88 Basie Street
''88 Basie Street'' is a 1983 studio album by Count Basie. At the 27th Grammy Awards, Count Basie won the Grammy Award for Best Jazz Instrumental Performance, Big Band for ''88 Basie Street''. Track listing Personnel * Count Basie – piano * Sammy Nestico – conductor, arranger * Sonny Cohn – flugelhorn, trumpet * Bob Summers – flugelhorn, trumpet * Frank Szabo – flugelhorn, trumpet * Dale Carley – trumpet * Jim Crawford – trumpet * Bill Hughes – trombone * Grover Mitchell – trombone * Dennis Wilson – trombone * Booty Wood – trombone * Danny Turner – flute, alto saxophone * Chris Woods – flute, alto saxophone * Eric Dixon – flute, tenor saxophone * Eric Schneider – flute, tenor saxophone * Kenny Hing – tenor saxophone * John Williams – baritone saxophone * Joe Pass – guitar * Cleveland Eaton – double bass * Dennis Mackrel – drums Production * Norman Granz Norman Granz (August 6, 1918 – November 22, 2001) was an American jazz ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sonny Cohn
George Thomas Cohn (March 14, 1925 – November 7, 2006), known professionally as Sonny Cohn, was an American jazz trumpeter whose career spanned over six decades. After working for fifteen years with Red Saunders (1945–1960), Cohn went on to spend another twenty four years in Count Basie's trumpet section (1960–1984). Life and career Cohn was born in Chicago, Illinois. Cohn started playing in small groups around the city with King Fleming while he was still a teenager.Campbell, Robert L.; Pruter, Robert and Büttner, Armin "King Fleming Discography" Cohn joined Red Saunders' group in 1945, while Saunders was out of the and wor ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Albums Arranged By Sammy Nestico
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeared d ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pablo Records Albums
Pablo is a Spanish form of the name Paul. People * Pablo Alborán, Spanish singer *Pablo Aimar, Argentine footballer *Pablo Armero, Colombian footballer * Pablo Bartholomew, Indian photojournalist *Pablo Brandán, Argentine footballer *Pablo Brenes, Costa Rican footballer * Pablo Alborán, Spanish singer-songwriter *Pablo Casals, Catalan cello virtuoso *Pablo Couñago, Spanish footballer *Pablo Cuevas, Uruguayan tennis player *Pablo Eisenberg (born 1932), American scholar, social justice advocate, and tennis player *Pablo Escobar, Colombian drug lord *Pablo Iglesias Turrión, Spanish politician *Pablo Francisco, Chilean American comedian * Pablo Galdames, Chilean footballer *Pablo P. Garcia, Filipino politician *Pablo Hernández Domínguez, Spanish footballer *Pablo Ibañez, Spanish footballer *Pablo Iglesias Simón, Spanish theatre director, sound designer and playwright * Pablo Lombi, Argentine field hockey player *Pablo Darío López, Argentine footballer *Pablo Iglesias Posse, S ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Count Basie Orchestra Albums
Count (feminine: countess) is a historical title of nobility in certain European countries, varying in relative status, generally of middling rank in the hierarchy of nobility. Pine, L. G. ''Titles: How the King Became His Majesty''. New York: Barnes & Noble, 1992. p. 73. . The etymologically related English term "county" denoted the territories associated with the countship. Definition The word ''count'' came into English from the French ''comte'', itself from Latin ''comes''—in its accusative ''comitem''—meaning “companion”, and later “companion of the emperor, delegate of the emperor”. The adjective form of the word is "comital". The British and Irish equivalent is an earl (whose wife is a "countess", for lack of an English term). In the late Roman Empire, the Latin title ''comes'' denoted the high rank of various courtiers and provincial officials, either military or administrative: before Anthemius became emperor in the West in 467, he was a military ''comes ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dennis Mackrel
Dennis Mackrel (born April 3, 1962) is an American jazz drummer, composer, and arranger who was a member of the Count Basie Orchestra and the Vanguard Jazz Orchestra. Career The son of two jazz enthusiasts, Mackrel started playing drums at age two and began his professional career playing at a community theater at age ten. He attended the University of Nevada, Las Vegas, studying jazz under Frank Gagliardi, during which time he performed in venues such as the Imperial Palace and the Tropicana. In 1981, Mackrel moved to New York City and became a drummer with a Broadway theatre orchestra. Two years later on the personal recommendation of singer Joe Williams, Mackrel joined the Count Basie Orchestra where he would remain until December 1987. He was the last drummer of that orchestra to be personally hired by Count Basie himself. After leaving the Basie Orchestra, Mackrel frequently performed as a substitute drummer in the Mel Lewis Jazz Orchestra. Shortly before Lewis died in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cleveland Eaton
Cleveland Josephus Eaton II (August 31, 1939July 5, 2020) was an American jazz double bassist, producer, arranger, composer, publisher, and head of his own record company in Fairfield, Alabama, a suburb of Birmingham. His most famous accomplishments were playing with the Ramsey Lewis Trio and the Count Basie Orchestra. His 1975 recording ''Plenty Good Eaton'' is considered a classic in the funk music genre. He was inducted into both the Alabama Jazz Hall of Fame and the Alabama Music Hall of Fame. Biography Eaton began studying music at the age of five, and by the time he was fifteen, he had mastered the piano, trumpet, and saxophone. He began playing bass when a teacher allowed him to take one home, spending nearly every waking hour learning the instrument. This led him to become what many called one of the best and most versatile jazz bassists in the business. Eaton came from a music-loving family, including an elder sister who studied at both Fisk University and the Jui ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Joe Pass
