1612 In Music
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1612 In Music
The year 1612 in music involved some significant events. Events *July – Claudio Monteverdi is dismissed from his post at the court of Mantua by the new duke Francesco IV Gonzaga. * October 28 – John Dowland is appointed to a special post at the court of King James I of England. *December – The death of Francesco Gonzaga, Duke of Mantua, fails to bring a recall to court for Claudio Monteverdi. Publications * Adriano Banchieri – , Op. 26 (Venice: Ricciardo Amadino), a collection for four instruments *Antonio Brunelli – (Meadow of sacred musical flowers) for one voice and eight voices with continuo, Op. 7 (Venice: Giacomo Vincenti) * Sethus Calvisius – book two (Leipzig: Jacob Apel), an expanded edition of book one from 1599 *Antonio Cifra – Fifth book of motets for two, three, and four voices, Op. 11 (Rome: Giovanni Battista Robletti) *William Corkine – ''The second book of ayres, some, to sing and play to the base-violl alone: others, to be sung to the l ...
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Music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz ...
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Giacomo Finetti
Giacomo Finetti (died 1630) was an Italian Anconitan priest and composer.Eleanor Selfridge-Field ''Venetian Instrumental Music from Gabrieli to Vivaldi'' – 1994, page 29 "One of the most respected maestri seems to have been the Anconitan priest Giacomo Finetti, appointed in 1613. Finetti died in the plague of 1630 and was succeeded by a monk named Carlo aPesaro, who was paid a salary of ninety .." He was '' Maestro di cappella'' in the gran Casa of Venice. References Renaissance composers 1630 deaths Year of birth unknown Italian male classical composers Italian classical composers {{Italy-composer-stub ...
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Giovanni Bernardino Nanino
Giovanni Bernardino Nanino (ca. 1560 – 1623) was an Italian composer, teacher and singing master of the late Renaissance and early Baroque eras, and a leading member of the Roman School of composers. He was the younger brother of the somewhat more influential composer Giovanni Maria Nanino. Life Born in Vallerano, he was first a boy soprano in the local cathedral, just like his brother. His first post may have been as ''maestro di cappella'' at Santa Maria dei Monti in 1588, and he is known to have acquired the post of ''maestro di cappella'' at San Luigi dei Francesi in Rome in 1591, after his brother left to join the papal choir. The two brothers, however, were living together at this time in a house owned by the church, and spent a good deal of their time teaching choirboys. Following the appointment at San Luigi dei Francesi, he was associated with Cardinal Montalto, a wealthy and influential patron of art and music, and may have served as teacher, composer, and arch ...
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Simone Molinaro
Simone Molinaro (c. 1570 – May 1636)''Die Musik in Geschichte und Gegenwart''. Personenteil, Band 12, Kassel 2004, p. 308. was a composer of the late Renaissance in Italy. He was especially renowned for his lute music. Life and career Molinaro was born in Genoa. He studied music with his uncle, Giovanni Battista Dalla Gostena, who was maestro di cappella at Genoa Cathedral. In 1593, Gostena was murdered, and Molinaro succeeded him in his post at the Cathedral in 1599.Cummings(n.d.) The same year he published ''Intavolatura di liuto'', containing lute works both by himself and by Gostena. In addition to his lute works, Molinaro composed a large amount of sacred choral music, most of which does not survive completely because of missing partbooks. However, some five-voice motets have been preserved in the collections of Hasler and Schadaeus. Molinaro died in May 1636 in Genoa. Molinaro also served as editor of the works of Carlo Gesualdo, publishing editions of that compo ...
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Claude Le Jeune
Claude Le Jeune (1528 to 1530 – buried 26 September 1600) was a Franco-Flemish composer of the late Renaissance. He was the primary representative of the musical movement known as '' musique mesurée'', and a significant composer of the "Parisian" chanson, the predominant secular form in France in the latter half of the 16th century. His fame was widespread in Europe, and he ranks as one of the most influential composers of the time. Life He was born in Valenciennes, where he probably received his early musical training. Sometime fairly early in life he became a Protestant. The first record of his musical activity is from 1552, when four chansons attributed to him were published at Leuven, in anthologies of works by several composers. In 1564, he moved to Paris, where he became acquainted with the Huguenots. By this time, he had already acquired some international fame, as evidenced by the appearance of his name in a list of "contemporary composers of excellence" in a manus ...
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Giovanni Girolamo Kapsberger
Giovanni Girolamo Kapsperger (also: ''Johann(es) Hieronymus Kapsberger'' or ''Giovanni Geronimo Kapsperger''; c. 1580 – 17 January 1651) was an Austrian-Italian virtuoso performer and composer of the early Baroque period. A prolific and highly original composer, Kapsberger is chiefly remembered today for his lute and theorbo (''chitarrone'') music, which was seminal in the development of these as solo instruments. Life Nothing is known about Kapsberger's date and place of birth. His father Colonel Wilhelm (Guglielmo) von Kapsperger was a military official of the Imperial House of Austria, and may have settled in Venice, the city which may have been Kapsberger's birthplace. After 1605 Kapsberger moved to Rome, where he quickly attained a reputation as a brilliant virtuoso. He cultivated connections with various powerful individuals and organizations; and himself organized "academies" in his house, which were counted among the "wonders of Rome". Around 1609 Kapsberger married Gerol ...
