1520s in music1510s1520s in music1530sMusic timelineThe decade of the 1520s in music (years 1520–1529) involved some significant events, compositions, publications, births, and deaths. Events7–24 June 1520: Field of the Cloth of Gold held at Balinghem. The court musical establishments of Francis I of France and Henry VIII of England were led by Jean Mouton and William Cornysh, respectively.1521: Diet of Worms.
Renaissance musicRenaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ars nova, the Trecento music was treated by musicology as a coda to medieval music and the new era dated from the rise of triadic harmony and the spread of the contenance angloise style from the British Isles to the Burgundian School.
ChansonA chanson (UK: , US: ; French: chanson française, lit.'French song') is generally any lyric-driven French song.
FrottolaThe frottola (pronounced; plural frottole) was the predominant type of Italian popular secular song of the late fifteenth and early sixteenth century. It was the most important and widespread predecessor to the madrigal. The peak of activity in composition of frottole was the period from 1470 to 1530, after which time the form was replaced by the madrigal.
Baroque musicBaroque music (UK: or US: ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition (the galant style). Baroque music forms a major portion of the "classical music" canon, and continues to be widely studied, performed, and listened to.
Vocal musicVocal music is a type of singing performed by one or more singers, either with instrumental accompaniment or without instrumental accompaniment (a cappella), in which singing provides the main focus of the piece. Music which employs singing but does not feature it prominently is generally considered to be instrumental music (e.g. the wordless women's choir in the final movement of Holst's symphonic work The Planets) as is music without singing.
Italian languageRomance languageItalian (italiano, pronounced, or lingua italiana, pronounced) is a Romance language of the Indo-European language family. It is a standardised form of literary Florentine Tuscan and, together with Sardinian, is the least differentiated language from Latin. Current estimates indicate that between 68 and 85 million people speak Italian, including approximately 64 million native speakers as of 2024.
Metre (music)In music, metre (British spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as downbeats and beats. Unlike rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. A variety of systems exist throughout the world for organising and playing metrical music, such as the Indian system of tala and similar systems in Arabic and African music.
PolyphonyPolyphony ( pə-LIF-ə-nee) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice (monophony) or a texture with one dominant melodic voice accompanied by chords (homophony). In the Western musical tradition, the term polyphony is usually used to refer to music of the late Middle Ages and Renaissance.
AccompanimentAccompaniment is the musical part which provides the rhythmic and/or harmonic support for the melody or main themes of a song or instrumental piece. There are many different styles and types of accompaniment in different genres and styles of music. In homophonic music, the main accompaniment approach used in popular music, a clear vocal melody is supported by subordinate chords.
Strophic formStrophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. Contrasting song forms include through-composed, with new music written for every stanza, and ternary form, with a contrasting central section. EtymologyStrophe is derived from the Greek word στροφή (strophḗ, "turn").CoupletIn poetry, a couplet ( ) or distich ( ) is a pair of successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (open) couplet, the meaning of the first line continues to the second.
TercetA tercet is composed of three lines of poetry, forming a stanza or a complete poem. Examples of tercet formsEnglish-language haiku is an example of an unrhymed tercet poem. A poetic triplet is a tercet in which all three lines follow the same rhyme, AAA{\displaystyle \mathrm {AAA} }; triplets are rather rare; they are more customarily used sparingly in verse of heroic couplets or other couplet verse, to add extraordinary emphasis.
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