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Polyvision
Polyvision was the name given by the French film critic Émile Vuillermoz to a specialized widescreenfilm format devised exclusively for the filming and projection of Abel Gance's 1927 film Napoléon, its three-projector format predating Cineramaby 25 years. Polyvision involved the simultaneous projection of three reels of silent film arrayed in a horizontal row, making for a total aspect ratio of 4:1 (1.33×3).
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