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4x5
Large format refers to any imaging format of or larger. Large format is larger than " medium format", the or size of Hasselblad, Mamiya, Rollei, Kowa, and Pentax cameras (using 120- and 220-roll film), and much larger than the frame of 35 mm format. The main advantage of a large format, film or digital, is a higher resolution at the same pixel pitch, or the same resolution with larger pixels or grains which allows each pixel to capture more light enabling exceptional low-light capture. A 4×5 inch image (12.903 mm²) has about 15 times the area, and thus 15× the total resolution, of a 35 mm frame (864 mm²). Large format cameras were some of the earliest photographic devices, and before enlargers were common, it was normal to just make 1:1 contact prints from a 4×5, 5×7, or 8×10-inch negative. Formats The most common large format is 4×5 inches (10.2x12.7 cm), which was the size used by cameras like the Graflex Speed Graphic and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Speed Graphic
The Speed Graphic was a press camera produced by Graflex in Rochester, Monroe County, New York, Rochester, New York. Although the first Speed Graphic cameras were produced in 1912, production of later versions continued until 1973; with the most significant improvements occurring in 1947 with the introduction of the Pacemaker Speed Graphic (and Pacemaker Crown Graphic, which was lighter and lacked the focal plane shutter). Description Despite the common appellation of ''Speed Graphic'', various Graphic models were produced between 1912 and 1973. The authentic Speed Graphic has a focal plane shutter that the Crown Graphic and Century Graphic models lack. The eponymous name "speed" came from the maximum speed of 1/1000 sec. that could be achieved with the focal plane shutter. The Speed Graphic was available in 2¼ x 3¼ inch, 3¼ x 4¼ inch, 5 x 7 inch and the most common format 4 x 5 inch. Because of the focal plane shutter, the Speed Graphic can also use lenses that do not have s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graflex
Graflex was a manufacturer that gave its brand name to several models of camera. The company was founded as the ''Folmer and Schwing Manufacturing Company'' in New York City in 1887 by William F. Folmer and William E. Schwing as a metal working factory, manufacturing gas light fixtures, chandeliers, bicycles and eventually, cameras. In 1909, it was acquired by George Eastman, and the company was moved to 12 Caledonia Avenue (later renamed Clarissa Street), Rochester, NY in 1928, as the Folmer & Schwing Division of the Eastman Kodak Company. In 1926, Kodak was forced to divest itself of the division, which was spun off forming a new company, the Folmer Graflex Corporation, which changed its name to Graflex Inc. in 1946. In 1956, it became a Division of the General Instrument Precision Company, and moved its offices to Pittsford, NY. In 1968, the company was sold to the Singer Corporation. Graflex was known for the quintessential press camera, the Speed Graphic which was manufactu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kodak
The Eastman Kodak Company (referred to simply as Kodak ) is an American public company that produces various products related to its historic basis in analogue photography. The company is headquartered in Rochester, New York, and is incorporated in New Jersey. Kodak provides packaging, functional printing, graphic communications, and professional services for businesses around the world. Its main business segments are Print Systems, Enterprise Inkjet Systems, Micro 3D Printing and Packaging, Software and Solutions, and Consumer and Film. It is best known for photographic film products. Kodak was founded by George Eastman and Henry A. Strong on May 23, 1892. During most of the 20th century, Kodak held a dominant position in photographic film. The company's ubiquity was such that its " Kodak moment" tagline entered the common lexicon to describe a personal event that deserved to be recorded for posterity. Kodak began to struggle financially in the late 1990s, as a result of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ansel Adams
Ansel Easton Adams (February 20, 1902 – April 22, 1984) was an American landscape photographer and environmentalist known for his black-and-white images of the American West. He helped found Group f/64, an association of photographers advocating "pure" photography which favored sharp focus and the use of the full tonal range of a photograph. He and Fred Archer developed an exacting system of image-making called the Zone System, a method of achieving a desired final print through a deeply technical understanding of how tonal range is recorded and developed during exposure, negative development, and printing. The resulting clarity and depth of such images characterized his photography. Adams was a life-long advocate for environmental conservation, and his photographic practice was deeply entwined with this advocacy. At age 12, he was given his first camera during his first visit to Yosemite National Park. He developed his early photographic work as a member of the Sierra C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mamiya
is a Japanese company that manufactures high-end cameras and other related photographic and optical equipment. With headquarters in Tokyo, it has two manufacturing plants and a workforce of over 200 people. The company was founded in May 1940 by camera designer Seiichi Mamiya () and financial backer Tsunejiro Sugawara. History Mamiya originally achieved fame for its professional medium-format film cameras such as the Mamiya Six and the Mamiya Press series. It later developed the industry workhorse RB67 series, the RZ67, the 645 and the twin-lens reflex Mamiya C-series, used by advanced amateur and professional photographers. Many Mamiya models over the past six decades have become collectors' items. The earliest Mamiya Six medium-format folding camera, the 35 mm Mamiya-Sekor 1000DTL, the lightweight 35 mm Mamiya NC1000, the 6×6 cm medium-format C series of interchangeable-lens twin-lens reflex (TLR) cameras, and the press cameras of the Super/Universal seri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darkroom
