Didactic

Overview

Didactic art was meant both to entertain and to instruct. Didactic plays, for instance, were intended to convey a moral theme or other rich truth to the audience. During the Middle Age, the Roman Catholic chants like the Veni Creator Spiritus, as well as the Eucharistic hymns like the Adoro te devote and Pange lingua are used for fixing within prayers the truths of the Roman Catholic faith to preserve them and pass down from a generation to another. In the Renaissance, the church began a syncretism between pagan and the Christian didactic art, a syncretism that reflected its dominating temporal power and recalled the controversy among the pagan and Christian aristocracy in the fourth century. An example of didactic writing is Alexander Pope's An Essay on Criticism (1711), which offers a range of advice about critics and criticism. An example of didacticism in music is the chant Ut queant laxis, which was used by Guido of Arezzo to teach solfege syllables.