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Sigismondo D'India
Sigismondo d'India (c. 1582 – before 19 April 1629) was an Italian composer of the late Renaissance and early Baroque eras. He was one of the most accomplished contemporaries of Monteverdi, and wrote music in many of the same forms as the more famous composer. Life D'India was probably born in Palermo, Sicily in 1582, though details of his life are lacking until around 1600. During the first decade of the 17th century he probably traveled widely in Italy, meeting composers, acquiring patrons at various aristocratic courts, and absorbing the musical styles at each locale. This was a time of transition in music history, as the polyphonic style of the late Renaissance was giving way to the widely diverse practices of the early Baroque, and d'India seems to have acquired an unusually broad grasp of the total stylistic practice in Italy: the expressive madrigal style of Marenzio, the grand polychoral work of the Venetian School, the conservative polyphonic tradition of the Roman S ...
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Joachim Van Den Hove
Joachim van den Hove (1567? – 1620) was a Low Countries, Flemish/Dutch composer and a lutenist. He composed works for lute solo and for lute and voice. Moreover, he wrote many arrangements for lute of Italian, French, and English vocal and instrumental music, and of Flemish/Dutch folk music. Van den Hove disputes with Adriaensen and Vallet the distinction of being the most important representative of 17th century Dutch lute music. Van den Hove was born in Antwerp, where his father, Peeter van den Hove, was a respected musician. After the Fall of Antwerp in 1584–5 the family fled north. From at least 1593 to 1616 Joachim lived in Leiden, where in 1594 he married Anna Rodius (originally "de Roy") from Utrecht. There he was a lutenist and also lute teacher. His most famous pupils were the young Frederick Henry, Prince of Orange and Maurice of Nassau, Prince of Orange. Van den Hove's financial fortunes declined and in 1616 his properties were confiscated. Before his Leiden ho ...
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Augsburg
Augsburg (; bar , Augschburg , links=https://en.wikipedia.org/wiki/Swabian_German , label=Swabian German, , ) is a city in Swabia, Bavaria, Germany, around west of Bavarian capital Munich. It is a university town and regional seat of the ''Regierungsbezirk'' Schwaben with an impressive Altstadt (historical city centre). Augsburg is an urban district and home to the institutions of the Landkreis Augsburg. It is the third-largest city in Bavaria (after Munich and Nuremberg) with a population of 300,000 inhabitants, with 885,000 in its metropolitan area. After Neuss, Trier, Cologne and Xanten, Augsburg is one of Germany's oldest cities, founded in 15 BC by the Romans as Augsburg#Early history, Augusta Vindelicorum, named after the Roman emperor Augustus. It was a Free Imperial City from 1276 to 1803 and the home of the patrician (post-Roman Europe), patrician Fugger and Welser families that dominated European banking in the 16th century. According to Behringer, in the sixteen ...
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Hans Leo Hassler
Hans Leo Hassler (in German, Hans Leo Haßler) (baptized 26 October 1564 – 8 June 1612) was a German composer and organist of the late Renaissance and early Baroque eras, elder brother of less known composer Jakob Hassler. He was born in Nürnberg and died in Frankfurt am Main. Biography Hassler was born in Nürnberg and baptized on 26 October 1564, receiving his first instruction in music from his father, the organist Isaak Hassler. In 1584, Hassler became the first of many German composers of the time who went to Italy to continue their studies; he arrived in Venice during the peak of activity of the Venetian school, the composers who wrote in the resplendent polychoral style, which was soon to become popular outside its native city. Hassler was already familiar with some of this music, as numerous prints had circulated in Germany due to the interest of Leonhard Lechner, who was associated with Orlandus Lassus in Munich. While in Venice, Hassler became friends with G ...
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Konrad Hagius
Konrad Hagius (also Conrad von Hagen and Cunradus Hagius Rinteleus; Rinteln, c. 1550–1616) was a German composer. He studied in Königsberg, then by 1586 was in Düsseldorf in the service of John William, Duke of Jülich-Cleves-Berg. Then at the Heidelberg court.Peter Holman ''Dowland: Lachrimae (1604)'' 1999 Page 75 "... Konrad Hagius printed his own setting of 'Essex' in his partly lost Newe kiinstliche musicalische Intraden (Nuremberg, 1616), wrongly entitling it 'Pypers Galliard';" Among his works are ''The Psalms of David'' in the translation of Kaspar Ulenberg (publ. in Düsseldorf Düsseldorf ( , , ; often in English sources; Low Franconian and Ripuarian: ''Düsseldörp'' ; archaic nl, Dusseldorp ) is the capital city of North Rhine-Westphalia, the most populous state of Germany. It is the second-largest city in th ..., 1589), reprinted in the series ' . References Renaissance composers 1550 births 1616 deaths German male classical composers German c ...
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Orlando Gibbons
Orlando Gibbons ( bapt. 25 December 1583 – 5 June 1625) was an English composer and keyboard player who was one of the last masters of the English Virginalist School and English Madrigal School. The best known member of a musical family dynasty, by the 1610s he was the leading composer and organist in England, with a career cut short by his sudden death in 1625. As a result, Gibbons's ''oeuvre'' was not as large as that of his contemporaries, like the elder William Byrd, but he made considerable contributions to many genres of his time. He is often seen as a transitional figure from the Renaissance to the Baroque periods. Gibbons was born into a musical family where his father was a wait, his brothers—Edward, Ellis and Ferdinand—were musicians and Orlando was expected to follow the tradition. It is not known under whom he studied, although it may have been with Edward or Byrd, but he almost certainly studied the keyboard in his youth. Irrespective of his education ...
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