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đờn Ca Tài Tử
Đờn ca tài tử (Chữ Hán: ) or nhạc tài tử (樂才子) is a genre of chamber music in the traditional music of southern Vietnam. Its instrumentation resembles that of the ca Huế style; additionally, modified versions of the European instruments guitar, violin, and steel guitar are used. ''Vọng cổ'' ("Longing for the Past") is one of the more popular ''tài tử'' melodies, and was composed in 1919 by songwriter ông Sáu Lầu, of Bạc Liêu Province in southern Vietnam.''Garland Encyclopedia of World Music'' South East Asia p.262 Nhạc tài tử Etymology The term comes from the Sino-Vietnamese terms ''nhạc'' ( 樂, literally "music") and ''tài tử'' ( 才子, literally "virtuoso"; the original Chinese meaning was "gifted scholar"). See also *Guitar phím lõm *Vọng cổ *Cải lương *Vietnamese music Traditional Vietnamese music encompasses a large umbrella of Vietnamese music from antiquity to present times, and can also encompass multiple groups, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chữ Hán
Chữ Hán (𡨸漢, literally "Chinese characters", ), Chữ Nho (𡨸儒, literally "Confucian characters", ) or Hán tự (漢字, ), is the Vietnamese term for Chinese characters, used to write Văn ngôn (which is a form of Classical Chinese used in Vietnam during the feudal period) and Sino-Vietnamese vocabulary in Vietnamese language, was officially used in Vietnam after the Red River Delta region was incorporated into the Han dynasty and continued to be used until the early 20th century (111 BC – 1919 AD). Terminology * Stroke - nét * Stroke order - Bút thuận (筆順) * Radical - Bộ thủ (部首) * Regular script - Khải thư (楷書) * Simplified characters - chữ giản thể (𡨸簡體) * Traditional characters - chữ phồn thể (𡨸繁體) * Văn ngôn - Literary Chinese (文言) * Hán văn - synonym of Literary Chinese (漢文) * Kangxi radicals - Bộ thủ Khang Hi History In the late 3rd century BC, the newly established Qin dynasty made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vietnam
Vietnam or Viet Nam ( vi, Việt Nam, ), officially the Socialist Republic of Vietnam,., group="n" is a country in Southeast Asia, at the eastern edge of mainland Southeast Asia, with an area of and population of 96 million, making it the world's sixteenth-most populous country. Vietnam borders China to the north, and Laos and Cambodia to the west. It shares maritime borders with Thailand through the Gulf of Thailand, and the Philippines, Indonesia, and Malaysia through the South China Sea. Its capital is Hanoi and its largest city is Ho Chi Minh City (commonly known as Saigon). Vietnam was inhabited by the Paleolithic age, with states established in the first millennium BC on the Red River Delta in modern-day northern Vietnam. The Han dynasty annexed Northern and Central Vietnam under Chinese rule from 111 BC, until the first dynasty emerged in 939. Successive monarchical dynasties absorbed Chinese influences through Confucianism and Buddhism, and expanded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ca Huế
Ca Huế (, Chữ Hán: 歌化, "Huế songs") is a form of classical Vietnamese music of Central Vietnam, particularly the Huế region. It contrasts with the ca trù ''Ca trù'' (, , "tally card songs"), also known as hát cô đầu or hát nói, is a Vietnamese genre of musical storytelling performed by a featuring female vocalist, with origins in northern Vietnam. For much of its history, it was associated ... genre to the North, and the đờn ca tài tử "gifted scholar" style to the South. The singer sings solo, as in the ca trù genre, accompanying herself with small wooden clappers, sometimes similar to the phách sticks used in ca trù, sometimes shaped like small teacups. Before and between the solo songs a traditional ensemble plays instrumental sections to complement the singer. The ''ca huế'' ensemble should be of five excellent instruments, ''ngũ tuyệt.''The Garland handbook of Southeast Asian music p269 Terry E. Miller, Sean Williams - 2008 "The ensembl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steel Guitar
A steel guitar ( haw, kīkākila) is any guitar played while moving a steel bar or similar hard object against plucked strings. The bar itself is called a "steel" and is the source of the name "steel guitar". The instrument differs from a conventional guitar in that it is played without using frets; conceptually, it is somewhat akin to playing a guitar with one finger (the bar). Known for its portamento capabilities, gliding smoothly over every pitch between notes, the instrument can produce a sinuous crying sound and deep vibrato emulating the human singing voice. Typically, the strings are plucked (not strummed) by the fingers of the dominant hand, while the steel tone bar is pressed lightly against the strings and moved by the opposite hand. The idea of creating music with a slide of some type has been traced back to early African instruments, but the modern steel guitar was conceived and popularized in the Hawaiian Islands. The Hawaiians began playing a conventional guitar i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vọng Cổ
