Wir Müssen Durch Viel Trübsal, BWV 146
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(We must
ass Ass most commonly refers to: * Buttocks (in informal American English) * Donkey or ass, ''Equus africanus asinus'' **any other member of the subgenus ''Asinus'' Ass or ASS may also refer to: Art and entertainment * Ass (album), ''Ass'' (albu ...
through great sadness), 146, is a
cantata A cantata (; ; literally "sung", past participle feminine singular of the Italian language, Italian verb ''cantare'', "to sing") is a vocal music, vocal Musical composition, composition with an musical instrument, instrumental accompaniment, ty ...
by
Johann Sebastian Bach Johann Sebastian Bach (German: Help:IPA/Standard German, joːhan zeˈbasti̯an baχ ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety ...
, a
church cantata A church cantata or sacred cantata is a cantata intended to be performed during Christian liturgy. The genre was particularly popular in 18th-century Lutheran Germany, with many composers writing an extensive output: Gottfried Heinrich Stölzel ...
for the third Sunday after
Easter Easter, also called Pascha ( Aramaic: פַּסְחָא , ''paskha''; Greek: πάσχα, ''páskha'') or Resurrection Sunday, is a Christian festival and cultural holiday commemorating the resurrection of Jesus from the dead, described in t ...
. Bach composed it in
Leipzig Leipzig (, ; ; Upper Saxon: ; ) is the most populous city in the States of Germany, German state of Saxony. The city has a population of 628,718 inhabitants as of 2023. It is the List of cities in Germany by population, eighth-largest city in Ge ...
in 1726 or 1727.


