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69 (album)
''69'' is the debut album by British band A.R. Kane, released in 1988 on Rough Trade Records and produced by the band with additional co-production from Ray Shulman. Following the release of their acclaimed ''Lollita'' and ''Up Home!'' EPs, ''69'' developed the experimental " dream pop" style pioneered by the duo, blending elements of dub, acid rock, jazz, noise, and pop. ''69'' reached number 1 on the UK Independent Albums Chart and was released to critical praise from the UK music press, garnering it comparisons to the work of disparate artists such as Miles Davis, Lee "Scratch" Perry, Arthur Russell, and Cocteau Twins. Writing for '' Melody Maker'', critic Simon Reynolds described it as "''the'' outstanding record of '88." Music historian Martin C. Strong described the album's sound as "hard to pigeonhole yet seminal nevertheless." The album has been recognized as an influential precursor to genres such as shoegaze, post-rock and trip hop. In a retrospective review, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
*69 (album)
''*69'' ("star sixty-nine") is the second studio album by Chicago-based singer Emily Blue. It was released independently by Blue in collaboration with Audiotree, originally on 8 August 2018 as an extended play, then re-issued on 27 March 2019 with four additional tracks as a full studio album. The album was produced by Max Perenchio (The Pelican Boy). Background and production Blue announced that she was writing material for an upcoming EP in March 2018, along with the release of the first single off the EP, "Cellophane". A few months after the EP's release, Blue added "Daddy" and three bonus tracks labeled as "voicemails" to the tracklist, making the EP her second full studio album. Composition ''*69'' is a synth-pop album characterized by sharp electronic instruments and a mix of heavy glitch- and '80s pop-inspired sounds. Do312 defined the album, when it was still in production, as " ving far from her previous work", and "less traditional and more character-driven, paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cocteau Twins
Cocteau Twins was a Scottish rock band active from 1979 to 1997. They were formed in Grangemouth by Robin Guthrie (guitars, drum machine) and Will Heggie (bass), adding Elizabeth Fraser (vocals) in 1981 and replacing Heggie with multi-instrumentalist Simon Raymonde in 1983. The group earned critical praise for their ethereal, effects-laden sound and the soprano vocals of Fraser, whose lyrics often eschew any recognisable language. They pioneered the 1980s alternative subgenre of dream pop. After signing with the British record label 4AD in 1982, they released their debut album '' Garlands'' later that year. The addition of Raymonde in 1983 solidified their final lineup, which produced their biggest hit in the UK, " Pearly-Dewdrops' Drops", peaking at No. 29 on the UK Singles Chart. In 1988, Cocteau Twins signed with Capitol Records in the United States, distributing their fifth album, ''Blue Bell Knoll'', through a major label in the country. After the 1990 release of their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pump Up The Volume (song)
"Pump Up the Volume" is the only single by British recording act MARRS. Recorded and released in 1987, it was a number-one hit in many countries and is regarded as a significant milestone in the development of British acid house music and music sampling. The song derives its title directly from a lyrical sample from " I Know You Got Soul", a hit single by labelmates Eric B. & Rakim, released months prior in that same year. The single was the product of an uneasy collaboration between electronic group Colourbox and alternative rock band A.R. Kane, two groups signed to the independent label 4AD. The link-up was suggested by label founder Ivo Watts-Russell after the two groups had independently sounded him out about the possibility of releasing a commercially oriented dance record, inspired by the American house music that was starting to make an impact on the UK chart. When the M, A, R, R, S project was first released early in 1987, the popularity of the style of the song ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
M/A/R/R/S
MARRS (stylised M, A, R, R, S) were a 1987 recording collective formed by the groups A.R. Kane and Colourbox, which only released one commercial disc. It became "a one-hit wonder of rare influence" because of their international hit " Pump Up the Volume", which was their only single. History MARRS started in 1987 as an intended collaboration between the groups A.R. Kane and Colourbox, with additional input from DJs Chris "C.J." Mackintosh and Dave Dorrell. However, instead of working together, the two groups ended up recording a track each, then turning it over to the other for additional input. Of the two pieces completed, one, "Anitina", was an A.R. Kane track with drum programming by Colourbox's Steve Young. The other, "Pump Up the Volume", was a propulsive Martyn Young track constructed largely of samples, including one of A.R. Kane's guitars. The record was released under the alias MARRS, an acronym derived from the forenames of the five 4AD artists involved in the pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colourbox