''Vọng cổ'' (, Hán tự: , "nostalgia") is a Vietnamese song and musical structure used primarily in the ''cải lương'' theater music and '' nhạc tài tử'' chamber music of southern Vietnam. It was composed sometime between 1917 and 1919 by Cao Văn Lầu (performing name Sáu Lầu "sixth Lầu"), of Bạc Liêu Province in southern Vietnam. The song achieved great popularity and eventually its structure became the basis for numerous other songs. The tune is essentially melancholy in character and is sung using Vietnamese modal inflections. History The term vọng cổ is used to mean:Peter Manuel ''Popular Musics of the Non-Western World: An Introductory Survey'' Page 202 - 1990 "Thus, the term vọng cổ denotes: (1) a particular mode, equivalent to the óan nuance of the nam mode; (2) a particular song, dating from around 1919; and (3) any piece in the vọng cổ mode which employs the pitches of the original vọng cổ song as structural cadential points. The l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garland Encyclopedia Of World Music
''The Garland Encyclopedia of World Music'' is an academic reference work. It was initiated by editors at Garland Publishing in 1988 as a 10-volume series of encyclopedias of world music. The final volumes appeared in 2001, but editions have since been updated. It is widely regarded as an authoritative academic source for ethnomusicology.J.E. Druesedow ''Reference sources'' 2000 - JSTOR "... Sachs, Frances Densmore, and many others, but nearly the whole century passed before such a comprehensive series as The Garland Encyclopedia of World Music" It is published by Routledge, which, like Garland Science, is now part of Taylor & Francis Group. * Volume 1: Africa - ed. Ruth M. Stone (Professor of Folklore and Ethnomusicology, Indiana), 1997 * Volume 2: South America, Mexico, Central America, and the Caribbean - ed. Daniel E. Sheehy and Dale A. Olsen, 1998 * Volume 3: The United States and Canada - ed. Ellen Koskoff (Professor of Ethnomusicology. Eastman School of Music), 2000 * Volume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sino-Vietnamese Vocabulary
Sino-Vietnamese vocabulary ( vi, từ Hán Việt, Chữ Hán: 詞漢越, literally 'Chinese language, Chinese-Vietnamese words') is a layer of some 3,000 monosyllabic Morpheme, morphemes of the Vietnamese language borrowed from Literary Chinese with consistent pronunciations based on "Annamese" Middle Chinese. Compounds using these morphemes are used extensively in cultural and technical vocabulary. Together with Sino-Korean vocabulary, Sino-Korean and Sino-Japanese vocabulary, Sino-Japanese vocabularies, Sino-Vietnamese has been used in the reconstruction of the sound categories of Middle Chinese. Samuel Martin (linguist), Samuel Martin grouped the three together as "Sino-xenic". There is also an Old Sino-Vietnamese layer consisting of a few hundred words borrowed individually from Chinese in earlier periods. These words are treated by speakers as native. More recent loans from southern varieties of Chinese, usually names of foodstuffs such as 'Chinese sausage', are not treated as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Phím Lõm
The đàn lục huyền cầm (chữ Nôm: 彈六絃琴) (literally "lute with six strings"), or colloquially đàn ghi-ta phím lõm (literally ghi-ta "guitar", + phím "fret", + lõm "sunken"), is a scalloped Vietnamese adaptation of the French guitar. The guitar, or ghi-ta, was adopted by Vietnamese musicians during the 19th Century. However, in order to adapt a western guitar to the deep pressing on the strings necessary for Vietnamese music the fingerboard - the wood of the neck between the frets - was scooped out to ease the pressing. This carving out of the fingerboard is what gives the distinctive scalloped appearance to the six-string ''đàn lục huyền cầm''. This form of guitar is commonly used in cải lương or "Southern Reformed Theater."Simon Broughton, Mark Ellingham, Richard Trillo ''World Music: Latin and North America, Caribbean, India, Asia and Pacific'' The Rough Guide - Volume 2 - Page 265 2000 "Because of the anti-religious stance of the Vietnamese go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
