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Åžehrazat
Şehrazat Kemali Söylemezoğlu (born 3 September 1952), known by her stage name Şehrazat or Şehro, is a Turkish celebutante, television personality, businesswoman, philanthropist, composer, songwriter, record producer, occasional jazz, and pop music singer. Life and career Early life and family Her father S. Siham Kemali Söylemezoğlu (d. 13 April 1981; Vienna) was a notable businessman and was considered to be the first mining magnate of Turkey. Her grandfather is Süleyman Şefik Pasha, the son of the Beylerbey of Rumelia Ali Kemali Pasha who is the only brother of Edhem Pertev Pasha and one of the former governors of Konya. Her mother Sevinç Tevs was the sister of artist Sevim Tevs and the daughter of the Turkish ambassador to the Republic of Albania. She was the first internationally known jazz singer of Turkey and described by the authorities as having one of the most wondrous voices of the 20th century. She was regarded as a diva Diva (; ) is the Latin word f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ankara
Ankara ( , ; ), historically known as Ancyra and Angora, is the capital of Turkey. Located in the central part of Anatolia, the city has a population of 5.1 million in its urban center and over 5.7 million in Ankara Province, making it Turkey's second-largest city after Istanbul. Serving as the capital of the ancient Celtic state of Galatia (280–64 BC), and later of the Roman province with the same name (25 BC–7th century), the city is very old, with various Hattian, Hittite, Lydian, Phrygian, Galatian, Greek, Persian, Roman, Byzantine, and Ottoman archeological sites. The Ottomans made the city the capital first of the Anatolia Eyalet (1393 – late 15th century) and then the Angora Vilayet (1867–1922). The historical center of Ankara is a rocky hill rising over the left bank of the Ankara River, a tributary of the Sakarya River. The hill remains crowned by the ruins of Ankara Castle. Although few of its outworks have survived, there are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Pop
Indie pop (also typeset as indie-pop or indiepop) is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, Independent record label, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of ''indie pop'' has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop. Development and characteristics Origins and etymology Both ''indie'' and ''indie pop'' had originally referred to the same thing during the late 1970s. Inspired more by punk rock's DIY ethos than its style, guitar bands were formed on the then-novel premise that one could record and release their own music instead of having to procure a record contra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabesque (classical Music)
The arabesque is a type of music which uses melodies to create the atmosphere of Arabic architecture. Etymology The word "arabesque" is derived from Western world, Western ideas of Arabic music, which were highly embellished. Notable arabesques The most well-known are Claude Debussy's ''Arabesques (Debussy), Deux Arabesques'', composed in 1888 and 1891, respectively. Other composers who have written arabesques include: * Marin Marais: ''L'arabesque'' (1717), appears in the soundtrack of the film Tous les Matins du Monde * Robert Schumann: Arabeske (Schumann), Arabeske in C, Op. 18 (1839) * Johann Friedrich Franz Burgmüller (1806-1874): Op. 100 (1852) * Hans von Bülow: Arabesques sur un thême de l’opéra Rigoletto (1853) * Moritz Moszkowski: Opp. 15/2 (1877), 61 (1899), 95/4 and 96/5(1920) * Enrique Granados: Arabesca, Op. 31, H. 142 (1890) * Cécile Chaminade: Opp. 61 (1892) and 92 (1898) * Pyotr Ilyich Tchaikovsky (1840-93)Baker's Student Encyclopedia of Music * Anton Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Jazz
Avant-garde jazz (also known as avant-jazz and experimental jazz) is a style of music and improvisation that combines avant-garde art music and composition with jazz. It originated in the early 1950s and developed through to the late 1960s. Originally synonymous with free jazz, much avant-garde jazz was distinct from that style. History 1950s Avant-garde jazz originated in the mid- to late 1950s among a group of improvisors who rejected the conventions of bebop and post bop in an effort to blur the division between the written and the spontaneous. Ornette Coleman and Cecil Taylor led the way, soon to be joined by John Coltrane. Some would come to apply it differently from free jazz, emphasizing structure and organization by the use of composed melodies, shifting but nevertheless predetermined meters and tonalities, and distinctions between soloists and accompaniment. 1960s In Chicago, the Association for the Advancement of Creative Musicians began pursuing their own variety of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Britpop
Britpop was a mid-1990s British-based music culture movement that emphasised Britishness. It produced brighter, catchier alternative rock, partly in reaction to the popularity of the darker lyrical themes of the US-led grunge music and to the UK's own shoegaze music scene. The movement brought British alternative rock into the mainstream and formed the backbone of a larger British popular cultural movement, Cool Britannia, which evoked the Swinging Sixties and the British guitar pop of that decade. Britpop was a media-driven focus on bands which emerged from the independent music scene of the early 1990s. Although the term was viewed as a marketing tool, and more of a cultural moment than a musical style or genre, its associated bands typically drew from the British pop music of the 1960s, glam rock and punk rock of the 1970s and indie pop of the 1980s. The most successful bands linked with Britpop were Oasis, Blur, Suede and Pulp, known as the movement's "big four", al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanson
A (, , french: chanson française, link=no, ; ) is generally any lyric-driven French song, though it most often refers to the secular polyphonic French songs of late medieval and Renaissance music. The genre had origins in the monophonic songs of troubadours and trouvères, though the only polyphonic precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. Not until the '' ars nova'' composer Guillaume de Machaut did any composer write a significant number of polyphonic chansons. A broad term, the word "chanson" literally means "song" in French and can thus less commonly refers to a variety of (usually secular) French genres throughout history. This includes the songs of chansonnier, ''chanson de geste'' and Grand chant; court songs of the late Renaissance and early Baroque music periods, ''air de cour''; popular songs from the 17th to 19th century, ''bergerette'', ''brunette'', ''chanson pour boire'', ''pastourelle'', and vaudeville; art song of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cool Jazz
Cool jazz is a style of modern jazz music that arose in the United States after World War II. It is characterized by relaxed tempos and lighter tone, in contrast to the fast and complex bebop style. Cool jazz often employs formal arrangements and incorporates elements of classical music. Broadly, the genre refers to a number of post-war jazz styles employing a more subdued approach than that found in other contemporaneous jazz idioms. As Paul Tanner, Maurice Gerow, and David Megill suggest, "the tonal sonorities of these conservative players could be compared to pastel colors, while the solos of izzy Gillespie and his followers could be compared to fiery red colors." The term ''cool'' started being applied to this music around 1953, when Capitol Records released the album ''Classics in Jazz: Cool and Quiet''. Mark C. Gridley, writing in the ''All Music Guide to Jazz'', identifies four overlapping sub-categories of cool jazz: # "Soft variants of bebop," including the Miles Dav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deep House
Deep house is a subgenre of house music that originated in the 1980s, initially fusing elements of Chicago house with the lush chords of 1980s jazz-funk and touches of soul music. Its origins are attributed to the early recordings of Larry Heard (aka Mr. Fingers), including his influential track " Can You Feel It". Characteristics Deep house is known for tempos typically from 110 to 125 bpm, muted basslines, spacious use of percussion elements (typically using a Roland TR-909 drum machine), soft keyboard sounds (pads), use of advanced chord structures, ambient mixes, and soulful vocals. Lyrics usually focus on positive/uplifting themes or more melancholic subjects akin to blues. The use of vocals persisted in deep house as new forms of house music often abandoned them, but as of 2019, this difference has largely disappeared. History Deep house was largely pioneered by Chicago producers such as Marshall Jefferson ( On the House) and Larry Heard ( Mr. Fingers) and with tracks such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco House
French house, also known as French touch, filter house and tekfunk, is a style of house music originally produced by French musicians in the 1990s. It is a form of Euro disco and a popular strand of the late 1990s and 2000s European dance music scene. The defining characteristics of the sound are reliant on filter and phaser effects both on and alongside samples from late 1970s and early 1980s American or European disco tracks (or original hooks strongly inspired by such samples), causing thicker harmonic foundations than the genre's forerunners. Most tracks in this genre are in time and feature steady four on the floor beats in the tempo range of 110–130 beats per minute. French house is similar to future funk, although there are some key differences. Purveyors of French house include Daft Punk, Stardust, Cassius, The Supermen Lovers, Modjo and Étienne de Crécy. History and influences French house is greatly influenced by the lineage of American dance music fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Easy Listening
Easy listening (including mood music) is a popular music genre and radio format that was most popular during the 1950s to 1970s. It is related to middle-of-the-road (MOR) music and encompasses instrumental recordings of standards, hit songs, non-rock vocals and instrumental covers of selected popular rock songs. It mostly concentrates on music that pre-dates the rock and roll era, characteristically on music from the 1940s and 1950s. It was differentiated from the mostly instrumental beautiful music format by its variety of styles, including a percentage of vocals, arrangements and tempos to fit various parts of the broadcast day. Easy listening music is often confused with lounge music, but while it was popular in some of the same venues it was meant to be listened to for enjoyment rather than as background sound. History The style has been synonymous with the tag "with strings". String instruments had been used in sweet bands in the 1930s and was the dominant sound track ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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