"These three pieces are well named, since they are the most successful pieces of pictorial writing we have encountered since the advent ofMaurice Ravel Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In ..., whose style they somewhat resemble as regards technique. Magic seas and fairy woods are evoked by the subtlest art in the first piece, “The Island Spell”. Is it by accident that one conjures up the magic music ofShakespeare William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's natio ...'s ''Tempest Tempest is a synonym for a storm. '' The Tempest'' is a play by William Shakespeare. Tempest or The Tempest may also refer to: Arts and entertainment Films * ''The Tempest'' (1908 film), a British silent film * ''The Tempest'' (1911 film), a ...''? An all-pervading mood is here, as with the best types of decorative music. There is a curious compelling charm and feeling of remoteness about the “Moon-Glade”, also written over a poem ofArthur Symons Arthur William Symons (28 February 186522 January 1945) was a British poet, critic and magazine editor. Life Born in Milford Haven, Wales, to Cornish parents, Symons was educated privately, spending much of his time in France and Italy. In 1884 ...commencing “Why are you so sorrowful in dreams?” This piece is pure impressionism. The fading tonality at the close, so like the stuff dreams are made of, is a wonderful piece of tone-artistry. The third movement entitled “The Scarlet Ceremonies” is the most striking of the set. It is founded on a quotation fromArthur Machen Arthur Machen (; 3 March 1863 – 15 December 1947) was the pen-name of Arthur Llewellyn Jones, a Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. H ...’s “The House of Souls”. Against a continuously palpitating pattern in the right hand a trumpet-like theme is given out by the left. The whole movement is evolved from the first twelve bars or so. The theme passes to the right hand later on, appearing over a fluttering figure of fourths in the bass. There is an original “pedal-point” effect at the end, and a new double glissando of white and black notes which will be responsible for many grazed fingers. Originality breathes in every bar of the Decorations, and the composer evidently possesses peculiar magic powers in the world of sound."
References
Solo piano pieces by John Ireland 1913 compositions {{classical-composition-stub