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1851 In Art
Events from the year 1851 in art. Events * March – English sculptor Frederick Scott Archer makes public the wet plate collodion photographic process. * May 1 – The Great Exhibition opens at Crystal Palace, London. Works of art on display include the Tara Brooch, handicrafts and ornaments by the Sindhis, an electrotype of John Evan Thomas' sculpture ''Death of Tewdric Mawr, King of Gwent'', and a demonstration by makers of Bristol blue glass. * Pinacoteca Tosio Martinengo opens in Brescia, Italy. * Missions Héliographiques established by Prosper Mérimée to photograph historical French architecture. Works * Edward Hodges Baily – ''Peel Memorial, Bury'' (sculpture) * John Bell – sculptures at The Great Exhibition ** ''Andromeda'' ** '' The Eagle Slayer'' (cast iron) ** ''Una and the Lion'' * Charles Allston Collins – ''Convent Thoughts'' * Jean-Baptiste-Camille Corot – ''La Danse des Nymphes'' * Jean-Léon Gérôme - '' Black Panther Stalking a Herd of Dee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English People
The English people are an ethnic group and nation native to England, who speak the English language in England, English language, a West Germanic languages, West Germanic language, and share a common history and culture. The English identity is of History of Anglo-Saxon England, Anglo-Saxon origin, when they were known in Old English as the ('race or tribe of the Angles'). Their ethnonym is derived from the Angles, one of the Germanic peoples who migrated to Great Britain around the 5th century AD. The English largely descend from two main historical population groups the West Germanic tribes (the Angles, Saxons, Jutes and Frisians) who settled in southern Britain following the withdrawal of the Ancient Rome, Romans, and the Romano-British culture, partially Romanised Celtic Britons already living there.Martiniano, R., Caffell, A., Holst, M. et al. Genomic signals of migration and continuity in Britain before the Anglo-Saxons. Nat Commun 7, 10326 (2016). https://doi.org/10 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Bell (sculptor)
John Bell (1812–1895) was a British sculptor, born in Bell's Row, Great Yarmouth, Norfolk. His family home was Hopton Hall, Suffolk. His works were shown at the Great Exhibition of 1851, and he was responsible for the marble group representing "America" on the Albert Memorial in London. Life He was born at Hopton Hall Hopton, Suffolk in 1812, and educated in the village school in Catfield, Norfolk. He studied sculpture in the Royal Academy Schools from 1829, and exhibited his first work at the academy, a religious group, in 1832. The next year he exhibited ''A Girl at a Brook'' and ''John the Baptist'' at the academy, and two statuettes at the Suffolk Street Gallery, followed by ''Ariel'' in 1834. At the Royal Academy in 1836 he showed ''Psyche feeding a Swan'' and ''Youth, Spring, and Infancy''. In 1837, the year in which Bell established his reputation, his works at the Academy included ''Psyche and the Dove'' and a model of ''The Eagle-Shooter'', the first versio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edwin Landseer
Sir Edwin Henry Landseer (7 March 1802 – 1 October 1873) was an English painter and sculptor, well known for his paintings of animals – particularly horses, dogs, and stags. However, his best-known works are the lion sculptures at the base of Nelson's Column in Trafalgar Square. Life Landseer was born in London, the son of the engraver John Landseer A.R.A. and Jane Potts. He was something of a prodigy whose artistic talents were recognised early on. He studied under several artists, including his father, and the history painter Benjamin Robert Haydon, who encouraged the young Landseer to perform dissections in order to fully understand animal musculature and skeletal structure. Landseer's life was entwined with the Royal Academy. At the age of just 13, in 1815, he exhibited works there as an “Honorary Exhibitor”. He was elected an Associate at the minimum age of 24, and an Academician five years later in 1831. He was an acquaintance of Charles Robert Leslie, who d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hireling Shepherd
