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A Marriage During The Regency
''A Marriage During the Regency'' (french: Un Mariage sous la Régence, russian: Брак во времена регентства) is a ballet in 2 acts, with libretto and choreography by Marius Petipa and music by Cesare Pugni. The ballet was first presented by the Imperial Ballet on December 18/30 (Julian/ Gregorian calendar dates), 1858, at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia. Principal dancers: Mariia Surovshchikova-Petipa (as the Countess Matilda) and Christian Johansson (as the Count), Timofei Stukolkin Timofei Alekseyevich Stukolkin (russian: Тимофей Алексеевич Стуколкин; , the village Kozmino of Simbirsk province - , Saint Petersburg) was a Russian ballet dancer. ''Oxford Dictionary of Dance'' called him "one of the gr ..., Marfa Muravyova, Anna Prikhunova, and Lev Ivanov. In 1870 Marius Petipa restaged this ballet at the Mariinsky Theatre. References {{DEFAULTSORT:Marriage During The Regency Ballets by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''Le Réveil de Flor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesare Pugni
Cesare Pugni (; russian: Цезарь Пуни, Cezar' Puni; 31 May 1802 in Genoa – ) was an Italian composer of ballet music, a pianist and a violinist. In his early career he composed operas, symphonies, and various other forms of orchestral music. Pugni is most noted for the ballets he composed for Her Majesty's Theatre in London (1843–1850), and for the Imperial Theatres in St. Petersburg, Russia (1850–1870). The majority of his ballet music was composed for the works of the ballet master Jules Perrot, who mounted nearly every one of his ballets to scores by Pugni. In 1850 Perrot departed London for Russia, having accepted the position of ''Premier maître de ballet'' of the St. Petersburg Imperial Theatres at the behest of Carlotta Grisi, who was engaged as ''Prima ballerina''. Cesare Pugni followed Perrot and Grisi to Russia, and remained in the imperial capital even after Grisi's departure in 1853 and Perrot's departure in 1858. Pugni went on to compose for Perro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julian Calendar
The Julian calendar, proposed by Roman consul Julius Caesar in 46 BC, was a reform of the Roman calendar. It took effect on , by edict. It was designed with the aid of Greek mathematicians and astronomers such as Sosigenes of Alexandria. The calendar became the predominant calendar in the Roman Empire and subsequently most of the Western world for more than 1,600 years until 1582, when Pope Gregory XIII promulgated a minor modification to reduce the average length of the year from 365.25 days to 365.2425 days and thus corrected the Julian calendar's drift against the solar year. Worldwide adoption of this revised calendar, which became known as the Gregorian calendar, took place over the subsequent centuries, first in Catholic countries and subsequently in Protestant countries of the Western Christian world. The Julian calendar is still used in parts of the Eastern Orthodox Church and in parts of Oriental Orthodoxy as well as by the Berbers. The Julian calenda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Calendar
The Gregorian calendar is the calendar used in most parts of the world. It was introduced in October 1582 by Pope Gregory XIII as a modification of, and replacement for, the Julian calendar. The principal change was to space leap years differently so as to make the average calendar year 365.2425 days long, more closely approximating the 365.2422-day 'tropical' or 'solar' year that is determined by the Earth's revolution around the Sun. The rule for leap years is: There were two reasons to establish the Gregorian calendar. First, the Julian calendar assumed incorrectly that the average solar year is exactly 365.25 days long, an overestimate of a little under one day per century, and thus has a leap year every four years without exception. The Gregorian reform shortened the average (calendar) year by 0.0075 days to stop the drift of the calendar with respect to the equinoxes.See Wikisource English translation of the (Latin) 1582 papal bull '' Inter gravissimas''. Second, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imperial Bolshoi Kamenny Theatre
The Saint Petersburg Imperial Bolshoi Kamenny Theatre (The Big Stone Theatre of Saint Petersburg, russian: Большой Каменный Театр) was a theatre in Saint Petersburg. It was built in 1783 to Antonio Rinaldi's Neoclassical design as the Kamenny (i.e., Stone) Theatre; Giovanni Paisiello’s opera ''Il mondo della luna'' was performed at the opening on 24 September. It was rebuilt in 1802 according to the designs of the architect Thomas de Thomon and renamed the Bolshoi, but burned down in 1811. The building was restored in 1818, and modified between 1826 and 1836 by Alberto Cavos to accommodate more modern machinery. Until 1886, the Bolshoi Kamenny Theatre was principal theatre for both the Imperial Ballet and the Imperial Russian Opera. In 1886 the building was declared unsafe and, at the behest of the theatre director Ivan Vsevolozhsky, the ballet and opera performances moved to the Imperial Mariinsky Theatre, where they have remained ever since. The Imp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariia Surovshchikova-Petipa