Colourbox were an English electronic musical group on the 4AD label, releasing a number of records between 1982 and 1987. The band was formed by brothers Martyn and Steve Young, Ian Robbins, and vocalist Debbion Currie. Currie and Robbins left the band in 1983, with the role of vocalist being filled by Lorita Grahame. Colourbox stood apart from their then-4AD labelmates – bands such as Dead Can Dance, Cocteau Twins, and This Mortal Coil (although the Young brothers contributed to tracks on the latter project's first two albums ''It'll End in Tears'' and ''Filigree & Shadow''). Their sound was eclectic, drawing from reggae and soul influences (with covers of tracks by U-Roy and Augustus Pablo released as singles), beat-box driven hip-hop rhythms, blue-eyed soul, as well as a fusion of far-ranging influences spanning from classic R&B, to dub and industrial. Career Following their debut single "Breakdown" / "Tarantula" in late 1982 (and a 1983 reworking of the tracks by new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivo Watts-Russell
Ivo Watts-Russell (born 1954) is a British music producer and record label executive. He was joint-founder with Peter Kent of the indie record label 4AD. He has produced several records, although he prefers to use the term "musical director". Early years Watts-Russell was born in Edinburgh, the youngest of eight children of Major David Watts-Russell and Gina Spinola (née Baker); he "never related emotionally" to either of his parents, and grew up "on a dilapidated Northamptonshire estate in an atmosphere of almost Victorian froideur". His paternal grandfather, Captain Arthur Egerton Birch, of the Coldstream Guards (son of the colonial administrator Sir Arthur Nonus Birch), took his mother's surname at the age of 21, she being of the Watts-Russell gentry family formerly of Ilam Hall, Staffordshire.Burke's Landed Gentry, 18th edition, vol. 2, ed. Peter Townend, Burke's Peerage Ltd, 1969, pp. 543-544 Captain Arthur Egerton Watts-Russell married Sylvia Grenfell, of the family of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers '' The Observer'' and '' The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Musical ensemble, bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as Compact disc, CDs replaced LP record, LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trip Hop
Trip hop (sometimes used synonymously with " downtempo") is a musical genre that originated in the early 1990s in the United Kingdom, especially Bristol. It has been described as a psychedelic fusion of hip hop and electronica with slow tempos and an atmospheric sound, often incorporating elements of jazz, soul, funk, reggae, dub, R&B, and other forms of electronic music, as well as sampling from movie soundtracks and other eclectic sources. The style emerged as a more experimental variant of breakbeat from the Bristol sound scene of the late 1980s and early 1990s, incorporating influences from jazz, soul, funk, dub, and rap music. It was pioneered by acts like Massive Attack, Tricky, and Portishead. The term was first coined in a 1994 '' Mixmag'' piece about American producer DJ Shadow. Trip hop achieved commercial success in the 1990s, and has been described as "Europe's alternative choice in the second half of the '90s". Characteristics Common musical aesthet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-rock
Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical. Artists such as Talk Talk and Slint have been credited with producing foundational works in the style in the early 1990s. The term post-rock itself was notably employed by journalist Simon Reynolds in a review of the 1994 Bark Psychosis album '' Hex''. It later solidified into a recognizable trend with the release of Tortoise's 1996 album '' Millions Now Living Will Never Die''. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoegaze
Shoegaze (originally called shoegazing and sometimes conflated with "dream pop") is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume.Pete Prown / Harvey P. Newquist: "One faction came to be known as dream-pop or "shoegazers" (for their habit of looking at the ground while playing the guitars on stage). They were musicians who played trancelike, ethereal music that was composed of numerous guitars playing heavy droning chords wrapped in echo effects and phase shifters.", Hal Leonard 1997, It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during concerts. My Bloody Valentine's album '' Loveless'' (1991) is often seen as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
