Come Prima
"Come prima" (English: "As Before") is an Italian song, with lyrics by Mario Panzeri and music by Vincenzo Di Paola and Sandro Taccani. First made popular by Tony Dallara in Italy in 1957, a version by the Marino Marini Quartet was a hit in the United Kingdom in 1958. Versions The first and most popular version of "Come prima" in Italy was released by Tony Dallara (Antonio Lardera) in 1957. "Come prima" was Tony Dallara's first and breakthrough single. Although it was rejected for admission to the Sanremo Festival, it was an instant success and sold 300,000 copies, becoming the biggest selling single in Italy up to that point. In 1958 Tony Renis and the Combos also recorded the 45 rpm piece (Combo Record, 5057), also published in Germany, as a soloist (Polydor, 23 815). In 1958, a version of the song recorded by the Marino Marini Quartet made the United Kingdom charts. That same year, the song was also recorded by Domenico Modugno, Nicola Arigliano and Armando Trovajoli's o ...
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Bossa Nova
Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. According to the Brazilian journalist Ruy Castro, the bossa beat – which was created by the drummer Milton Banana – was "an extreme simplification of the beat of the samba school", as if all instruments had been removed and only the tamborim had been preserved. In line with this thesis, musicians such as Baden Powell (guitarist), Baden Powell, Roberto Menescal, and Ronaldo Bôscoli also claim that this beat is related to the tamborim of the samba school. One of the major innovations of bossa nova was the way to synthesize the rhythm of samba on the classical guitar. According to mu ...
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Italian Pop Music
The expression Italian popular music refers to the musical output which is not usually considered academic or Classical music but rather has its roots in the popular traditions, and it may be defined in two ways: it can either be defined in terms of the current geographical location of the Italian Republic with the exceptions of the Germanic South Tyrol and the eastern portion of Friuli Venezia Giulia; alternatively, it can be defined as the music produced by all those people who consider themselves as Italians and openly or implicitly refer to this belief. Both these two definitions are very loose: due to the complex political history of the Italian Peninsula and the different independent political states, cultural and linguistic traditions which sprang within them, it is rather difficult to define what may be considered to be truly ''Italian''. Since before the formation of a unified educational system and the spread of information through the radio and the press during the 1920s, ...
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Galicians
Galicians ( gl, galegos, es, gallegos, link=no) are a Celtic-Romance ethnic group from Spain that is closely related to the Portuguese people and has its historic homeland is Galicia, in the north-west of the Iberian Peninsula. Two Romance languages are widely spoken and official in Galicia: the native Galician and Spanish. Etymology The ethnonym of the Galicians (''galegos'') derives directly from the Latin ''Gallaeci'' or ''Callaeci'', itself an adaptation of the name of a local Celtic tribe known to the Greeks as Καλλαϊκoί (''Kallaikoí''). They lived in what is now Galicia and northern Portugal and were defeated by the Roman General Decimus Junius Brutus Callaicus in the 2nd century BCE and later conquered by Augustus. The Romans later applied that name to all the people who shared the same culture and language in the north-west, from the Douro River valley in the south to the Cantabrian Sea in the north and west to the Navia River. That encompassed such tribes ...
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Sophisti-pop
__NOTOC__ Sophisti-pop is a subgenre of pop music which developed out of the new wave movement in the UK during the mid 1980s. The term has been applied retrospectively to describe acts who blended elements of jazz, soul, and pop with lavish production. Music so classified often made extensive use of electronic keyboards, synthesizers and polished arrangements. Artists also utilized cutting-edge studio technology and perfectionist recording methods. The genre has been described as mellow, romantic, and atmospheric. ''Stylus Magazine'' suggested that acts were influenced by the work of Roxy Music (such as 1982's ''Avalon'', often cited as the first sophisti-pop album) and Bryan Ferry's mid-1980s albums, '' Bête Noire'' and '' Boys and Girls''. ''Sweetwater'' named major artists in the genre as including the Blue Nile, Prefab Sprout, the Style Council, Scritti Politti, Everything but the Girl, and Danny Wilson. AllMusic added Simply Red, Sade, Basia, and Swing Out Sister. Write ...
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Santa Compaña
The Santa Compaña ("Holy Company") is a deep-rooted mythical belief in rural northwest of Iberia: Galicia, Asturias (Spain) and Northern Portugal. It is the Iberian version of the pan-European mythical motif known as the Wild Hunt. It is also known under the names of "Estadea", "Estantiga'" (''estantigua'' in Spanish, from Latin ''hostis antiquus'', meaning "ancient host"), "Rolda", "As da nuite" (The Night Ones), "Pantalla", "Avisóns", "Pantaruxada"; all of which are terms that denote the presence of the dead in the world of the living. In Asturias it's prominently well-known as Güestia, which is related to the Asturian word "güeste" (host in English language). Description Although many different versions of the Santa Compaña can be found, the common belief is that of a procession of the dead (or a procession of souls that are in torment) that wander through the village paths of a parish beginning at midnight wearing white, hooded cloaks. The procession is led by a livi ...
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