Mariia Sergeyevna Surovshchikova-Petipa (27 February 1836 – 16 March 1882) was prima ballerina to the St. Petersburg Imperial Theatres and wife of the noted choreographer Marius Petipa. Life Mariia Sergeyevna Surovshchikova was born in St. Petersburg, the illegitimate daughter of a milliner. She studied at the St. Petersburg Imperial Ballet School, graduating in 1854. After her graduation from the institute she entered into the ''corps de ballet'' of the Imperial Bolshoi Kamenny Theatre, and in 1854 married Marius Petipa, who at that time served as ''premier danseur'' to the St. Petersburg Imperial Theatres. Upon her marriage she took the name of Surovshchikova-Petipa. Her rise to the rank of ''Ballerina'' coincided with Petipa's own rise from fledgling choreographer to ballet Master of the Imperial Theatres. As Petipa was given more and more opportunities to stage his own early works, it was Surovshchikova-Petipa who danced the principal roles. Petipa also revived many a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Johansson
Pehr Christian Johansson (1 June 1817 – 12 December 1903) was a teacher, choreographer and balletmaster for the Russian Imperial Ballet. He was engaged at the Royal Swedish Ballet in 1829-41, and at the Imperial Russian Ballet in 1841-66. Born in Stockholm, Sweden, he moved to Russia as a dancer and stayed on as one of the most important teachers in Russian history. He is remembered in Russia as exemplifying the artistic beauty of the male dancer. He began teaching in 1860 and by 1869, had become the leading ballet instructor at the Imperial Ballet School. He stayed there until his death in 1903. Johansson studied under Bournonville and partnered the great ballerina Marie Taglioni. Life Career in Sweden Johansson made his debut on the stage of the Royal Opera House in Stockholm. He became a student of the Royal Swedish Ballet of the Royal Swedish Opera in 1829, and was a premier dancer in 1837-40. During the 1830s, he was referred to as one of the male stars of the bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timofei Stukolkin
Timofei Alekseyevich Stukolkin (russian: Тимофей Алексеевич Стуколкин; , the village Kozmino of Simbirsk province - , Saint Petersburg) was a Russian ballet dancer. ''Oxford Dictionary of Dance'' called him "one of the greatest character dancers". Timofei Stukolkin came from a very poor family. For seven years, he played in a pantomime on a fairground. Someone once drew attention to the talented boy and brought him into the theatre school at the Imperial theaters of Petersburg. In 1836 Timofei Stukolkin was accepted at the ballet department of Imperial theatre college. His teachers were French dancers working in Russia: Emile Gredlu (ru: Эмиль Гредлю), Pierre Frédéric Malavergne, Charles Lachouque (ru: Шарль Лашук)Russian ballet. Encyclopedia / ru: Русский балет. Энциклопедия. БРЭ, «Согласие», 1997 and Jean-Antoine Petipa. He graduated in 1848 and was accepted by the Imperial troupe of St. Peter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marfa Muravyova
Marfa may refer to: Music * Marfa (instrument), an African percussion instrument * Marfa (music), celebratory music of the Hyderabadi Muslims Places * Márfa, a village in Baranya county, Hungary * Marfa, Chad * Marfa, Texas, a city in the high desert of the Trans-Pecos in western Texas * Marfa, Malta, a port near in northern Malta Other uses *Marfa (given name) * CFR Marfă, a state-owned freight railway business of Romania * Marfa, a sub-group of the Maba people of north-central Africa ** Marfa language, a Maban language spoken in Chad * Marfa front, another term for a dry line * Marfa lights, a possible paranormal phenomena frequently visible near Marfa, Texas * ', a painting by avant-garde artist Kazimir Malevich See also * Marwa (other) Marwa may refer to: Places * Al-Safa and Al-Marwah, hills in Saudi Arabia * Marwah, a subdivision of Kishtwar district, Jammu and Kashmir, India * Marwa Thermal Power Plant, power station near Marwa village in Janjgir–Cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Prikhunova
Anna may refer to: People Surname and given name * Anna (name) Mononym * Anna the Prophetess, in the Gospel of Luke * Anna (wife of Artabasdos) (fl. 715–773) * Anna (daughter of Boris I) (9th–10th century) * Anna (Anisia) (fl. 1218 to 1221) * Anna of Poland, Countess of Celje (1366–1425) * Anna of Cilli (1386–1416) * Anna, Grand Duchess of Lithuania (died 1418) * Anne of Austria, Landgravine of Thuringia (1432–1462) * Anna of Nassau-Dillenburg (died 1514) * Anna, Duchess of Prussia (1576–1625) * Anna of Russia (1693–1740) * Anna, Lady Miller (1741–1781) * Anna Russell, Duchess of Bedford (1783–1857) * Anna, Lady Barlow (1873–1965) * Anna (feral child) (1932–1942) * Anna (singer) (born 1987) Places Australia * Hundred of Anna, a cadastral district in South Australia Iran * Anna, Fars, a village in Fars Province * Anna, Kohgiluyeh and Boyer-Ahmad, a village in Kohgiluyeh and Boyer-Ahmad Province Russia * Anna, Voronezh Oblast, an urban locality in Voro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lev Ivanov
Lev Ivanovich Ivanov (russian: link=no, Лев Ива́нович Ива́нов; 2 March 1834, Moscow – 24 December 1901, Saint Petersburg) was a Russian ballet dancer and choreographer and later, Second Balletmaster of the Imperial Ballet. As a performer with the Imperial Ballet, he achieved prominence after performing as an understudy in a benefit performance of ''La Fille Mal Gardée''. He is most famous as the choreographer of Acts II and IV of '' Swan Lake'', which include the '' Dance of the Little Swans'', Act II of ''Cinderella'', and ''The Nutcracker'', which he choreographed alongside Marius Petipa. Biography Ivanov entered the Moscow School of Dance, but in 1844 moved to Saint Petersburg where he studied at the Imperial Ballet, becoming an official member of the Corps de ballet in 1852. Among his teachers during this time were Jean-Antoine Petipa, Alexandr Pimenov, Pierre Frédéric Malavergne and Emile Gredlu (). Historically, Ivanov is credited with choreogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_(cropped).jpg "Click for more on -> Julian Calendar")