''The Hireling Shepherd'' (1851) is a painting by the Pre-Raphaelite artist William Holman Hunt. It represents a shepherd neglecting his flock in favour of an attractive country girl to whom he shows a death's-head hawkmoth. The meaning of the image has been much debated. Composition Hunt painted the picture when he was living and working in close collaboration with John Everett Millais, who was painting ''Ophelia'' at the same time near the Hogsmill River near Ewell, Surrey. Both paintings depict English rural scenes, the innocence of which is disturbed by subtle but profoundly threatening violations of natural harmony. In Hunt's painting, the shepherd ignores his flock of sheep, who wander over a ditch into a wheat field. This violation of boundaries is paralleled by the shepherd's physical intrusions into the personal space of the young woman, who responds in an ambiguous way that might be interpreted as complicity or as a knowing scepticism. As he shows her the moth, he pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Holman Hunt
William Holman Hunt (2 April 1827 – 7 September 1910) was an English painter and one of the founders of the Pre-Raphaelite Brotherhood. His paintings were notable for their great attention to detail, vivid colour, and elaborate symbolism. These features were influenced by the writings of John Ruskin and Thomas Carlyle, according to whom the world itself should be read as a system of visual signs. For Hunt it was the duty of the artist to reveal the correspondence between sign and fact. Of all the members of the Pre-Raphaelite Brotherhood, Hunt remained most true to their ideals throughout his career. He was always keen to maximise the popular appeal and public visibility of his works. Biography Born at Cheapside, City of London, as William Hobman Hunt, to warehouse manager William Hunt (1800–1856) and Sarah (c. 1798–1884), daughter of William Hobman, of Rotherhithe Hunt adopted the name "Holman" instead of "Hobman" when he discovered that a clerk had misspelled the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Hayez
Francesco Hayez (; 10 February 1791 – 12 February 1882) was an Italian painter. He is considered one of the leading artists of Romanticism in mid-19th-century Milan, and is renowned for his grand historical paintings, political allegories, and portraits. Biography Francesco Hayez was from a relatively poor family from Venice. His father, Giovanni, was of French origin while his mother, Chiara Torcella, was from Murano. Francesco was the youngest of five sons. He was brought up by his mother's sister, who had married Giovanni Binasco, a well-off shipowner and art collector. Hayez displayed a predisposition for drawing since childhood. His uncle, having noticed his precocious talent, apprenticed him to an art restorer in Venice. Hayez would later become a pupil of the painter Francesco Maggiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in Venice in 1806, where he studied under Teodoro Matteini. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Léon Gérôme
Jean-Léon Gérôme (11 May 1824 – 10 January 1904) was a French painter and sculptor in the style now known as academicism. His paintings were so widely reproduced that he was "arguably the world's most famous living artist by 1880." The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits, and other subjects, bringing the academic painting tradition to an artistic climax. He is considered one of the most important painters from this academic period. He was also a teacher with a long list of students. Early life Jean-Léon Gérôme was born at Vesoul, Haute-Saône. He went to Paris in 1840 where he studied under Paul Delaroche, whom he accompanied to Italy in 1843. He visited Florence, Rome, the Vatican and Pompeii. On his return to Paris in 1844, like many students of Delaroche, he joined the atelier of Charles Gleyre and studied there for a brief time. He then attended the École des Beaux-Arts. In 1846 he tried to enter the prestigio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste-Camille Corot
Jean-Baptiste-Camille Corot ( , , ; July 16, 1796 – February 22, 1875), or simply Camille Corot, is a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism. Biography Early life and training Jean-Baptiste-Camille Corot was born in Paris on July 16, 1796, in a house at 125 Rue du Bac, now demolished. His family were bourgeois people—his father was a wig maker and his mother, Marie-Françoise Corot, a milliner—and unlike the experience of some of his artistic colleagues, throughout his life he never felt the want of money, as his parents made good investments and ran their businesses well. After his parents married, they bought the millinery shop where his mother had worked and his father gave up his career as a wigmaker to run the business side of the shop. The store ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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