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1960s In Jazz
In the late 1960s, Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, Timbales, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments (piano, double bass, etc.) broke through. There are two main varieties: Afro-Cuban jazz was played in the US right after the bebop period, while Brazilian music, Brazilian jazz became more popular in the 1960s. Afro-Cuban jazz began as a movement in the mid-1950s as bebop musicians such as Dizzy Gillespie and Billy Taylor started Afro-Cuban bands influenced by such Cuban and Puerto Rican musicians as Xavier Cugat, Tito Puente, and Arturo Sandoval. Brazilian music, Brazilian jazz such as bossa nova is derived from samba, with influences from jazz and other 20th-century classical and popular music styles. Bossa is generally moderately paced, with melodies sung in Portuguese or English. The style was pioneered by Brazilians João Gilberto and Antà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1950s In Jazz
By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white swing jazz musicians and predominantly black bebop musicians, and it dominated jazz in the first half of the 1950s. The starting point were a series of singles on Capitol Records in 1949 and 1950 of a nonet led by trumpeter Miles Davis, collected and released first on a ten-inch and later a twelve-inch as the ''Birth of the Cool''. Cool jazz recordings by Chet Baker, Dave Brubeck, Bill Evans, Gil Evans, Stan Getz and the Modern Jazz Quartet usually have a "lighter" sound which avoided the aggressive tempos and harmonic abstraction of bebop. Cool jazz later became strongly identified with the West Coast jazz scene, but also had a particular resonance in Europe, especially Scandinavia, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antônio Carlos Jobim
Antônio Carlos Brasileiro de Almeida Jobim (25 January 1927 – 8 December 1994), also known as Tom Jobim (), was a Brazilian composer, pianist, guitarist, songwriter, arranger, and singer. Considered one of the great exponents of Brazilian music, Jobim internationalized bossa nova and, with the help of important American artists, merged it with jazz in the 1960s to create a new sound, with popular success. As a result, he is sometimes known as the "father of bossa nova". Jobim was a primary force behind the creation of the bossa nova style, and his songs have been performed by many singers and instrumentalists internationally since the early 1960s. In 1965, the album ''Getz/Gilberto'' was the first jazz record to win the Grammy Award for Album of the Year. It also won Best Jazz Instrumental Album – Individual or Group and Best Engineered Album, Non-Classical. The album's single '" Garota de Ipanema (The Girl from Ipanema)'", composed by Jobim, has become one of the most r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ella Abraça Jobim
''Ella Abraça Jobim'' or ''Ella Fitzgerald Sings the Antonio Carlos Jobim Songbook'' is a 1981 studio album by Ella Fitzgerald, devoted to the songs of Antônio Carlos Jobim. It was reissued on CD in 1991, although the CD version does not include the songs " Don't Ever Go Away" and " Song of the Jet". Though it is subtitled as such, the album is not usually considered part of Fitzgerald's 'Songbook' series, the last of the 'Songbook' albums having been recorded in 1964. It was Fitzgerald's first album of music devoted to a single composer since 1972's ''Ella Loves Cole'', and it was her only album recorded entirely in the bossa nova style, though she had been singing Jobim's songs since the mid-1960s. Fitzgerald never worked with Antônio Carlos Jobim, though she appeared alongside Frank Sinatra for a 1967 television special that also featured Jobim. The title has a pun, as ''Ela'' (with a single l) translates as "she". It can be translated as 'She Hugs Jobim' (Ela Abraça Jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ella Fitzgerald
Ella Jane Fitzgerald (April 25, 1917June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing. After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career. Her manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve she recorded some of her more widely noted works, particularly he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Getz/Gilberto
''Getz/Gilberto'' is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim (Tom Jobim), who also composed many of the tracks. It was released in March 1964 by Verve Records. The album features the vocals of Astrud Gilberto on two tracks, "Garota de Ipanema" ("The Girl from Ipanema") and "Corcovado". The artwork was done by artist Olga Albizu. ''Getz/Gilberto'' is a jazz and bossa nova album and includes tracks such as "Desafinado", "Corcovado", and "Garota de Ipanema". The last received a Grammy Award for Record of the Year and started Astrud Gilberto's career. "Doralice" and "Para Machucar Meu Coração" strengthened Gilberto's and Jobim's respect for the tradition of pre-bossa nova samba. ''Getz/Gilberto'' is considered the record that popularized bossa nova worldwide and was one of the best-selling jazz albums of all time, over a million copies. It was included in ''Rolling Stone''s and ''Vibe'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin America
Latin America or * french: Amérique Latine, link=no * ht, Amerik Latin, link=no * pt, América Latina, link=no, name=a, sometimes referred to as LatAm is a large cultural region in the Americas where Romance languages — languages derived from Latin — are predominantly spoken. The term was coined in the nineteenth century, to refer to regions in the Americas that were ruled by the Spanish, Portuguese and French empires. The term does not have a precise definition, but it is "commonly used to describe South America, Central America, Mexico, and the islands of the Caribbean." In a narrow sense, it refers to Spanish America plus Brazil (Portuguese America). The term "Latin America" is broader than categories such as ''Hispanic America'', which specifically refers to Spanish-speaking countries; and ''Ibero-America'', which specifically refers to both Spanish and Portuguese-speaking countries while leaving French and British excolonies aside. The term ''Latin America'' was f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brazil
