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Timofei Stukolkin
Timofei Alekseyevich Stukolkin (russian: Тимофей Алексеевич Стуколкин; , the village Kozmino of Simbirsk province - , Saint Petersburg) was a Russian ballet dancer. ''Oxford Dictionary of Dance'' called him "one of the greatest character dancers". Timofei Stukolkin came from a very poor family. For seven years, he played in a pantomime on a fairground. Someone once drew attention to the talented boy and brought him into the theatre school at the Imperial theaters of Petersburg. In 1836 Timofei Stukolkin was accepted at the ballet department of Imperial theatre college. His teachers were French dancers working in Russia: Emile Gredlu (ru: Эмиль Гредлю), Pierre Frédéric Malavergne, Charles Lachouque (ru: Шарль Лашук)Russian ballet. Encyclopedia / ru: Русский балет. Энциклопедия. БРЭ, «Согласие», 1997 and Jean-Antoine Petipa. He graduated in 1848 and was accepted by the Imperial troupe of St. Peter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Traveling Dancer
''La Prima Ballerina, ou L'embuscade'' or ''The Traveling Dancer'' (aka ''La Danseuse en voyage'') is a ballet (choreographic episode) in one act, with choreography by Marius Petipa, music by Cesare Pugni and libretto by Paul Taglioni. It was based on a ballet created by Paul Taglioni for the Ballet of Her Majesty's Theatre, London first presented on June 14, 1849. It was first presented by the Imperial Ballet on November April 16, 1864 ( Julian/ Gregorian calendar dates), at the Imperial Bolshoi Kamenny Theatre, St. Petersburg, Russia. The principal Dancers were Mariia Surovshchikova-Petipa as the Prima Ballerina, and Timofei Stukolkin as Rinaldo. A variation from this ballet—composed by Petipa in 1905 for the ''Prima Ballerina'' Olga Preobrajenskaya—was the last choreography Petipa ever created (as noted in his Diaries). Lev Ivanov produced a revival for the Imperial Ballet, with the composer/conductor Riccardo Drigo editing and making additions to Cesare Pugni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1829 Births
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper common ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Nutcracker
''The Nutcracker'' ( rus, Щелкунчик, Shchelkunchik, links=no ) is an 1892 two-act ballet (""; russian: балет-феерия, link=no, ), originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann's 1816 short story "The Nutcracker and the Mouse King". Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. The complete ''Nutcracker'' has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of ''The Nutcracker''. The ballet's score has been used in several film adaptations of Hoffmann's story. Tchaikovsky's score has become one of his most famous compositions. Among other things, the score is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coppélia
''Coppélia'' (sometimes subtitled: ''La Fille aux Yeux d'Émail'' (The Girl with the Enamel Eyes)) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon E. T. A. Hoffmann's short story ''Der Sandmann'' (''The Sandman''). In Greek, ''κοπέλα'' (or ''κοπελιά'' in some dialects) means ''young woman''. ''Coppélia'' premiered on 25 May 1870 at the Théâtre Impérial de l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilda and ballerina Eugénie Fiocre playing the part of Frantz ''en travesti''. The costumes were designed by Paul Lormier and Alfred Albert, the scenery by Charles-Antoine Cambon (Act I, scene 1; Act II, scene 1), and Édouard Desplechin and Jean-Baptiste Lavastre (Act I, scene 2). The ballet's first flush of success was interrupted by the Franco-Prussian War and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Little Humpbacked Horse (ballet)
''The Little Humpbacked Horse, or The Tsar Maiden'' (a.k.a. ''Konyok Gorbunok ili Tsar-Devitsa'', or ''Le Petit cheval bossu, ou La Tsar-Demoiselle'') is a ballet in four acts and eight scenes with apotheosis. Story of the ballet The libretto is by Arthur Saint-Léon, based on the fairy tale ''The Little Humpbacked Horse'' by Pyotr Yershov. However, the choreographer substantially deviated from Yershov's original tale. The ballet shows how Ivan the fool, with the aid of a magical horse, defeats an evil Khan and wins the hand of the Tsar- Maiden. Eventually Ivan replaces the ineffective and incompetent Tsar and becomes Tsar himself. Choreography of Saint-Léon The original choreography was created by Arthur Saint-Léon and was set to music by Cesare Pugni. The ballet was first presented by the Imperial Ballet on at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia. Marfa Muravyova (as the Tsar Maiden) and Timofey Stukolkin (as Ivanushka) were planned as prin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camargo (ballet)
''Camargo'' (or ''La Camargo'') is a ''grand ballet'' in three acts and nine scenes, with choreography by Marius Petipa and music by Ludwig Minkus. The libretto by Jules-Henri Vernoy de Saint-Georges and Marius Petipa is based on an incident in the life of the 18th-century dancer Marie Camargo, in which she and her sister Madeleine were abducted by the Comte de Melun in May 1728 and taken to his mansion. The ballet was first presented by the Imperial Ballet on December 7/19 ( Julian/Gregorian calendar dates), 1872 at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia. The Principal Dancers were Adèle Grantzow (as Marie Camargo), Alexandra Virginia (as Madeleine Camargo), Lev Ivanov (as Vestris, the ''Maître de Ballet'') and Timofei Stukolkin (as the Comte de Melun). Revivals ''Camargo'' was revived by Petipa's second ballet master Lev Ivanov for the Imperial Ballet, especially for the farewell benefit performance in honour of the Imperial Ballet's ''Prima Balerina A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Quixote (ballet)
''Don Quixote'' is a ballet in three acts, based on episodes taken from the famous novel ''Don Quixote de la Mancha'' by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by Moscow's Bolshoi Ballet on . Petipa and Minkus revised the ballet into a more elaborate and expansive version in five acts and eleven scenes for the Mariinsky Ballet, first presented on at the Imperial Bolshoi Kamenny Theatre of St. Petersburg. All modern productions of the Petipa/Minkus ballet are derived from the version staged by Alexander Gorsky for the Bolshoi Theatre of Moscow in 1900, a production the ballet master staged for the Imperial Ballet of St. Petersburg in 1902. History Earlier versions The two chapters of the novel that the ballet is mostly based on were first adapted for the ballet in 1740 by Franz Hilverding in Vienna, Austria. In 1768, Jean Georges Noverre mounted a new version of ''Don Quixote'' in Vienna to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fille Mal Gardée
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''Le Réveil de Flor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Poisson Doré
''Le Poisson doré'' (''The Golden Fish'') (ru: Золотая рыбка; a.k.a. ''Zolotaia Ribka'') is a "fantastic ballet" in 4 acts/6 scenes with prologue and epilogue. The choreography was by Arthur Saint-Léon, and the music by Ludwig Minkus. History Chief ballet-master of the St. Petersburg Imperial troupe Arthur Saint-Léon created in 1864 ballet ''The Little Humpbacked Horse'', which was a huge success. It was the first ballet on the Russian theme and the choreographer decided to continue to develop this theme. The scenario of this ballet was derived from Alexander Pushkin's 1835 poem '' The Tale of the Fisherman and the Fish''. Saint-Léon wrote the libretto and made great changes: Pushkin’s heroes had not names – choreographer named them Galia and Taras; the characters of Pushkin lived on the shore of the sea - choreographer settled them in the Ukrainian village near the river Dnepr; in the Pushkin tale there were only two characters and the Golden Fish – cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