History and words

Bach composed the cantata in
Leipzig Leipzig (, ; ; Upper Saxon: ; ) is the most populous city in the States of Germany, German state of Saxony. The city has a population of 628,718 inhabitants as of 2023. It is the List of cities in Germany by population, eighth-largest city in Ge ...
for the Third Sunday after Easter, called
Jubilate Psalm 100 is the 100th psalm in the Book of Psalms in the Tanakh. In English, it is translated as "Make a joyful noise unto the Lord, all ye lands" in the King James Version (KJV), and as "O be joyful in the Lord, all ye lands" in the Book of C ...
. The prescribed readings for the Sunday were from the
First Epistle of Peter The First Epistle of Peter is a book of the New Testament. The author presents himself as Peter the Apostle. The ending of the letter includes a statement that implies that it was written from "Babylon", which may be a reference to Rome. The ...
, "Submit yourselves to every ordinance of man" (), and from the
Gospel of John The Gospel of John () is the fourth of the New Testament's four canonical Gospels. It contains a highly schematic account of the ministry of Jesus, with seven "Book of Signs, signs" culminating in the raising of Lazarus (foreshadowing the ...
, Jesus announcing his
second coming The Second Coming (sometimes called the Second Advent or the Parousia) is the Christianity, Christian and Islam, Islamic belief that Jesus, Jesus Christ will return to Earth after his Ascension of Jesus, ascension to Heaven (Christianity), Heav ...
in his
Farewell Discourse In the New Testament, wikisource:Bible (American Standard)/John#14:1, chapters 14–17 of the Gospel of John are known as the Farewell Discourse given by Jesus to eleven of his Disciple (Christianity), disciples immediately after the conclusion o ...
(). Bach contrasted sorrow and joy in earlier cantatas for the same occasion, first in
Weimar Weimar is a city in the state (Germany), German state of Thuringia, in Central Germany (cultural area), Central Germany between Erfurt to the west and Jena to the east, southwest of Leipzig, north of Nuremberg and west of Dresden. Together w ...
in 1714, , then in Leipzig in 1725, . The unknown poet chose a quote from to begin the cantata, "We must through much tribulation enter into the kingdom of God", which Salomon Franck had already used for the first recitative of . The three following
movements Movement may refer to: Generic uses * Movement (clockwork), the internal mechanism of a timepiece * Movement (sign language), a hand movement when signing * Motion, commonly referred to as movement * Movement (music), a division of a larger c ...
deplore the sufferings in the world, whereas three more movements depict the joyful hope for a better life in the
Kingdom of God The concept of the kingship of God appears in all Abrahamic religions, where in some cases the terms kingdom of God and kingdom of Heaven are also used. The notion of God's kingship goes back to the Hebrew Bible, which refers to "his kingdom" ...
. The theme throughout his texts is a longing for death. Movement 5 is a
paraphrase A paraphrase () or rephrase is the rendering of the same text in different words without losing the meaning of the text itself. More often than not, a paraphrased text can convey its meaning better than the original words. In other words, it is a ...
of , which Brahms also chose for his
Requiem A Requiem (Latin: ''rest'') or Requiem Mass, also known as Mass for the dead () or Mass of the dead (), is a Mass of the Catholic Church offered for the repose of the souls of the deceased, using a particular form of the Roman Missal. It is ...
, "They that sow in tears shall reap in joy". Movement 6 refers to , "For I reckon that the sufferings of this present time are not worthy to be compared with the glory which shall be revealed in us". Only the music but not the words of the closing
chorale A chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of " Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one o ...
is extant. The ninth
stanza In poetry, a stanza (; from Italian ''stanza'', ; ) is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. ...
of
hymn A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' d ...
"" has been suggested by
Alfred Dürr Alfred Dürr (3 March 1918 – 7 April 2011) was a German musicologist. He was a principal editor of the Neue Bach-Ausgabe, the second edition of the complete works of Johann Sebastian Bach. Professional career Dürr studied musicology and Clas ...
as a possible text for this closing
chorale A chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of " Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one o ...
.
Klaus Hofmann Klaus Hofmann (born 20 March 1939) is a German musicologist who is an expert on the music of Johann Sebastian Bach. Born in Würzburg, Hofmann studied after graduation (1958) from 1958 to 1959 at the University of Erlangen. He then continued his ...
suggested "" by
Christoph Demantius Johann Christoph Demantius (15 December 1567 – 20 April 1643) was a German composer, music theorist, writer and poet. He was an exact contemporary of Monteverdi, and represented a transitional phase in German Lutheran music from the polypho ...
. The earliest possible date for the first performance is 12 May 1726. 4 May 1727 is another possibility.


Scoring and structure

The cantata in eight movements is scored for
soprano A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral ...
,
alto The musical term alto, meaning "high" in Italian (Latin: '' altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In four-part voice leading alto is the second-highest part, sung in ch ...
,
tenor A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below m ...
and
bass Bass or Basses may refer to: Fish * Bass (fish), various saltwater and freshwater species Wood * Bass or basswood, the wood of the tilia americana tree Music * Bass (sound), describing low-frequency sound or one of several instruments in th ...
soloists, a four-part choir,
flauto traverso The Western concert flute can refer to the common C concert flute or to the family of transverse (side-blown) flutes to which the C flute belongs. Almost all are made of metal or wood, or a combination of the two. A musician who plays the flute ...
, two
oboes d'amore The ; (), less commonly (), is a double reed woodwind musical instrument in the oboe family. Slightly larger than the oboe, it has a less assertive and a more tranquil and serene tone, and is considered the mezzo-soprano of the oboe family, betw ...
,
taille The ''taille'' () was a direct land tax on the French peasantry and non-nobles in ''Ancien Régime'' France. The tax was imposed on each household and was based on how much land it held, and was paid directly to the state. History Originally ...
(tenor oboe),
organ Organ and organs may refer to: Biology * Organ (biology), a group of tissues organized to serve a common function * Organ system, a collection of organs that function together to carry out specific functions within the body. Musical instruments ...
, two
violin The violin, sometimes referred to as a fiddle, is a wooden chordophone, and is the smallest, and thus highest-pitched instrument (soprano) in regular use in the violin family. Smaller violin-type instruments exist, including the violino picc ...
s,
viola The viola ( , () ) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the ...
and
basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...
. # Sinfonia # Chorus: # Aria (alto): # Recitative (soprano): # Aria (soprano): # Recitative (tenor): # Aria (tenor, bass): # Chorale: or


