1511 In Art
{{Year nav topic5, 1511, art Events from the year 1511 in art. Events * Albrecht Dürer publishes his woodcut series "Life of the Virgin", the "Great Passion" and "Little Passion". * Michelangelo's 1508 bronze statue of Pope Julius II in San Petronio Basilica, Bologna is destroyed. * The Miracle of 1511, a festival in Brussels in which the locals built approximately 110 satirical snowmen. Painting * Albrecht Dürer – ''Adoration of the Trinity'' (Landauer Altarpiece) * Matthias Grünewald – ''The Small Crucifixion'' * Michelangelo – '' The Creation of the Sun, Moon and Planets'' * Raphael ** Frescoes in Raphael Rooms of Apostolic Palace in Rome *** '' Cardinal and Theological Virtues'' *** ''The Parnassus'' *** '' The School of Athens'' ** ''Madonna of Foligno'' ** ''Madonna of Loreto'' ** '' Portrait of Cardinal Alessandro Farnese'' * Titian ** ''The Gypsy Madonna'' ** '' Miracle of the Jealous Husband'' (fresco, Scuola del Santo, Padua) ** ''The Miracle of the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cardinal And Theological Virtues (Raphael)
The ''Cardinal and Theological Virtues'' is a lunette fresco by Raphael found on the south wall of the Stanza della Segnatura in the Apostolic Palace of the Vatican. Three of the cardinal virtues are personified as statuesque women seated in a bucolic landscape and the theological virtues are depicted by putti. The fresco was a part of Raphael's commission to decorate the private apartments of Pope Julius II. These rooms are now known as the Stanze di Raffaello. After completing his three monumental frescoes ''Disputation of the Holy Sacrament'', ''The Parnassus'', and ''The School of Athens'' in the Stanza della Segnatura, Raphael painted the ''Cardinal and Theological Virtues'' in 1511. Description The walls containing frescoes in the ''Stanza della Segnatura'' depict four branches of human knowledge: Philosophy (''School of Athens''), Religion (''Disputation''), Poetry (''Parnassus''), and Law (''Virtues''). The fourth wall containing the ''Virtues'' addresses both the civil ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Miniature Altarpiece (WB (MA 17.1690.453), early 16th-century, held at The Cloisters, New York
{{disambiguation ...
The name miniature altarpiece may refer to several different Gothic boxwood miniatures: * Miniature altarpiece (V&A 225-1866), c.1500-1520, held at the Victoria and Albert Museum, London * Miniature altarpiece (WB.232), 1511, held at the British Museum, London * Miniature altarpiece (OA 5612), c.1520-1530, held at Louvre, Paris * Miniature Altarpiece with the Crucifixion Miniature Altarpiece with the Crucifixion (MA 17.1690.453) is a very small and complex (15 × 7.6 × 3.2 cm) early 16th century Early Netherlandish painting, Netherlandish microcarved Gothic boxwood miniature, miniature sculpture in boxwood, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Adam Dircksz
Adam Dircksz (active 1500–1530) is the name ascribed by some art historians to a highly influential Dutch sculptor whose workshop is often attributed with the creation of around 60 of the c. 150 extant Gothic boxwood miniature micro-carvings. Other historians prefer to attribute various unrelated artists who are given individual or grouped notnames. It may be that the master was the innovator in this style of sculpture, and that similar works were directly inspired. According to the British Museum, Dircksz may have served "elite patrons in the circle of the Holy Roman Emperor Charles V, with a strong link to Delft." Almost nothing is known about his life, except from some dates and signatures left on carvings, which indicate only that he was associated with the art works, the real life person may have been a woodcutter, sculptor, medallist, or a patron. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Santa Maria Della Salute
Santa Maria della Salute ( en, Saint Mary of Health), commonly known simply as the Salute, is a Roman Catholic church and minor basilica located at Punta della Dogana in the Dorsoduro sestiere of the city of Venice, Italy. It stands on the narrow finger of Punta della Dogana, between the Grand Canal and the Giudecca Canal, at the Bacino di San Marco, making the church visible when entering the Piazza San Marco from the water. The Salute is part of the parish of the Gesuati and is the most recent of the so-called plague churches. In 1630, Venice experienced an unusually devastating outbreak of the plague. As a votive offering for the city's deliverance from the pestilence, the Republic of Venice vowed to build and dedicate a church to Our Lady of Health. The church was designed in the then fashionable Baroque style by Baldassare Longhena, who studied under the architect Vincenzo Scamozzi. Construction began in 1631. Most of the objects of art housed in the church bear references ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Padua
