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Padosi

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Shejari (Marathi: शेजारी) is also known as Padosi in Hindi version as (पड़ोसी, پڑوسی Neighbour). Padosi is a 1941 Indian socialdrama film directed by V. Shantaram. It was produced by Prabhat Film Company and the bilingual film in Marathi and Hindi was the last film Shantaram made for Prabhat before venturing to form his Rajkamal Kalamandir. The film is cited as one of the three social classics Shantaram made at Prabhat. The other two were Duniya Na Mane (1937) and Aadmi (1939).

Prabhat Film CompanyPrabhat Film CompanyPrabhat Film Company (popularly known as Prabhat Films) was an Indian film production company and studio facility founded in 1929 in Kolhapur. It was established by filmmaker V. Shantaram, along with Vishnupant Govind Damle, Keshav Rao Dhaibar, S. Fatelal, and S. V. Kulkarni. The company gained prominence during the transition from silent films to talkies and was recognised for its technical excellence and socially conscious storytelling.Gajanan JagirdarGajanan JagirdarGajanan Jagirdar (2 April 1907 – 13 August 1988) was a veteran Indian film director, screenwriter and actor. He worked in Hindi Cinema, also called Bollywood, as well as Marathi cinema. The period of 1942 to 1947, saw his rise as a film director with Prabhat Films. He was appointed as the first director (then principal) of the Film and Television Institute of India (FTII) in 1960 which was known as Film Institute of India then.V. ShantaramV. ShantaramV. Shantaram (born Shantaram Rajaram Vankudre; Marathi:; 18 November 1901 – 30 October 1990), also known as Shantaram Bapu, was an Indian film director, producer, screenwriter, actor and editor known for his work in Hindi and Marathi films. Widely regarded as one of the pioneers of Indian cinema, he was known for his socially conscious films, innovative filmmaking techniques and experimentation with colour, sound and cinematography.Mazhar Khan (actor, born 1905)Mazhar Khan (actor, born 1905)Mazhar Khan (18 October 1905 – 24 September 1950) was an actor, producer, and director in Indian Cinema. He began his career as a police officer, which he left to study law for a short period. After abandoning his studies, he came to Bombay and started his career in cinema with the silent film Fatal Garland (1928) opposite the top actress of the time, Ermeline. He became a popular actor, gaining success in several silent films.Rajkamal KalamandirRajkamal Kalamandir was a noted film production company and studio in Mumbai. It was established by V. Shantaram in 1942, after he left Prabhat Film Company. The studio produced films both in Hindi and Marathi, and it was best known for Dr. Kotnis Ki Amar Kahani (1946), Amar Bhoopali (1951), Jhanak Jhanak Payal Baaje (1955), Do Ankhen Barah Haath (1957), Navrang (1959) and Pinjara (1972). In its heyday, Rajkamal was one of the most sophisticated studios of the country.Social filmSocial filmA social film is a type of interactive film that is presented through the lens of social media. A social film is distributed digitally and integrates with a social networking service, such as Facebook or YouTube. It combines features of web video, social network games and social media. Key elementsSocial films are a more recent phenomenon, and, in turn, there are few precedents for their format.Marathi languageMarathi languageIndo-Aryan language of IndiaMarathi ( ; मराठी, 𑘦𑘨𑘰𑘙𑘲, Marāṭhī, pronounced) is a classicalIndo-Aryan language predominantly spoken by the Marathi people in the Indian state of Maharashtra, and is also spoken in Goa and the territory of Dadra and Nagar Haveli and Daman and Diu. A Marathi-speaking community also exists in Karachi, Pakistan. It is the official language of Maharashtra, and an additional official language in the state of Goa.ManoosManoosManoos, also called Life's for Living, is a 1939IndianMarathi social melodrama film directed by V. Shantaram. The movie was simultaneously made in Hindi as Aadmi. The film was based on a short story called "The Police Constable". The story was by A. Bhaskarrao, with screenplay and dialogue by Anant Kanekar. The cinematographer was V. Avadhoot and the music was composed by Master Krishna Rao, with lyrics by Kanekar.Hindu–Muslim unityHindu–Muslim unityHindu–Muslim unity is a religiopolitical concept in the Indian subcontinent which stresses members of the two largest faith groups there, Hindus and Muslims, working together for the common good.Vishram BedekarVishram BedekarVishwanath Chintamani Bedekar (13 August 1906 – 30 October 1998), who professionally used the name Vishram Bedekar, was an Indian Marathi-language writer and film director. Bedekar was born on 13 August 1906, in Amravati. After receiving his college degree in Amravati, he went to Nagpur for his post-graduate studies. During his college days, he was drawn to English literature and theater.Drama (film and television)Drama (film and television)In film and television, drama is a category or genre of narrativefiction (or semi-fiction) intended to be more serious than humorous in tone. The drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy drama (dramedy).KunkuKunkuKunku (Marathi title) is a 1937 Indian Marathi-language classic social drama film directed by V. Shantaram, and based on the novel, Na Patnari Goshta by Narayan Hari Apte, who also wrote film's screenplay. The film was simultaneously shot and released in Hindi as Duniya Na Maane. The film went on to become both a critical and commercial success, and was shown at the Venice International Film Festival.

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