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1530 In Art
Events from the year 1530 in art. Events * September 15 – Portrait of ''Saint Dominic in Soriano'' appears in the Dominican friary at Soriano Calabro, soon acquiring a reputation for having marvellous properties. Works * Paris Bordone – '' The Rest on the Flight into Egypt'' (approximate date) * Bronzino – '' Portrait of Andrea Doria as Neptune'' (approximate date) * Antonio da Correggio ** ''Assumption of the Virgin'' (fresco on dome of Parma Cathedral completed) ** '' Nativity'' (placed in church of St. Prosper of Reggio Emilia; now in Gemäldegalerie Alte Meister, Dresden) * Lucas Cranach the Elder – '' The Judgement of Paris'' (approximate date) * Il Garofalo – ''Madonna and Child and St Jerome'' * Quentin Matsys – ''Ill-Matched Marriage'' (approximate completion date) * Parmigianino – ''Portrait of a Man Reading a Book'' (approximate date; York Art Gallery, England) * Titian – ''The Madonna of the Rabbit'' (approximate date) * Portrait of Francis I of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Dominic In Soriano
''Saint Dominic in Soriano'' ( it, San Domenico in Soriano; es, Santo Domingo en Soriano) was a portrait of Saint Dominic painted in 1530. It is an important artefact in the Dominican friary at Soriano Calabro in southern Italy. It was believed to be of miraculous origin, and to inspire miracles. It was the subject of a Roman Catholic feast day celebrated on 15 September from 1644 to 1913. Its miraculous origin was the subject of several 17th-century paintings. Several ecclesiastical buildings have been named after it. History There seems to be no record that Dominic himself ventured further south in Italy than Rome. In 1510, members of the Dominican Order founded a friary at Soriano Calabro, Calabria, in the arch of the foot of the boot of Italy. A town grew up around it. In 1530, the friars began to display for public veneration a portrait of the founder of their Order. In the early 17th century, Silvestro Frangipane, a Dominican, investigated the painting and wrote a b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quentin Matsys
Quentin Matsys ( nl, Quinten Matsijs) (1466–1530) was a Flemish painter in the Early Netherlandish tradition. He was born in Leuven. There is a tradition alleging that he was trained as an ironsmith before becoming a painter. Matsys was active in Antwerp for over 20 years, creating numerous works with religious roots and satirical tendencies. He is regarded as the founder of the Antwerp school of painting, which became the leading school of painting in Flanders in the 16th century. He introduced new techniques and motifs as well as moralising subjects without completely breaking with the tradition.Nanny Schrijvers, ''Quinten Massijs '' at Flemish Primitives Early life Most early accounts of Matsys' life are composed primarily of legend and very little con ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1607 In Art
{{Year nav topic5, 1607, art Events from the year 1607 in art. Events *Work by the German painter Peter Reimers first appears in Kinsarvik, effectively beginning the Stavanger renaissance. Paintings Image:Saint Jerome Writing-Caravaggio (c. 1607).jpg, Caravaggio, ''Saint Jerome Writing'' Image:CaravaggioFlagellation.jpg, Caravaggio, ''Flagellation of Christ'' Image:Michelangelo Merisi da Caravaggio - The Seven Acts of Mercy - WGA04173.jpg, Caravaggio, ''The Seven Works of Mercy'' Image:Michelangelo Caravaggio 071.jpg, Caravaggio, '' David with the Head of Goliath'' Image:Michelangelo Caravaggio 066.jpg, Caravaggio, ''Madonna of the Rosary'' File:Michelangelo Merisi, called Caravaggio - The Crowning with Thorns - Google Art Project.jpg, Caravaggio, '' The Crowning with Thorns'' Image:Caravaggio flagellation.jpg, Caravaggio, '' Christ at the Column'' File:Salome with the Head of John the Baptist-Caravaggio (1610).jpg, Caravaggio, '' Salome with the Head of John the Baptist'' * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barthel Bruyn The Elder
Bartholomäus Bruyn (1493–1555), usually called Barthel Bruyn or Barthel Bruyn the Elder, was a German Renaissance painter active in Cologne. He painted altarpieces and portraits, and was Cologne's foremost portrait painter of his day. Life He was born in Wesel or Cologne.Oxford Art Online His early works suggest that he received his artistic training in the Lower Rhine.Lübbeke 1991, p. 405. His earliest documented altarpiece is a ''Coronation of the Virgin'' (1515–1516) commissioned by Dr. Peter von Clapis, a professor at the University of Cologne. Bruyn’s altarpieces of the 1510s and 1520s are influenced by the style of Jan Joest, to whom Bruyn was related, and often emulate Joest’s habit of illuminating his figures from below. By the time Bruyn painted the Essen altarpiece (1522–1525), he had combined Joest's influence with that of Joos van Cleve. In the 1530s, he developed a more Italianate style that reflects the examples of Raphael and Michelangelo, which he p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barthel Bruyn The Younger
