1913 In British Music
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1913 In British Music
This is a summary of 1913 in music in the United Kingdom. Events *10 September – The première of Jean Sibelius's tone poem '' Luonnotar'' takes place at the Three Choirs Festival in Gloucester Cathedral, with soprano Aino Ackté and orchestra conducted by Herbert Brewer. *1 October – Marie Lloyd and her lover, Bernard Dillon, are arrested by the US immigration authorities on their arrival in New York, when it is discovered that they are not married. *''date unknown'' **Edward Bairstow becomes organist of York Minster. **Ivor Novello moves into a flat above the Strand Theatre in London's West End; in 2005, the theatre would be renamed in his honour. Popular music *Albert Ketèlbey – "My Heart Still Clings to You" * Arnold Safroni-Middleton – "Imperial Echoes" Recordings *Harry Lauder – "It's Nicer To Be In Bed" Classical music: new works *Arnold Bax – ''Three Pieces for Small Orchestra'' *York Bowen – ''At the Play'' *George Butterworth – ''The Banks of Green ...
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United Kingdom
The United Kingdom of Great Britain and Northern Ireland, commonly known as the United Kingdom (UK) or Britain, is a country in Europe, off the north-western coast of the continental mainland. It comprises England, Scotland, Wales and Northern Ireland. The United Kingdom includes the island of Great Britain, the north-eastern part of the island of Ireland, and many smaller islands within the British Isles. Northern Ireland shares a land border with the Republic of Ireland; otherwise, the United Kingdom is surrounded by the Atlantic Ocean, the North Sea, the English Channel, the Celtic Sea and the Irish Sea. The total area of the United Kingdom is , with an estimated 2020 population of more than 67 million people. The United Kingdom has evolved from a series of annexations, unions and separations of constituent countries over several hundred years. The Treaty of Union between the Kingdom of England (which included Wales, annexed in 1542) and the Kingdom of Scotland in 170 ...
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Imperial Echoes
''Imperial Echoes'' (1913) is the title a piece for solo piano by Arnold Safroni that was later adapted as a military march and became well known through its frequent use on BBC radio during the Second World War and beyond. Original composition ''Imperial Echoes'' was published by Boosey and Hawkes of London in 1913. Its composer, George Arnold Haynes Safroni-Middleton (1873–1950), used the name Arnold Safroni for professional purposes and also composed as W.H. Myddleton. HMV recording and ''Radio Newsreel'' In 1928 the tune was adapted as a march by James Ord Hume (1864–1932) and recorded for His Master's Voice by the Band of the Royal Air Force, conducted by Squadron Leader R.P. O'Donnell, M.V.O. In 1940 the opening and closing parts of this recording were chosen to introduce and close the BBC's daily news programme ''Radio Newsreel'' (initially, ''Radio News Reel''), which was broadcast on both the Home Service in Britain and the Overseas Service (later the World Servi ...
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Ralph Vaughan Williams
Ralph Vaughan Williams, (; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social life. Throughout his life he sought to be of service to his fellow citizens, and believed in making music as available as possible to everybody. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–1908 with the French composer Maurice Ravel helped him clarify the textures of his music and free it from Music of Germany, Teutonic influences. Vaughan Williams i ...
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The Holy Boy
''The Holy Boy'' is a short composition by the English composer John Ireland. Alongside his setting of the hymn " My Song Is Love Unknown", it is probably his best-known work. Originally for solo piano, Ireland arranged it for various other forces over nearly 30 years. A performance takes about 3 minutes. The original version is from Christmas 1913, and was published in 1915 as ''The Holy BoyA Carol'', the third item in his four '' Preludes for Piano''. It was composed while Ireland was the organist at St Luke's Church, Chelsea, inspired by a chorister at the church called Bobby Glassby, who became one of the composer's protégés. Andrew Burn suggests that a text by Harold Munro may have provided the title. Musically, it features an ostensibly simple melody; but as with many of Ireland's works, the harmonic structure is more complex. His biographer Muriel Searle has said, "Simple to the point of austerity, ''The Holy Boy'' remains one of the public's favourite Ireland works." B ...
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The Forgotten Rite
''The Forgotten Rite'', described as a prelude for orchestra, was composed in AugustNovember 1913 by John Ireland (18791962) and published in 1918. A performance takes about 9 minutes. In the first decade of the twentieth century, Ireland read ''The House of Souls'' and ''The Hill of Dreams'' by Arthur Machen, known for his supernatural fantasy and horror stories. This awakened in Ireland an affinity for long-lost customs and rituals, real or imagined. ''The Forgotten Rite'' is a symphonic poem A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''T ... describing one such. References Symphonic poems by John Ireland 1913 compositions {{classical-composition-stub ...