A darkroom is used to process photographic film, to make prints and to carry out other associated tasks. It is a room that can be made completely dark to allow the processing of the light-sensitive photographic materials, including film and photographic paper. Various equipment is used in the darkroom, including an enlarger, baths containing chemicals, and running water. Darkrooms have been used since the inception of photography in the early 19th century. Darkrooms have many various manifestations, from the elaborate space used by Ansel Adams to a retooled ambulance wagon used by Timothy H. O'Sullivan. From the initial development of the film to the creation of prints, the darkroom process allows complete control over the medium. Due to the popularity of color photography and complexity of processing color film (''see C-41 process'') and printing color photographs and also to the rise, first of instant photography technology and later digital photography, darkrooms are dec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Depth Of Field
The depth of field (DOF) is the distance between the nearest and the furthest objects that are in acceptably sharp focus in an image captured with a camera. Factors affecting depth of field For cameras that can only focus on one object distance at a time, depth of field is the distance between the nearest and the farthest objects that are in acceptably sharp focus. "Acceptably sharp focus" is defined using a property called the "circle of confusion". The depth of field can be determined by focal length, distance to subject, the acceptable circle of confusion size, and aperture. Limitations of depth of field can sometimes be overcome with various techniques and equipment. The approximate depth of field can be given by: : \text \approx \frac for a given circle of confusion (c), focal length (f), f-number (N), and distance to subject (u). As distance or the size of the acceptable circle of confusion increases, the depth of field increases; however, increasing the size of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scheimpflug Principle
The Scheimpflug principle is a description of the geometric relationship between the orientation of the plane of focus, the lens plane, and the image plane of an optical system (such as a camera) when the lens plane is not parallel to the image plane. It is applicable to the use of some camera movements on a view camera. It is also the principle used in corneal pachymetry, the mapping of corneal topography, done prior to refractive eye surgery such as LASIK, and used for early detection of keratoconus. The principle is named after Austrian army Captain Theodor Scheimpflug, who used it in devising a systematic method and apparatus for correcting perspective distortion in aerial photographs, although Captain Scheimpflug himself credits Jules Carpentier with the rule, thus making it an example of Stigler's law of eponymy. Description Normally, the lens and image (film or sensor) planes of a camera are parallel, and the plane of focus (PoF) is parallel to the lens and image ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Plane
A film plane is the surface of an image recording device such as a camera, upon which the lens creates the focused image. In cameras from different manufacturers, the film plane varies in distance from the lens. Thus each lens used has to be chosen carefully to assure that the image is focused on the exact place where the individual frame of film or digital sensor is positioned during exposure. It is sometimes marked on a camera body with the 'Φ' symbol where the vertical bar represents the exact location. Movie cameras often also have small focus hooks where the focus puller can attach one side of a tape measure to quickly gauge the distance to objects that he intends to bring into focus. The measurement is taken from the film plane to the subject. Due to Petzval field curvature, the film plane upon which a lens focuses may not be a literal plane. Cameras may bend the film stock or even plate stock slightly to compensate, improving the area of critical focus and sharpness. Nev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Group f/64
Group 64 or f.64 was a group founded by seven 20th-century San Francisco Bay Area photographers who shared a common photographic style characterized by sharply focused and carefully framed images seen through a particularly Western (U.S.) viewpoint. In part, they formed in opposition to the pictorialist photographic style that had dominated much of the early 20th century, but moreover, they wanted to promote a new modernist aesthetic that was based on precisely exposed images of natural forms and found objects. Background The late 1920s and early 1930s were a time of substantial social and economic unrest in the United States. The United States was suffering through the Great Depression, and people were seeking some respite from their everyday hardships. The American West was seen as the base for future economic recovery because of massive public works projects like the Hoover Dam. The public sought out news and images of the West because it represented a land of hope in an other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scheimpflug , Austrian photographer
{{Disambig, surname ...
Scheimpflug may refer to: * Scheimpflug principle *Lotte Scheimpflug, luger *Theodor Scheimpflug Theodor Scheimpflug (October 7, 1865 - August 22, 1911) was an Austrian army Captain who elaborated a systematic method and apparatus for correcting perspective distortion in aerial photographs, now known as the eponymous Scheimpflug principle. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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