Padua ( ; it, Padova ; vec, Pàdova) is a city and ''comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the area. Padua's population is 214,000 (). The city is sometimes included, with Venice (Italian ''Venezia'') and Treviso, in the Padua-Treviso-Venice Metropolitan Area (PATREVE) which has a population of around 2,600,000. Padua stands on the Bacchiglione, Bacchiglione River, west of Venice and southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain (''Pianura Veneta''). To the city's south west lies the Colli Euganei, Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Percy Bysshe Shelley, Shelley. Padua appears twice in the UNESCO World Heritage List: for its Botanical Garden of Padua, Botanical Garden, the most anc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Miracle Of The Jealous Husband
The ''Miracle of the Jealous Husband'' is a fresco by the Italian Renaissance master Titian, executed in 1511 as part of the decoration of the Scuola del Santo in Padua, northern Italy. It portrays a man stabbing his wife after she has been unjustly accused of adultery. When the man discovers the truth, he begs for pardon to St. Anthony, who resuscitates the woman (this scene is portrayed in smaller size on the right). The idyllic background is inspired by Giorgione's paintings. The young Titian described the volume of the wife's raised arm, in the center of the action, by actually sculpting it in relief rather than describing it illusionistically.*Sergio Rossetti Morosini, "Titian, The Miracle of the Jealous Husband, 1511", in ''New Findings in Titian's Fresco Technique at the Scuola del Santo in Padua'', ''The Art Bulletin''; March 1999, Volume LXXXI Number 1. Notes References * *Sergio Rossetti Morosini Sergio Rossetti Morosini (born 1953) is a Brazilian-American Schol ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Gypsy Madonna
''The Gypsy Madonna'' is a panel painting of the Madonna and Child in oils of about 1510–11, by Titian, now in the Kunsthistorisches Museum in Vienna. It is a painting made for display in a home rather than a church. It is close to compositions by Titian's former master Giovanni Bellini, especially, when reversed, one of 1509 in the Detroit Institute of Arts, and has been seen as a challenge to the much older master, by taking on a characteristic compositional formula of his. The style is much indebted to Giorgione, and it was often attributed to him in the earlier 20th century. This is especially so in the "harmonious fullness and slow gravity of form" of the figure of the Virgin, which uses a type of figure Titian did not repeat in later Madonnas. The landscape is virtually identical to the left-most section of the background of the ''Dresden Venus'', traditionally thought to have been begun by Giorgione, but with the landscape done after his death in 1510 by Titian. The ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Portrait Of Cardinal Alessandro Farnese
The ''Portrait of Cardinal Alessandro Farnese'' is a portrait of cardinal Alessandro Farnese (the future Pope Paul III) by Raphael, executed ''circa'' 1509-1511. The cardinal posed near a window with a bright foreground, leading into a dark hall. His delicate right hand holds a letter. The painting resides at the Museo Nazionale di Capodimonte in Naples. See also *List of paintings by Raphael The following is a list of paintings by Italian Renaissance painter Raphael. Together with Michelangelo and Leonardo da Vinci he forms the traditional trinity of great masters of that period. He was enormously prolific, despite his early death at ... Notes References * External linksCatalogue entry* {{Raphael 1511 paintings Farnese 16th-century portraits Paintings in the collection of the Museo di Capodimonte ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Madonna Of Loreto
The ''Madonna of Loreto'' is an oil on panel painting by the Italian High Renaissance painter Raphael, executed ''c.'' 1511. It is housed in the Musée Condé of Chantilly, France. For centuries the painting kept company with Raphael's ''Portrait of Pope Julius II'', first at the Santa Maria del Popolo, then in private collections, and for a time their location was unknown. Their ownership, or provenance, has been difficult to unravel because of the number of copies of both paintings, the unclear ownership chain, misinformation and delay of publication of vital information. For instance, this painting received its name from a copy at the Basilica della Santa Casa in Loreto which was at one time thought to be the original. Now is it certain that the painting at Loreto was a copy – and therefore the painting name is a misnomer. Even so, the well-copied painting has been a beloved and critically acclaimed painting for centuries. Description The painting is tender and intima ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |