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Évariste Vital Luminais
Évariste Vital Luminais (; 13 October 1821 – 10 or 15 May 1896"LUMINAIS, E. V.", ''Bryan's Dictionary of Painters and Engravers'', rev. ed. George C. Williamson, Volume 3, New York: Macmillan / London: Bell, 1904, p. 258) was a French Painting, painter. He is best known for works depicting early French history and is sometimes called "the painter of the Gauls". Life and career Luminais was born in Nantes into a parliamentary and legal family. His great-grandfather Michel Luminais was an official in the Vendée; his grandfather Michel-Pierre Luminais represented the Vendée in parliament from 1799 to 1803; and his father, René Marie Luminais, represented Loire-Inférieure from 1831 to 1834 and Indre-et-Loire from 1848 to 1849. Aware of his natural artistic talent, his family sent him to Paris when he was 18 to study with the painter and sculptor Auguste Debay. He also studied with Léon Cogniet, a historical and portrait painter whose pupils included Léon Bonnat, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposition Universelle (1889)
The Exposition Universelle of 1889 () was a world's fair held in Paris, France, from 5 May to 31 October 1889. It was the fourth of eight expositions held in the city between 1855 and 1937. It attracted more than thirty-two million visitors. The most famous structure created for the Exposition, and still remaining, is the Eiffel Tower. Organization The Exposition was held to celebrate the 100th anniversary of the Storming of the Bastille, which marked the beginning of French Revolution, and was also seen as a way to stimulate the economy and pull France out of an economic recession. The Exposition attracted 61,722 official exhibitors, of whom twenty-five thousand were from outside of France. Admission price Admission to the Exposition cost forty centimes, at a time when the price of an "economy" plate of meat and vegetables in a Paris cafe was ten centimes. Visitors paid an additional price for several of the Exposition's most popular attractions. Climbing the Eiffel Towe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alemanni
The Alemanni or Alamanni, were a confederation of Germanic tribes * * * on the Upper Rhine River. First mentioned by Cassius Dio in the context of the campaign of Caracalla of 213, the Alemanni captured the in 260, and later expanded into present-day Alsace, and northern Switzerland, leading to the establishment of the Old High German language in those regions, by the eighth century named '' Alamannia''. In 496, the Alemanni were conquered by Frankish leader Clovis and incorporated into his dominions. Mentioned as still pagan allies of the Christian Franks, the Alemanni were gradually Christianized during the seventh century. The is a record of their customary law during this period. Until the eighth century, Frankish suzerainty over Alemannia was mostly nominal. After an uprising by Theudebald, Duke of Alamannia, though, Carloman executed the Alamannic nobility and installed Frankish dukes. During the later and weaker years of the Carolingian Empire, the Alemannic co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Découvertes Gallimard
(, ; in United Kingdom: ''New Horizons'', in United States: ''Abrams Discoveries'') is an editorial collection of illustrated monographic books published by the Éditions Gallimard in pocket format. The books are concise introductions to particular subjects, intended for a general audience but written by experts. Created in the style of ''livre d'art'', the collection is based on an abundant pictorial documentation and a way of bringing together visual documents and texts, enhanced by printing on coated paper, as commented in ''L'Express'', "genuine monographs, published like art books". Its creator—Pierre Marchand the "iconophile", as remarked by the German graphic designer Raymond Stoffel—was instrumental in moulding the policy and ideals of the collection, which was an immediate success both in France and internationally. The first title (English edition: '' The Search for Ancient Egypt'') appeared on 21 November 1986, authored by the French Egyptologist Jean Vercou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Masters Of Europe
First or 1st is the ordinal form of the number one (#1). First or 1st may also refer to: *World record, specifically the first instance of a particular achievement Arts and media Music * 1$T, American rapper, singer-songwriter, DJ, and record producer Albums * ''1st'' (album), a 1983 album by Streets * ''1st'' (Rasmus EP), a 1995 EP by The Rasmus, frequently identified as a single * '' 1ST'', a 2021 album by SixTones * ''First'' (Baroness EP), an EP by Baroness * ''First'' (Ferlyn G EP), an EP by Ferlyn G * ''First'' (David Gates album), an album by David Gates * ''First'' (O'Bryan album), an album by O'Bryan * ''First'' (Raymond Lam album), an album by Raymond Lam * ''First'', an album by Denise Ho Songs * "First" (Cold War Kids song), a song by Cold War Kids * "First" (Lindsay Lohan song), a song by Lindsay Lohan * "First", a song by Everglow from ''Last Melody'' * "First", a song by Lauren Daigle * "First", a song by Niki & Gabi * "First", a song by Jonas Broth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christiane Éluère