Music

Two movements of the cantata, the
Sinfonia Sinfonia (; plural ''sinfonie'') is the Italian word for symphony, from the Latin ''symphonia'', in turn derived from Ancient Greek συμφωνία ''symphōnia'' (agreement or concord of sound), from the prefix σύν (together) and Φωνή (s ...
and the first movement, are related to Bach's
Harpsichord Concerto in D minor, BWV 1052 The Harpsichord Concerto in D minor, BWV 1052, is a concerto for harpsichord and Baroque string orchestra by Johann Sebastian Bach. In three movements, marked ''Allegro'', ''Adagio'' and ''Allegro'', it is the first of Bach's harpsichor ...
, which was possibly derived from a lost violin concerto. The original music for the cantata is also lost, but scholars are convinced that it is a work of Bach. He used an instrumental concerto in a similar way for movements of his cantatas , and , where his authorship is beyond doubt. Bach reworked the first movement of the harpsichord concerto to an organ concerto, expanding the strings by
woodwind instrument Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and ...
s. He changed the second movement to a choral movement by embedding vocal parts in the music, but this time without additional woodwinds. Brian Robins commented:
The opening chorus is superimposed onto the deeply moving slow movement of the concerto, the anguish of the repeated (
ostinato In music, an ostinato (; derived from the Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces inc ...
) bass line ideally underlining a text concerned with the tribulation that must be endured before the kingdom of heaven is attained.
Musicologist Julian Mincham describes the process of changing a harpsichord concerto movement to a chorus with
obbligato In Western classical music, ''obbligato'' (, also spelled ''obligato'') usually describes a musical line that is in some way indispensable in performance. Its opposite is the marking '' ad libitum''. It can also be used, more specifically, to ind ...
organ in detail:
The original thirteen-bar throbbing
ritornello A ritornello (Italian; "little return") is a recurring passage in Renaissance music and Baroque music for orchestra or chorus. Early history The earliest use of the term "ritornello" in music referred to the final lines of a fourteenth-century ...
theme is retained but its function has changed. The voices soar above it from the very first bar and continue to enhance it throughout its six appearances in different tonal environments. The ritornello theme has virtually become a free "ground bass" throughout. The tortuous melodic line, the main focus of attention in the concerto setting, has now become an obbligato melody of secondary significance. It is played by the organ, the first time Bach has used the instrument in this way in a chorus. The choir rises magnificently above everything else establishing itself as the dominant musical force, even appearing to disregard the phrasing of the original composition. All that was of primary importance in the concerto is now secondary to the chorus and its message. This momentous adagio, seemingly complete in its version for strings and harpsichord, has taken on a whole new dimension of musical meaning.
Hofmann summarizes: "Filled with lamenting in the spirit of the
Passion Passion, the Passion or the Passions may refer to: Emotion * Passion (emotion), a very strong feeling about a person or thing * Passions (philosophy), emotional states as used in philosophical discussions * Stoic passions, various forms of emotio ...
, the movement gains its intensity from the dense and dissonant harmonic expressiveness, and incorporates ostinato phrases whose regular appearances seem to illustrate inevitability." The third movement is an alto aria with violin obbligato, which transcends "" (towards Heaven). The following recitative, a lament on the persecution in the world, is accompanied by long chords in the strings. Movement 5 illustrates in two sections the opposition of sowing with tears and reaping with joy, accompanied by a flute and two oboes d'amore. Movement 7 is probably derived from a secular dance-like movement in
da capo Da capo ( , , ; often abbreviated as D.C.) is an Italian musical term that means "from the beginning" (literally, "from the head"). The term is a directive to repeat the previous part of music, often used to save space, and thus is an easie ...
form. A ritornello frames the first section, continuo only accompanies the middle section. The final chorale is set for four parts on the melody of "".