Joe Pass (born Joseph Anthony Jacobi Passalaqua; January 13, 1929 – May 23, 1994) was an American jazz guitarist. Pass is well known for his work stemming from numerous collaborations with pianist Oscar Peterson and vocalist Ella Fitzgerald, and is often heralded as one of the most unique and notable jazz guitarists of the 20th century. Early life Pass was born in New Brunswick, New Jersey, New Brunswick, New Jersey, on January 13, 1929. His father, Mariano Passalaqua, was a steel mill worker who was born in Sicily. The family later moved to Johnstown, Pennsylvania. Pass became interested in the guitar after he saw Gene Autry on television. He got his first guitar when he was nine. He took guitar lessons every Sunday with a local teacher for 6-8 months and also practiced for many hours each day. Pass found work as a performer as early as age 14. He played with bands led by Tony Pastor (bandleader), Tony Pastor and Charlie Barnet, honing his guitar skills while learning the ro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Eric Dixon
Eric "Big Daddy" Dixon (March 28, 1930 – October 19, 1989) was an American jazz tenor saxophonist, flautist, composer, and arranger. Dixon's professional career extended from 1950 until his death in 1989, during which time he was credited on as many as 200 recordings. Career Having played bugle as a child, Dixon took up the tenor saxophone at the age of 12. Following a stint experience a musician in the US Army (1951–3) he played in groups that sometimes included Mal Waldron, with whom he would later record. In 1954, he played with Cootie Williams and the following year with Johnny Hodges. In 1956, he performed and recorded with Bennie Green and also took up the flute. In the late 1950s he spent four years in the house band led by Reuben Phillips at the Apollo Theatre in New York. In 1959, he toured Europe and recorded with the Cooper Brothers.Lambert, Eddie; Barry Kernfel"Dixon, Eric".''Grove Music Online''. Oxford University Press. Retrieved 10 December 2022. He ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chris Woods (musician)
Chris Woods (December 25, 1925, Memphis, Tennessee – July 4, 1985, New York City) was an American jazz alto saxophonist. Woods played locally in Memphis early in his career before moving to St. Louis to play with the Jeter-Pillars Orchestra and trumpeter George Hudson. He then joined Tommy Dean's combo, recording with them for Town and Country, Miracle, and States. Striking out on his own, he first recorded as a leader in 1953 for United Records. In 1962 he moved to New York, where he played with Dizzy Gillespie, Clark Terry, Sy Oliver, and Ted Curson. He continued working with Terry into the 1970s, playing flute at times in his Big Bad Band. Jim McNeely played as a sideman on his 1978 release for Delmark Records. In 1983 he began playing in the Count Basie Orchestra, where he worked until his death in 1985. Discography * ''Somebody Done Stole My Blues'' ( Delmark, 1976) * ''Modus Operandi'' (Delmark, 1978) As sideman With Count Basie * '' Me and You'' (Pablo, 1983) ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Booty Wood
Mitchell W. Wood, better known as Booty Wood (December 27, 1919 – June 10, 1987) was an American jazz trombonist. Career Wood played professionally on trombone from the late 1930s. He worked with Tiny Bradshaw and Lionel Hampton in the 1940s before joining the Navy during World War II. While there he played in a band with Clark Terry, Willie Smith, and Gerald Wilson. After his service ended he returned to play with Hampton, then worked with Arnett Cobb (1947–48), Erskine Hawkins (1948-50), and Count Basie (1951). He spent a few years outside music, then played with Duke Ellington in 1959-60 and again in 1963; he returned once more early in the 1970s. He again played with the Count Basie Orchestra from 1979 into the middle of the following decade. Discography As leader * ''Chelsea Bridge'' (Black and Blue, 1998) As sideman With Count Basie * ''Digital III at Montreux'' with Ella Fitzgerald, Joe Pass (Pablo, 1979) – first two tracks only * '' Kansas City Shout'' (Pablo, 1 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Grover Mitchell
Grover Mitchell, born Grover Curry Mitchell (March 17, 1930 – August 6, 2003) was an American jazz trombonist who led the Count Basie Orchestra. Biography Mitchell was born in Whately, Alabama, but he moved with his parents to Pittsburgh, Pennsylvania, when he was eight. He played the bugle in school and wanted to play trumpet. However, the school band needed a trombonist and reportedly Mitchell's long arms fit the task. He was a member of the school's orchestra with Ahmad Jamal and Dakota Staton. At sixteen, he played with King Kolax's territory band in Indiana. In 1951 he joined the U.S. Marines and played in a military band. After being discharged in 1953, he moved to San Francisco, where he worked with Earl Hines, Lionel Hampton, and Duke Ellington. From 1962–1970, he was a member of the Count Basie Orchestra. Mitchell had been a fan of Tommy Dorsey, as Count Basie told him he sounded like him. He spent the next decade working in television and movies, then returned ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |