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1505 In Art
Events from the year 1505 in art. Events * Pope Julius II summons Michelangelo to Rome to design the pope's tomb. The contract is revised five times and only three of forty large figures are ever executed. Works File:Pala di San Zaccaria (Venezia).jpg, Bellini, ''San Zaccaria Altarpiece'' Image:BoschStJeromeInPrayer.jpg, Bosch, '' St. Jerome at Prayer'' File:Raffael 010.jpg, Raphael, '' Three Graces'' File:Rothenburg ob der Tauber 018.JPG, Riemenschneider, Holy Blood altarpiece ''Many dates approximate'' * Giovanni Bellini **'' Madonna del Prato'' **''San Zaccaria Altarpiece'' * Hieronymus Bosch **''The Hermit Saint'' ( triptych) **'' St. Jerome at Prayer'' * Vittore Carpaccio ** '' Holy Family and donors'' ** '' Preparation of Christ's Tomb'' * Piero di Cosimo ** ''The Finding of Vulcan on Lemnos'' ** ''The Adoration of the Christ Child'' ** ''The Forest Fire'' * Albrecht Dürer - '' Portrait of a Young Venetian Woman'' * Giorgione - '' The Three Philosophers'' * Leonar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Julius II
Pope Julius II ( la, Iulius II; it, Giulio II; born Giuliano della Rovere; 5 December 144321 February 1513) was head of the Catholic Church and ruler of the Papal States from 1503 to his death in February 1513. Nicknamed the Warrior Pope or the Fearsome Pope, he chose his papal name not in honour of Pope Julius I but in emulation of Julius Caesar. One of the most powerful and influential popes, Julius II was a central figure of the High Renaissance and left a significant cultural and political legacy. As a result of his policies during the Italian Wars, the Papal States increased its power and centralization, and the office of the papacy continued to be crucial, diplomatically and politically, during the entirety of the 16th century in Italy and Europe. In 1506, Julius II established the Vatican Museums and initiated the rebuilding of the St. Peter's Basilica. The same year he organized the famous Swiss Guards for his personal protection and commanded a successful campa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), '' Sain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna Del Granduca
The ''Madonna del Granduca'' is a Madonna painting by the Italian renaissance artist Raphael. It was probably painted in 1505, shortly after Raphael had arrived in Florence. The influence of Leonardo da Vinci, whose works he got to know there, can be seen in the use of sfumato. The painting belonged to Ferdinand III, Grand Duke of Tuscany, from whom it got its name. See also *List of paintings by Raphael The following is a list of paintings by Italian Renaissance painter Raphael. Together with Michelangelo and Leonardo da Vinci he forms the traditional trinity of great masters of that period. He was enormously prolific, despite his early death at ... Notes References * External links * 1505 paintings Paintings of the Madonna and Child by Raphael Paintings in the collection of the Galleria Palatina Nude art {{16C-painting-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna And Child Enthroned With Saints (Raphael)
The ''Madonna and Child Enthroned with Saints'' (Young Baptist and Saints Peter, Catherine, Lucy, and Paul), also known as the ''Colonna Altarpiece'', is a painting by the Italian High Renaissance artist Raphael, executed ''c.'' 1503-1505. It is housed in the Metropolitan Museum of Art of New York City. It is the only altarpiece by Raphael in the United States. The collection of Metropolitan Museum of Art also contains a painting of the ''Agony in the Garden'' from the predella of the altarpiece. Other panels from the predella can be found in the collections of the National Gallery, London, the Isabella Stewart Gardner Museum, in Boston, and Dulwich Picture Gallery, in London. A preparatory drawing by Raphael for the composition of the agony in the garden is in the collection of the Morgan Library New York. The pieces of the predella were separated from the altarpiece and sold to Queen Christina of Sweden, from where they reached the Orleans Collection, while the main panels th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ Blessing (Raphael)
''Christ Blessing'' (Italian title: ''Cristo benedicente'') is an oil on wood painting by the Italian Renaissance artist Raphael, executed ''c.'' 1500–1504. Since 1851, it is located in the Pinacoteca Tosio Martinengo, Brescia, Italy. The features of Christ bear some resemblance to a self-portrait of Raphael's. See also * List of paintings by Raphael * Italian Renaissance painting Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political stat ... * 1505 in art#Works Notes References * PDF in Wikimedia * External links * 1500s paintings Paintings by Raphael Paintings depicting Jesus Paintings in the collection of the Pinacoteca Tosio Martinengo {{16C-painting-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scenes From Tebaldeo's Eclogues
''Scenes from Tebaldeo's Eclogues'' is a set of four small square oil on panel paintings by Andrea Previtali, executed between 1505 and 1510, now in the National Gallery, London. They show scenes from the Ferrarese writer Antonio Tebaldeo's eclogue on the life of Damon of Athens, featuring his friend Thyrsis and Damon's love for Amaryllis. They were probably originally part of a piece of furniture for a rich Venetian noble family. Mauro Zanchi, ''Andrea Previtali il colore prospettico di maniera belliniana'', Ferrari Editrice, 2001, pages 17-21. Previtali's master Giovanni Bellini also produced furniture with scenes from the same book. Whilst still misattributed to Giorgione due to their pastoral content and style, they were acquired for their present owner in 1938 by its director Kenneth Clark at a high price, leading to the 'Giorgione Controversy'. However, comparison with the background landscape in ''Madonna and Child'' ( Detroit Institute of Arts), an undated work sign ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Previtali
Andrea Previtali (c. 1480 –1528) was an Italian painter of the Renaissance period, active mainly in Bergamo. He was also called Andrea Cordelliaghi. Biography Previtali was a pupil of the painter Giovanni Bellini. In Bergamo, he painted a ''John the Baptist preaching with other saints'' (1515) for the church of Santo Spirito, a ''San Benedetto and other saints'' for Bergamo Cathedral, and a ''Deposition from the Cross'' for Sant'Andrea. Other works of his are in the Accademia Carrara. and the National Gallery, London ('' Salvator Mundi'' and '' The Virgin and Child with a Shoot of Olive'', both left to the gallery in 1910). Previtali gained notice in 1937 in the United Kingdom for "not being Giorgione". Kenneth Clark, then Director of the National Gallery, bought two small panels of his from a dealer in Vienna, each with two rustic scenes. He paid £14,000 for them, a high price at the time, despite opposition from his curators. The authoritative ascription of them ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Bishop Bernardo De' Rossi
The ''Portrait of Bishop Bernardo de' Rossi'' is an oil-on-panel painting by the Italian High Renaissance painter Lorenzo Lotto, dating to 1505. It is housed in the National Museum of Capodimonte of Naples, southern Italy. The work dates to Lotto's stay in Treviso, and featured a cover with title, signature and dates, identified as the '' Allegory of Virtues and Vices'' now at the National Gallery of Art in Washington, United States. The portrait was brought to Parma by Bernardo de' Rossi when he fled there in 1524. Here it became part of the Farnese collection, which was transferred to Naples in 1760. Description The painting shows the donor's bust from three-quarters, the face looking at the viewer. As in other portraits by Lotto, the subject is portrayed with a striking realism, including the reddish complexion, the hollows under the eyes, the expressive blue eyes and the light epidermic imperfections. The curly hair is partially getting out from the black biretta. Such an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegory Of Virtue And Vice (Lotto)
The ''Allegory of Virtue and Vice'' is an oil-on-panel painting by the Italian High Renaissance painter Lorenzo Lotto, dating to 1505. It is housed in the National Gallery of Art in Washington, DC, United States. History The painting originally formed the protective cover of the Portrait of Bernardo de' Rossi, the bishop of Treviso who was Lotto's patron at the time. When it was opened to display the portrait, the inscription (on the reverse of the ''Allegory'') would have been revealed: The painting was brought to Parma when de' Rossi fled Treviso, and there it became part of the Farnese collection, from which it was bought in 1803; after a series of different possessors, it arrived in the United States in 1935, and was donated to the current museum four years later. Description The painting is an allegoric scene with the bishop's coat of arms lying on a tree in the center of the composition. The tree divides the latter in two parts corresponding to its two branches, one gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian Painting, painter, draughtsman, and illustrator, traditionally placed in the Venetian school (art), Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerism, Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists. Overview During his lifetime Lotto was a well-respected painter and certainly popular in Northern Italy; he is traditionally included in Venetian school (art), the Venetian School, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns where he worked, for he had a stylistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Battle Of Anghiari (painting)
''The Battle of Anghiari'' (1505) was a planned painting by Leonardo da Vinci in the Salone dei Cinquecento (Hall of the Five Hundred) in the Palazzo Vecchio, Florence. Its central scene would have depicted four men riding raging war horses engaged in a battle for possession of a standard at the Battle of Anghiari in 1440. Many preparatory studies by Leonardo still exist. The composition of the central section is best known through a drawing by Peter Paul Rubens in the Louvre, Paris. This work, dating from 1603 and known as ''The Battle of the Standard'', was based on an engraving of 1553 by Lorenzo Zacchia, which was taken from the painting itself or possibly derived from a cartoon by Leonardo. Rubens succeeded in portraying the fury, the intense emotions and the sense of power that were presumably present in the original painting. Similarities have been noted between this ''Battle of Anghiari'' and the '' Hippopotamus Hunt'' painted by Rubens in 1616. In March 2012, a team ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo Da Vinci
Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he also became known for #Journals and notes, his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and paleontology. Leonardo is widely regarded to have been a genius who epitomized the Renaissance humanism, Renaissance humanist ideal, and his List of works by Leonardo da Vinci, collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary, Michelangelo. Born Legitimacy (family law), out of wedlock to a successful Civil law notary, notary and a lower-class woman in, or near, Vinci, Tuscany, Vinci, he was educated in Florence by the Italian painter and sculptor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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