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AR Rahman
Ar-Rahman ( ar, الرحمان, ; The Merciful) is the 55th Chapter (''Surah'') of the Qur'an, with 78 verses ('' āyāt''). The title of the surah, Ar-Rahman, appears in verse 1 and means "The Most Beneficent". The divine appellation "ar-Rahman" also appears in the opening formula which precedes every surah except Sura 9 ("In the Name of God, the Lord of Mercy, the Giver of Mercy"). English translations of the surah's title include "The Most Gracious", "The All Merciful", "The Lord of Mercy", "The Beneficent", and "The Mercy-Giving". In the fourth century CE south Arabian pagan inscriptions started to be replaced by monotheistic expressions, using the term rahmān.Robert Schick, ''Archaeology and the Quran'', Encyclopaedia of the Qur'an There is disagreement over whether Ar-Rahman ought to be categorized as a surah of the Meccan or Medinan period. Theodor Nöldeke and Carl Ernst have categorized it among the surahs of the early Meccan period (in accordance with its short ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rahman (Islamic Term)
Rahman (Arabic: or ) may refer to: *Rahman, one of the names of God in Islam *Ar-Rahman, the 55th sura of the Qur'an People *Rahman (name), an Arabic male personal name **Short form of Abd al-Rahman *Rahman (actor) (born 1967), Indian actor *Rahman (Bengali actor) (born 1937) *A. R. Rahman (born 1967), Indian music composer and singer Places *Rahman, Casimcea, Tulcea, Romania *Rahmanabad-e Zagheh-ye Lalvand, or Rahman, Lorestan Province, Iran *Deh-e Rahman, or Rahman, Sistan and Baluchestan Province, Iran See also * Al rahman (other) * Rehman (other) * Raman (other) * Ramen (other) * Rachman * Rahma (other) {{disambiguation, geo Names of God in Islam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al-Waqia
Al-Waqi'a ( ar, الواقعة; "The Inevitable" or "The Event") is the 56th surah (chapter) of the Quran. Muslims believe it was revealed in Mecca (see Meccan surah), specifically around 7 years before the Hijrah (622), the migration of Muhammad to Medina. The total number of verses in this surah is 96. It mainly discusses the afterlife according to Islam, and the different fates people will face in it. Summary The afterlife (''akhirah'') is the main topic discussed in the chapter. Picking up from the preceding chapter, Ar-Rahman, which discusses the rewards of Paradise (''jannah''), this chapter also mentions them and then contrasts them with the punishment of hell. The chapter also distinguishes the three classes of people in the afterlife, "the foremost", "the companions of the right" and "the companions of the left": the first two groups will enter paradise while the companions of the left will go to hell. Here, "the right" is associated with goodness, the righteou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al-Qamar
Al-Qamar ( ar, القمر, al-qamar, The Moon) is the 54th chapter (''surah'') of the Quran, with 55 verses ('' ayat''). The opening verses refer to the splitting of the moon. "Qamar" (), meaning "Moon" in Arabic, is also a common name among Muslims. Summary *'12 The moon shall be split as a sign of the judgment-day *3-5 Muhammad commanded to withdraw from the infidels *6 This verse talked about the prophecy where the infidels shall surely be overtaken suddenly by the voice of judgment day (which spoken by Israfil, archangel who blow the trumpet of armageddon). *7 Infidels were said to regret in that judgment day. *8 The infidels were gathered to Israfil. *9-14 Noah was charged with imposture by his enemies, who were destroyed by the flood *15-18 Noah’s Ark, like the Quran, a sign to unbelievers who will not be warned *19-22 The Ádites destroyed for calling their prophet an impostor *23-32 The Thamúdites destroyed for rejecting their prophet as an impostor *33-40 Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abdullah Ibn Mas'ud
Abdullah ibn Masūd, or Abdullah ibn Masood, or Abdullah Ben Messaoud ( ar, عبد الله بن مسعود, ʿAbd Allāh ibn Masʽūd; c.594-c.653), was a companion of the Islamic prophet Muhammad who he is regarded the greatest mufassir of Qur'an of his time and the second ever. He was also known by the ''kunya'' Abu Abdur Rahman.Muhammad ibn Jarir al-Tabari. ''Tarikh al-Rusul wa’l-Muluk''. Translated by Landau-Tasseron, E. (1998). ''Volume 39: Biographies of the Prophet's Companions and Their Successors''. Albany: State University of New York Press. Abdullah ibn Mas'ud was born in Mecca in about 594Muhammad ibn Saad. ''Kitab al-Tabaqat al-Kabir'' vol. 3. Translated by Bewley, A. (2013). ''The Companions of Badr''. Loon:TaHa Publishers. a son of Masud ibn Ghafil and Umm Abd bint Abdwadd, both of whom were from the Hudhayl tribe, believed to be slaves,Muhammad ibn Jarir al-Tabari. ''Tarikh wa'l-Rusul wa'l-Muluk''. Translated by Humphreys, R. S. (1990) ''Volume 15: The Crisis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ibn Kathir
Abū al-Fiḍā’ ‘Imād ad-Dīn Ismā‘īl ibn ‘Umar ibn Kathīr al-Qurashī al-Damishqī (Arabic: إسماعيل بن عمر بن كثير القرشي الدمشقي أبو الفداء عماد; – 1373), known as Ibn Kathīr (, was a highly influential Arab historian, exegete and scholar during the Mamluk era in Syria. An expert on ''tafsir'' (Quranic exegesis) and ''fiqh'' (jurisprudence), he wrote several books, including a fourteen-volume universal history titled Al-Bidaya wa'l-Nihaya.Ludwig W. Adamec (2009), ''Historical Dictionary of Islam'', p.138. Scarecrow Press. . His ''tafsir'' is recognized for its critical approach to ''Israʼiliyyat'', especially among Western Muslims and Wahhabi scholars. His methodology largely derives from his teacher Ibn Taymiyyah, and differs from that of other earlier renowned exegetes such as Tabari. For that reason, he is mostly considered an Athari, despite being a Shafi'i jurist. Biography His full name was () and had the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marmaduke Pickthall
Muhammad Marmaduke Pickthall (born Marmaduke William Pickthall; 7 April 187519 May 1936) was an English Islamic scholar noted for his 1930 English translation of the Quran, called ''The Meaning of the Glorious Koran''. His translation of the Qur'an is one of the most widely known and used in the English-speaking world. A convert from Christianity to Islam, Pickthall was a novelist, esteemed by D. H. Lawrence, H. G. Wells, and E. M. Forster, as well as a journalists, political and religious leaders. He declared his conversion to Islam in dramatic fashion after delivering a talk on 'Islam and Progress' on 29 November 1917, to the Muslim Literary Society in Notting Hill, West London. Biography Marmaduke William Pickthall was born in Cambridge Terrace, near Regent's Park in London, on 7 April 1875, the elder of the two sons of the Reverend Charles Grayson Pickthall (1822–1881) and his second wife, Mary Hale, ''née'' O'Brien (1836–1904). Charles was an Anglican clergyman, the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jinn
Jinn ( ar, , ') – also Romanization of Arabic, romanized as djinn or Anglicization, anglicized as genies (with the broader meaning of spirit or demon, depending on sources) – are Invisibility, invisible creatures in early Arabian mythology, pre-Islamic Arabian Religious system, religious systems and later in Islamic mythology and Islamic theology, theology. Like humans, they are accountable for their deeds, can be either believers (''Muslim'') or unbelievers (''kafir''); depending on whether they accept God's guidance. Since jinn are neither innately evil nor innately good, Islam acknowledged spirits from other religions and was able to adapt spirits from other religions during its expansion. Jinn are not a strictly Islamic concept; they may represent several Religion in pre-Islamic Arabia, pagan beliefs integrated into Islam. To assert a strict monotheism and the Islamic concept of ''Tauhid'', Islam denies all affinities between the jinn and God, thus placing the jinn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Houri
In Islamic religious belief, houris (Pronounced ; from ar, حُـورِيَّـة ,حُورِيّ, ḥūriyy, ḥūrīya), "literally means having eyes with marked contrast of black and white", group=Note are women with beautiful eyes described as a reward for the faithful Muslim believers in Paradise. The term is used four times in the Quran, where they are mentioned indirectly several other times, (sometimes as ''azwāj'', lit. companions), and Hadith provide a "great deal of later elaboration". They have been said to have "captured the imagination of Muslims and non-Muslims alike". Smith & Haddad, ''Islamic Understanding'', 1981: p.164 Muslim scholars differ as to whether they refer to the believing women of this world or a separate creation, with the majority opting for the latter. Etymology In classical Arabic usage, the word ''ḥūr'' ( ar, حُور) is the plural of both ''ʾaḥwar'' ( ar, أحْوَر) (masculine) and ''ḥawrāʾ'' ( ar, حَوْراء) (feminine) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Final Judgment
The Last Judgment, Final Judgment, Day of Reckoning, Day of Judgment, Judgment Day, Doomsday, Day of Resurrection or The Day of the Lord (; ar, یوم القيامة, translit=Yawm al-Qiyāmah or ar, یوم الدین, translit=Yawm ad-Dīn, label=none) is part of the Abrahamic religions and the ''Frashokereti'' of Zoroastrianism. Christianity considers the Second Coming of Jesus Christ to entail the final judgment by God of all people who have ever lived, resulting in the approval of some and the penalizing of others. The concept is found in all the canonical gospels, particularly in the Gospel of Matthew. The Christian tradition is also followed by Islam, where it is mentioned in the 43rd chapter (''Az-Zukhruf'') of the Quran, according to some interpretations. Christian futurists believe it will follow the resurrection of the dead and the Second Coming of Jesus, while full preterists believe it has already occurred. The Last Judgment has inspired numerous artistic depict ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanza
In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and Metre (poetry), metrical schemes, but they are not required to have either. There are many different : Stanzaic form, forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse, Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tercets
A tercet is composed of three lines of poetry, forming a stanza or a complete poem. Examples of tercet forms English-language haiku is an example of an unrhymed tercet poem. A poetic triplet is a tercet in which all three lines follow the same rhyme, AAA; triplets are rather rare; they are more customarily used sparingly in verse of heroic couplets or other couplet verse, to add extraordinary emphasis. Other types of tercet include an enclosed tercet where the lines rhyme in an ABA pattern and terza rima where the ABA pattern of a verse is continued in the next verse by making the outer lines of the next stanza rhyme with the central line of the preceding stanza, BCB, as in the ''terza rima'' or ''terzina'' form of Dante Alighieri's Divine Comedy. There has been much investigation of the possible sources of the Dantesque ''terzina'', which Benedetto Croce characterised as "linked, enclosed, disciplined, vehement and yet calm". William Baer observes of the tercets of terza rima, "T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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