Bartholomäus Bruyn (c. 1530 – between 1607 and 1610), usually called Barthel Bruyn the Younger to distinguish him from Barthel Bruyn the Elder, his father of the same name, was a German painter active in Cologne. He is noted mainly for his portraits. He was born in Cologne, where he trained in his father's workshop. From about 1547, he worked with his father and his older brother Arnt on a series of 57 scenes from the New Testament for the cloisters of Cologne's Karmelitenkloster. His only signed painting, a diptych of ''Christ Carrying the Cross'' and ''Vanitas'' (1560, in the Rheinisches Landesmuseum Bonn), has served as a touchstone for scholars who have identified Bruyn the Younger's body of work by style. His portraits are similar in style to those of his father, but are slightly simpler.Sweet, Frederick A. (March 1941). "Woman with Prayer Book by Bartel Bruyn the Younger". ''Bulletin of the Art Institute of Chicago (1907-1951)'' 35 (3): 34–33. The sitters are usual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1610 In Art
Events from the year 1610 in art. Events *Caravaggio begins his journey from Naples home to Rome, where he is to receive a pardon from the Pope through the intercession of Cardinal Scipione Borghese; however, Caravaggio never arrives in Rome. *Stained glass windows installed in the chapel of Hatfield House are the first in the country since the start of the English Reformation. Works Image:Caravaggio denial.jpg, Caravaggio, '' The Denial of Saint Peter'' John the Baptist (Galleria Borghese)-Caravaggio (1610).jpg, Caravaggio, ''John the Baptist'' Image:CaravaggioUrsula.jpg, Caravaggio, '' The Martyrdom of Saint Ursula'' Image:Michelangelo Caravaggio 018.jpg, Caravaggio, '' David with the Head of Goliath'' File:Self portrait, 1610.jpg, Sofonisba Anguissola, ''Self-portrait'' File:Orazio Gentileschi 001.jpg, Orazio Gentileschi, ''Madonna with Child'' * Sofonisba Anguissola - ''Self-portrait'' *Caravaggio **'' The Denial of Saint Peter'' **''John the Baptist'' (Galleria Borghese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolás Borrás
Friar Nicolás Borrás (1530–1610) was a Spanish Renaissance Catholic monk and painter, active in Valencia. Biography Borrás was born in Cocentaina, (Kingdom of Valencia), nowadays in the Province of Alicante. He is one of the best artists of Valencian monastic painting. Going to Valencia at an early age to study under Vicente Juan Macip, he became the latter's most noteworthy pupil. Borrás's works generally resemble those of Macip and some of them have been taken for his. Upon entering the priesthood he was assigned to the Hieronymite Monastery of Saint Jerome of Cotalba, in Gandia where he enjoyed his stay so much that he asked for membership in the order has his only payment. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1609 In Art
Events from the year 1609 in art. Events * January 9 – Letters patent issued relating to accommodation and workshops for artists in the Louvre Palace mezzanine in Paris. * Hans Krumpper becomes chief sculptor to the Bavarian court under Maximilian I, Elector of Bavaria. * Mesrop of Khizan paints a Gospel which ends up in the Bodleian Library, Oxford. Paintings Image:Michelangelo Caravaggio 006.jpg, Caravaggio, ''The Raising of Lazarus'' Image:Michelangelo Caravaggio 004.jpg, Caravaggio, '' Adoration of the Shepherds'' Image:Michelangelo Caravaggio 035.jpg, Caravaggio, ''Nativity with St. Francis and St. Lawrence'' Image:CaravaggioSalomeMadrid.jpg, Caravaggio, '' Salome with the Head of John the Baptist'' File:Peter_Paul_Rubens_Peter_Paul_Rubens_-_The_Artist_and_His_First_Wife,_Isabella_Brant,_in_the_Honeysuckle_Bower.jpg, Rubens, '' Honeysuckle Bower'' *Caravaggio **''The Raising of Lazarus'' **'' Adoration of the Shepherds'' **''Nativity with St. Francis and St. Lawrence' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Armenini
Giovanni Battista Armenini or Armanini (1530–1609) was an Italian art historian, critic, and academic. He was born and died in Faenza. His main contribution was the publication in 1587 of the theoretical treatise on the practice of painting, titled ''De veri precetti della pittura''. Armenini describes that he had the opportunity to travel through Rome, Naples, Milan, Genoa, Venice and other cities of Italy for nine years. In 1564, he became rector of the church of San Tommaso in Faenza. He dedicated his opus to Guglielmo Gonzaga, Duke of Mantua. In the first book, he speaks of major Renaissance and Mannerist painters of the past including Raphael, Michelangelo, Titian, Antonio da Correggio, Sebastiano Veneziano, Giulio Romano, and Andrea del Sarto. He criticizes later painters like Perino del Vaga, Daniele da Volterra, Domenico Beccafumi, and Parmigianino. Contemporary theoretical books had been published based on writings of Leonardo da Vinci, Giovanni Paolo Lomazzo, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Madonna Of The Rabbit
The ''Madonna of the Rabbit'' (French: ''Vierge au lapin'') is an oil painting by Titian, dated to 1530 and now held in the Louvre in Paris. It is signed "Ticianus f." and is named after the white rabbit held in Mary's left hand. The rabbit is a symbol of fertility and – due to its whiteness – of Mary's purity and the mystery of the Incarnation, and is also a symbol of her virginity; female rabbits and hares can conceive a second litter of offspring while still pregnant with the first, resulting in them being able to give birth seemingly without having been impregnated.Lumpkin, Susan; John Seidensticker (2011). ''Rabbits: The Animal Answer Guide''. JHU Press. . p. 122. History Records show that Federico Gonzaga commissioned three paintings from Titian in 1529. One of these can, with some security, be identified with the ''Madonna of the Rabbit''. The painting's small format shows that it was intended for private devotion. The painting also contains echoes of the artist's pers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_Bruyn_-_Vanitas.JPG "Click for more on -> Barthel Bruyn The Elder")
