Halberds

History

While rarer than it had been from the late 15th to mid-16th centuries, the halberd was still used infrequently as an infantry weapon well into the mid-17th century. The armies of the Catholic League in 1625, for example, had halberdiers comprising 7% of infantry units, with musketeers comprising 58% and armored pikemen 35%. By 1627 this had changed to 65% muskets, 20% pikes, and 15% halberds. A near-contemporary depiction of the 1665 Battle of Montes Claros at Palace of the Marquises of Fronteira depicts a minority of the Portuguese and Spanish soldiers as armed with halberds. Antonio de Pereda's 1635 painting El Socorro a Génova depicting the Relief of Genoa has all the soldiers armed with halberds. The most consistent users of the halberd in the Thirty Years' War were German sergeants who would carry one as a sign of rank. While they could use them in melee combat, more often they were used for dressing the ranks by grasping the shaft in both hands and pushing it against several men simultaneously. They could also be used to push pikes or muskets up or down, especially to stop overexcited musketeers from firing prematurely. Halberds and other polearms remained useful during instances of close-in fighting such as during stormings of towns and forts. At the Siege of Lyme Regis in April 1644 during the English Civil War, halberdiers were among the troops that repelled the attackers after their cannons made breaches in the walls.