Recordings

* ''Die Bach Kantate Vol. 33'',
Helmuth Rilling Helmuth Rilling (born 29 May 1933) is a German choral conductor and an academic teacher. He is the founder of the Gächinger Kantorei (1954), the Bach-Collegium Stuttgart (1965), the Oregon Bach Festival (1970), the Internationale Bachakade ...
,
Gächinger Kantorei Gächinger Kantorei (Gächingen Chorale), which uses the old German spelling of its name, the Gaechinger Cantorey, is an internationally known German mixed choir, founded by Helmuth Rilling in 1954 in Gächingen (part of St. Johann close to Reutl ...
,
Bach-Collegium Stuttgart Bach-Collegium Stuttgart is an internationally known German instrumental ensemble, founded by Helmuth Rilling in 1965 to accompany the Gächinger Kantorei in choral music with orchestra. Its members are mostly orchestra musicians from Germany and ...
,
Helen Donath Helen Jeanette Donath (née Erwin; born July 10, 1940) is an American soprano with a career spanning fifty years. Biography Helen Erwin was born in Corpus Christi, Texas and studied there at Del Mar College. Later she studied in New York with ...
,
Marga Höffgen Marga Anna Johanna Höffgen (26 April 1921 – 7 July 1995) was a German contralto, known for singing oratorios, especially the Passions by Johann Sebastian Bach, and operatic parts such as Erda in Wagner's ''Der Ring des Nibelungen'', performed a ...
,
Kurt Equiluz Kurt Equiluz (13 June 1929 – 20 June 2022) was an Austrian classical tenor. He was a member of the Vienna State Opera as a tenor buffo from 1957 until 1983, remembered for roles such as Pedrillo in Mozart's ''Die Entführung aus dem Serail''. ...
, Hanns-Friedrich Kunz,
Hänssler Hänssler-Verlag is a German music publishing house founded in 1919 as Musikverlag Hänssler by (died 1972) to publish church music. In 1941 the Nazi government shut down the publishing house. It was allowed by the West German authorities to reo ...
1973 * ''J. S. Bach: Das Kantatenwerk – Sacred Cantatas Vol. 6'',
Nikolaus Harnoncourt Johann Nikolaus Harnoncourt (6 December 1929 – 5 March 2016) was an Austrian conductor, known for his historically informed performances. He specialized in music of the Baroque period, but later extended his repertoire to include Classical ...
,
Tölzer Knabenchor The Tölzer Knabenchor (Tölz Boys' Choir) is a world-famous Boys' choir, boys' choir named after the Upper Bavarian district town of Bad Tölz and based in Unterföhring near Bavarias capital Munich. Also associated with the choir is the Men's ch ...
,
Concentus Musicus Wien Concentus Musicus Wien (CMW) is an Austrian baroque music ensemble based in Vienna. The CMW is recognized as a pioneer of the period-instrument performance movement. History Nikolaus Harnoncourt and Alice Harnoncourt co-founded the CMW in 19 ...
, soloist of the Tölzer Knabenchor,
Paul Esswood Paul Lawrence Vincent Esswood (born 6 June 1942) is an English countertenor and conductor. He is best known for his performance of Bach cantatas and the operas of Handel and Monteverdi. Along with his countrymen Alfred Deller and James Bowman, ...
,
Kurt Equiluz Kurt Equiluz (13 June 1929 – 20 June 2022) was an Austrian classical tenor. He was a member of the Vienna State Opera as a tenor buffo from 1957 until 1983, remembered for roles such as Pedrillo in Mozart's ''Die Entführung aus dem Serail''. ...
,
Thomas Hampson Thomas Walter Hampson (born June 28, 1955) is an American lyric baritone, a classical singer who has appeared world-wide in major opera houses and concert halls and made over 170 musical recordings. Hampson's operatic repertoire spans a range ...
,
Teldec Teldec (Telefunken-Decca Schallplatten GmbH) is a German record label in Hamburg, Germany. Today the label is a property of Warner Music Group. History Teldec was a producer of (first) shellac and (later) vinyl records. The Teldec manufacturing ...
1980 * ''Bach Cantatas Vol. 24: Altenburg/Warwick'',
John Eliot Gardiner Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach, especially the Bach Cantata Pilgrimage of 2000, performing Church cantata (Bach), Bach's church ...
,
Monteverdi Choir The Monteverdi Choir was founded in 1964 by Sir John Eliot Gardiner for a performance of the ''Vespro della Beata Vergine'' in King's College Chapel, Cambridge. A specialist Baroque ensemble, the Choir has become famous for its stylistic conv ...
,
English Baroque Soloists The English Baroque Soloists is a chamber orchestra playing on authentic performance, period instruments, formed in 1978 by English Conducting, conductor John Eliot Gardiner, Sir John Eliot Gardiner. Its repertoire comprises music from the early B ...
, , William Towers,
Mark Padmore Mark Padmore (born 8 March 1961) is a British tenor appearing in concerts, recitals, and opera. Early life He was born in London on 8 March 1961, and raised in Canterbury, Kent, England. Padmore studied clarinet and piano prior to his gainin ...
, Julian Clarkson,
Soli Deo Gloria ' (S.D.G.) is a Latin term for Glory to God alone. It has been used by artists like Johann Sebastian Bach, George Frideric Handel, and Christoph Graupner to signify that the work was produced for the sake of praising God in Christianity, God ...
2000 * ''Bach Edition Vol. IV–16'',
Pieter Jan Leusink Pieter Jan Leusink (born 5 April 1958 in Elburg) is a Dutch conductor of classical music. He studied organ in Zwolle at the Municipal Conservatory and took conducting lessons from Gottfried van der Horst. He founded the Stadsknapenkoor Elburg (E ...
,
Holland Boys Choir Pieter Jan Leusink (born 5 April 1958 in Elburg) is a Dutch conductor of classical music. He studied organ in Zwolle at the Municipal Conservatory and took conducting lessons from Gottfried van der Horst. He founded the Stadsknapenkoor Elburg ...
, Nethertlands Bach Collegium,
Marjon Strijk Marjon Strijk is a Dutch classical soprano. She is focused on Renaissance and Baroque music. She has recorded Bach cantatas with the Holland Boys Choir, conducted by Pieter Jan Leusink. Career Strijk studied voice with Jeanne Companjen, Eugen ...
,
Sytse Buwalda Sytse Buwalda (born 1965) is a Dutch counter-tenor. Life and career Buwalda studied at the Sweelinck School of Music (Conservatorium van Amsterdam) in Amsterdam and has worked with conductors such as Frans Brüggen, Gustav Leonhardt, Sigiswald K ...
, Marcel Beekman,
Bas Ramselaar Bas Ramselaar (born 1961 in Amersfoort) is a Dutch bass singer and conductor. A graduate of the Utrechts Conservatorium, he has sung with notable ensembles such as the Berliner Symphoniker, the Royal Concertgebouw Orchestra, the London Symphony ...
, Brilliant Records, 2000 * ''J. S. Bach: Complete Cantatas Vol. 15'' –
Sibylla Rubens Sibylla Rubens is a German classical concert soprano. Career Sibylla Rubens studied voice (concert and opera) at the Staatliche Musikhochschule in Trossingen and at the Hochschule für Musik in Frankfurt and in master classes with Edith Mathi ...
,
Bogna Bartosz Bogna Bartosz (born in Gdańsk) is a Polish-German classical mezzo-soprano and alto. She lives in Berlin. Career Bogna Bartosz studied voice at the Academy of Music in Gdansk and graduated with distinction. She then studied at the Berlin Unive ...
, James Gilchrist,
Klaus Mertens Klaus Mertens (born 25 March 1949, in Kleve) is a German bass and bass-baritone singer who is known especially for his interpretation of the complete works of Johann Sebastian Bach for bass voice. Career Klaus Mertens took singing lessons wh ...
,
Amsterdam Baroque Orchestra & Choir The Amsterdam Baroque Orchestra & Choir is a Dutch early-music group based in Amsterdam. The Amsterdam Baroque Orchestra & Choir was created in two stages by the conductor, organist and harpsichordist Ton Koopman. He founded the Amsterdam Bar ...
,
Ton Koopman Antonius Gerhardus Michael "Ton" Koopman (; born 2 October 1944) is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orchestra & Choir. He is a professor ...
, Antoine Marchand 2001 * ''J. S. Bach: Cantatas Vol. 19 (Cantatas from Leipzig 1724)'',
Masaaki Suzuki is a Japanese organist, harpsichordist, conductor, and the founder and music director of the Bach Collegium Japan. With this ensemble he is recording the complete choral works of Johann Sebastian Bach for the Swedish label BIS Records, for whi ...
,
Bach Collegium Japan Bach Collegium Japan (BCJ) is composed of an orchestra and a chorus specializing in Baroque music, playing on period instruments. It was founded in 1990 by Masaaki Suzuki with the purpose of introducing Japanese audiences to European Baroque musi ...
,
Rachel Nicholls Rachel Nicholls is an English soprano in opera and concert. Career Born in Bedford, England, Nicholls studied French at the University of York, and from 1998 voice at the Royal College of Music with Kathleen Livingstone. In 2001, she won seco ...
,
Robin Blaze Robin Blaze (born 11 January 1971) is a British countertenor. Early life He was born in Manchester, England. The son of Peter Blaze, a professional golfer, and Christine, Blaze and his brother Mark grew up in Shadwell, near Leeds, and was ed ...
, Gerd Türk,
Peter Kooy Peter Kooij (or, internationally Kooy, born 1954, in Soest) is a Dutch bass singer who specializes in baroque music. Biography Kooij started his musical career at 6 years as a choir boy. However he started his musical studies as a violin stude ...
, BIS 2008