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Decorations (John Ireland)
''Decorations'' is a set of three pieces for piano solo composed in 191213 by John Ireland. A performance of all three pieces takes about 9½ minutes. Their titles are: # ''The Island Spell'' # ''Moonglade'' # ''The Scarlet Ceremonies'' The set was reviewed by the ''Monthly Musical Record'' in August 1915, as follows: "These three pieces are well named, since they are the most successful pieces of pictorial writing we have encountered since the advent of Maurice Ravel, whose style they somewhat resemble as regards technique. Magic seas and fairy woods are evoked by the subtlest art in the first piece, “The Island Spell”. Is it by accident that one conjures up the magic music of Shakespeare's ''Tempest''? An all-pervading mood is here, as with the best types of decorative music. There is a curious compelling charm and feeling of remoteness about the “Moon-Glade”, also written over a poem of Arthur Symons commencing “Why are you so sorrowful in dreams?” This piece is ...
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John Ireland (composer)
John Nicholson Ireland (13 August 187912 June 1962) was an English composer and teacher of music. The majority of his output consists of piano miniatures and of songs with piano. His best-known works include the short instrumental or orchestral work " The Holy Boy", a setting of the poem " Sea-Fever" by John Masefield, a formerly much-played Piano Concerto, the hymn tune Love Unknown and the choral motet "Greater Love Hath No Man". Life John Ireland was born in Bowdon, near Altrincham, Cheshire, into a family of English and Scottish descent and some cultural distinction. His father, Alexander Ireland, a publisher and newspaper proprietor, was aged 69 at John's birth. John was the youngest of the five children from Alexander's second marriage (his first wife had died). His mother, Annie Elizabeth Nicholson Ireland, was a biographer and 30 years younger than Alexander. She died in October 1893, when John was 14, and Alexander died the following year, when John was 15.
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Gustav Holst
Gustav Theodore Holst (born Gustavus Theodore von Holst; 21 September 1874 – 25 May 1934) was an English composer, arranger and teacher. Best known for his orchestral suite ''The Planets'', he composed many other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development. The subsequent inspiration of the English folk music#Folk revivals 1890–1969, English folksong revival of the early 20th century, and the example of such rising modern composers as Maurice Ravel, led Holst to develop and refine an individual style. There were professional musicians in the previous three generations of Holst's family and it was clear from his early years that he would follow the same calling. He hoped to become a pianist, but was prevented by neuritis in his right arm. Despite his father's reservations, he pursued a car ...
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Falstaff (Elgar)
''Falstaff – Symphonic Study'' in C minor, Op. 68, is an orchestral work by the English composer Edward Elgar. Though not so designated by the composer, it is a symphonic poem in the tradition of Franz Liszt and Richard Strauss. It portrays Sir John Falstaff, the "fat knight" of William Shakespeare's '' Henry IV'' Parts 1 and 2. The work was well received at its première in 1913, but did not inspire the great enthusiasm aroused by some of Elgar's earlier works. The composer thought it his finest orchestral piece, and many Elgar admirers agree, but it has not become a popular favourite. Compared to other Elgar works, it is infrequently played in the concert hall, although it is well represented in the CD catalogues. Instrumentation Falstaff is scored for an orchestra of two flutes and piccolo, two oboes and cor anglais, two clarinets and bass clarinet, two bassoons and contrabassoon, four horns, three trumpets, three trombones, tuba, timpani, percussion (side drum, triang ...
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Edward Elgar
Sir Edward William Elgar, 1st Baronet, (; 2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the ''Enigma Variations'', the ''Pomp and Circumstance Marches'', concertos for Violin Concerto (Elgar), violin and Cello Concerto (Elgar), cello, and two symphony, symphonies. He also composed choral works, including ''The Dream of Gerontius'', chamber music and songs. He was appointed Master of the King's Musick in 1924. Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-consci ...
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The Banks Of Green Willow
''The Banks of Green Willow'' is a piece of orchestral music by British composer George Butterworth. It was composed in 1913, is written in the key of A major, and is around six minutes long. Composition This is a short orchestral piece by George Butterworth, probably the most played of his three works for orchestra. It has certainly been his most recorded orchestral work. Described by its composer as an "Idyll", and written in 1913, it is scored for a small orchestra consisting of two flutes, two oboes, two clarinets, two bassoons, two horns, one trumpet, harp and strings. It is thus a belated companion to the ''Two English Idylls'' of 1910-1911. All three pieces are founded on folk melodies Butterworth collected in Sussex in 1907, each has a similar "arch" shape, and each lasts between 4½ and 6 minutes. Butterworth based ''The Banks of Green Willow'' on two folk song melodies that he noted in 1907 - "The Banks of Green Willow" (Child 24, Roud 172) and "Green Bushes" (Roud ...
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George Butterworth
George Sainton Kaye Butterworth, MC (12 July 18855 August 1916) was an English composer who was best known for the orchestral idyll ''The Banks of Green Willow'' and his song settings of A. E. Housman's poems from '' A Shropshire Lad''. Early years Butterworth was born in Paddington, London. Soon after his birth, his family moved to York so that his father Sir Alexander Kaye Butterworth could take up an appointment as general manager of the North Eastern Railway, which was based there. Their home was at Riseholme, a house on Driffield Terrace, which later became part of the Mount School. In 2016, the centenary year of his death on the Somme, biographer Anthony Murphy unveiled on behalf of the York Civic Trust a blue plaque to his memory at College House, Driffield Terrace, part of the Mount School. George received his first music lessons from his mother, who was a singer, and he began composing at an early age. As a young boy, he played the organ for services in the chapel ...
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