Afro-Cuban

Music

Afro-Cuban arts emerged in the early 1960s with musicians spearheading an amateur movement bringing African-influenced drumming to the forefront of Cuban music. For example, Enrique Bonne's drumming ensembles took inspiration from Cuban folklore, traditional trova, dance music, and American Jazz. Pello de Afrokan created a new dance rhythm called Mozambique that increased in popularity after his predominantly afro-Cuban folklore troupe performed in 1964. Afro-Cuban artists Mario Bauzá and Frank Grillo, known as Machito, were influential figures in shaping the Afro-Cuban community and its music. Bauzá, a trumpeter and composer, pioneered the fusion of Afro-Cuban rhythms with jazz, giving rise to the Afro-Cuban jazz movement which gained considerable popularity in the United States, Europe, and the Caribbean in the mid 20th century.