References


Sources

*
"''Wir müssen durch viel Trübsal'' BWV 146; BC A 70 / Sacred cantata (4th Sunday of Easter)"
Bach Digital Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of his family. Early manuscripts of such compositions are a major foc ...

"Cantata BWV 146 ''Wir müssen durch viel Trübsal in das Reich Gottes eingehen''
history, scoring, sources for text and music, translations to various languages, discography, discussion, Bach Cantatas website

English translation,
University of Vermont The University of Vermont and State Agricultural College, commonly referred to as the University of Vermont (UVM), is a Public university, public Land-grant university, land-grant research university in Burlington, Vermont, United States. Foun ...

"BWV 146 ''Wir müssen durch viel Trübsal''
text, scoring,
University of Alberta The University of Alberta (also known as U of A or UAlberta, ) is a public research university located in Edmonton, Alberta, Canada. It was founded in 1908 by Alexander Cameron Rutherford, the first premier of Alberta, and Henry Marshall Tory, t ...
*


External links


"''Wir müssen durch viel Trübsal in das Reich Gottes eingehen'', BWV 146"
performance by the
Netherlands Bach Society The Netherlands Bach Society () is the oldest ensemble for Baroque music in the Netherlands, and possibly in the world. The ensemble was founded in 1921 in Naarden to perform Bach's ''St Matthew Passion'' on Good Friday and has performed the work ...
(video and background information) {{DEFAULTSORT:Wir Mussen Durch Viel Trubsal Bwv 146 Church cantatas by Johann Sebastian Bach Psalm-related compositions by Johann Sebastian Bach 1726 compositions 1728 compositions