Brazil ( pt, Brasil; ), officially the Federative Republic of Brazil (Portuguese: ), is the largest country in both South America and Latin America. At and with over 217 million people, Brazil is the world's fifth-largest country by area and the seventh most populous. Its capital is BrasÃlia, and its most populous city is São Paulo. The federation is composed of the union of the 26 States of Brazil, states and the Federal District (Brazil), Federal District. It is the largest country to have Portuguese language, Portuguese as an List of territorial entities where Portuguese is an official language, official language and the only one in the Americas; one of the most Multiculturalism, multicultural and ethnically diverse nations, due to over a century of mass Immigration to Brazil, immigration from around the world; and the most populous Catholic Church by country, Roman Catholic-majority country. Bounded by the Atlantic Ocean on the east, Brazil has a Coastline of Brazi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Orpheus
''Black Orpheus'' (Portuguese: ''Orfeu Negro'' ) is a 1959 romantic tragedy film made in Brazil by French director Marcel Camus and starring Marpessa Dawn and Breno Mello. It is based on the play '' Orfeu da Conceição'' by Vinicius de Moraes, which is itself an adaptation of the Greek legend of Orpheus and Eurydice, set in the modern context of a ''favela'' in Rio de Janeiro during '' Carnaval''. The film was an international co-production among production companies in Brazil, France and Italy. The film is particularly noted for its soundtrack by two Brazilian composers: Antônio Carlos Jobim, whose song " A felicidade" opens the film; and Luiz Bonfá, whose "Manhã de Carnaval" and "Samba de Orfeu" have become classics of ''bossa nova''. The songs sung by the character Orfeu were dubbed by singer Agostinho dos Santos. Lengthy passages of the film were shot in the Morro da Babilônia, a ''favela'' in the Leme neighbourhood of Rio de Janeiro. ''Black Orpheus'' won the Palm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LP Album
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canção Do Amor Demais
''Canção do Amor Demais'' is 1958 album by Elizete Cardoso. It is often considered the first bossa nova album, and contains the first recordings of João Gilberto's guitar beat, which would go on to become a staple of bossa nova. Gilberto played guitar on "Chega de Saudade" and "Outra Vez". The music was composed by VinÃcius de Moraes and Tom Jobim. Despite its historical importance, and although it was noticed by prominent people in the recording industry, the album's commercial impact was limited. It was released on the small Festa label, which had previously primarily made recordings featuring spoken poetry, and only two thousand copies were initially pressed. Cardoso, already recognized as one of Brazil's best-ever singers, was never identified as a bossa singer, although she would be featured on the legendary Black Orpheus soundtrack, another bossa landmark. The album was listed by ''Rolling Stone Brazil'' as one of the 100 best Brazilian albums in history. Track listin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chega De Saudade
"Chega de Saudade" (), also known as "No More Blues", is a bossa nova jazz standard. It is often considered to be the first bossa nova song to be recorded. Like "The Girl from Ipanema", the music for "Chega de Saudade" was composed by Antônio Carlos Jobim, with lyrics by VinÃcius de Moraes. Overview The song was first recorded in 1957 by Brazilian singer Elizete Cardoso and released on her 1958 album, ''Canção Do Amor Demais''. However, people took little notice of her release of the song. João Gilberto included the second recorded version in 1958. Released as a single, the song became a hit and would consolidate bossa nova as a permanent genre in the Latin music lexicon. The song also appeared on Gilberto's first album ''Chega de Saudade''. The title can be translated roughly as "enough longing", though the Portuguese word, ''saudade'', carries a far more complex meaning. The word implies an intensity of heartfelt connection that is yearned for passionately, not unlike feeli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizete Cardoso
Elizeth Moreira Cardoso (sometimes listed as Elisete Cardoso) (July 16, 1920 – May 7, 1990), was a singer and actress of great renown in Brazil. Biography Cardoso was born in Rio de Janeiro; her father was a serenader who played guitar, and her mother was an amateur singer. Elizeth began working at an early age and between 1930 and 1935 was a store clerk and hairdresser among other things. She was discovered by Jacob do Bandolim at her 16th birthday party, to which he was brought by her cousin Pedro, a popular figure among the musicians of the day. Jacó took her to ''Rádio Guanabara'' where, in spite of her father's initial opposition, she appeared on the ''Programa Suburbano'' with Vicente Celestino, Araci de Almeida, Moreira da Silva, Noel Rosa and MarÃlia Batista on August 18, 1936. The week after she was hired by the station to appear on a weekly program. Following this, she continued to perform on various shows with multiple radio stations. In the 1960s she had her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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