Christiane Éluère (born 1946, known in English as Christiane Eluère) is a French curator of heritage, archaeologist and historian specialised in the history of the Celts. Career Christiane Éluère is chief curator of the Center for Research and Restoration of Museums of France. At the National Archaeological Museum in Saint-Germain-en-Laye, she shares responsibility for the protohistoric collections. In 1987, she helped to organise the exhibition ('Treasures of the Celtic Princes'). She is the author of several books on European protohistory and the Celts. Her publications include (1982), (1987), (1989) and (1992), a richly illustrated pocket book for Gallimard's " Découvertes" collection, which has been translated into eight languages, including English, and is often reprinted. Selected publications * ''L'Or des Celtes'', Office du livre, 1987 * ''Les secrets de l'or antique'', La Bibliothèque des Arts, 1989 ** ''Secrets of Ancient Gold'', Düdingen: Trio, 199 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gauls
The Gauls ( la, Galli; grc, Γαλάται, ''Galátai'') were a group of Celtic peoples of mainland Europe in the Iron Age and the Roman period (roughly 5th century BC to 5th century AD). Their homeland was known as Gaul (''Gallia''). They spoke Gaulish, a continental Celtic language. The Gauls emerged around the 5th century BC as bearers of La Tène culture north and west of the Alps. By the 4th century BC, they were spread over much of what is now France, Belgium, Switzerland, Southern Germany, Austria, and the Czech Republic, by virtue of controlling the trade routes along the river systems of the Rhône, Seine, Rhine, and Danube. They reached the peak of their power in the 3rd century BC. During the 4th and 3rd centuries BC, the Gauls expanded into Northern Italy ( Cisalpine Gaul), leading to the Roman–Gallic wars, and into the Balkans, leading to war with the Greeks. These latter Gauls eventually settled in Anatolia, becoming known as Galatians. After the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Third Republic
The French Third Republic (french: Troisième République, sometimes written as ) was the system of government adopted in France from 4 September 1870, when the Second French Empire collapsed during the Franco-Prussian War, until 10 July 1940, after the Fall of France during World War II led to the formation of the Vichy government. The early days of the Third Republic were dominated by political disruptions caused by the Franco-Prussian War of 1870–1871, which the Republic continued to wage after the fall of Emperor Napoleon III in 1870. Harsh reparations exacted by the Prussians after the war resulted in the loss of the French regions of Alsace (keeping the Territoire de Belfort) and Lorraine (the northeastern part, i.e. present-day department of Moselle), social upheaval, and the establishment of the Paris Commune. The early governments of the Third Republic considered re-establishing the monarchy, but disagreement as to the nature of that monarchy and the rightful occ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academic Painter
Academic art, or academicism or academism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which was practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called "academism," "academicism," " art pompier" (pejoratively), and "eclecticism," and sometimes linked with "historicism" and " syncretism." Academic art is closely related to Beaux-Arts architecture, which developed in the same place and holds to a similar classicizing ideal. The academies in history The first academy of art was founded in Florence in Italy by Cosimo I de' Medici, on 13 January 1563, under the infl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre Painting
Genre painting (or petit genre), a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attached either individually or collectively, thus distinguishing it from history paintings (also called ''grand genre'') and portraits. A work would often be considered as a genre work even if it could be shown that the artist had used a known person—a member of his family, say—as a model. In this case it would depend on whether the work was likely to have been intended by the artist to be perceived as a portrait—sometimes a subjective question. The depictions can be realistic, imagined, or romanticized by the artist. Because of their familiar and frequently sentimental subject matter, genre paintings have often proven popular with the bourgeoisie, or middle class. Genre subjects appear in many traditions of art. Painted decorations in anc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emily Sartain
Emily Sartain (March 17, 1841 – June 17, 1927) was an American painter and engraver. She was the first woman in Europe and the United States to practice the art of mezzotint engraving, and the only woman to win a gold medal at the 1876 World Fair in Philadelphia. Sartain became a nationally recognized art educator and was the director of the Philadelphia School of Design for Women from 1866 to 1920. Her father, John Sartain, and three of her brothers, William, Henry and Samuel were artists. Before she entered the Pennsylvania Academy of the Fine Arts and studied abroad, her father took her on a Grand Tour of Europe. She helped found the New Century Club for working and professional women, and the professional women's art clubs, The Plastic Club and The Three Arts Club. Early life Emily Sartain was born in Philadelphia, Pennsylvania on March 17, 1841. She was the fifth of eight children of Philadelphia master printer and publisher of '' Sartain's Magazine'' John Sartain and S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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